Pods Embed Error: Pod not found.

“Scottlo going in circles in the desert” by Christina Hendricks…



“Scottlo going in circles in the desert” by Christina Hendricks is licensed CC-BY-NC-SA Canada (the original car image is licensed as such).

The August GIF challenge for ds106 continues; this one is #5: reinvoke a missing ds106 friend! According to Talky Tina,

If you are missing a Friend from the DS106 Digital Storytelling Community, maybe you can re-invoke them into coming back with a voodoo Animated GIF Poster of your own!

Talky Tina and I both did posters for our friend Scottlo, who left Saudi Arabia a number of weeks ago, and has been very quiet since. I know he got rid of his Yaris and doesn’t have it anymore, but that’s how I remember him—talking about driving his Yaris in the desert on ds106 radio.

And you know what? It worked! When I sent out a tweet last night asking for help with gifs, Scottlo replied! He’s around! Bill Smith said Talky Tina and I invoked him with our Art Makes. Wow, art is powerful.

The process

I used a still frame from Andrew Forgrave’s gif on this ds106 assignment for Scottlo’s Drive By show on ds106 radio. I then got this picture from Flickr, which is a place in Saudi Arabia that I have no idea if Scottlo ever visited (“Cliffs Near Faisal’s Pinnacle,” by Peter, licensed CC-BY).

I cut out the car from the background using the lasso tool, as well as a layer mask so only the car showed. I made numerous copies of the car.

I put the text on the background, saying “Scottlo left the desert in his Yaris weeks ago…have you seen him?”, and made lots of copies of that.

So then I just moved the car layers across the background layers so it looked like it was moving. I had lots of car layers at first, but was ending up with too many layers, so I made it jump across a bit faster.

The last layers were just a background with no car, and the text “Oh wait…he’s just going in circles.” So it would be just the background with that text, then the whole thing would start over. But it didn’t look right when the gif moved, so I decided to make a second pass of the car across the desert with that text on the background, so it would be like you notice he’s going in circles when he comes back around.

PROBLEM! I wanted the car to go back across the desert, but had already merged the car layers with the background layers, so couldn’t re-do the moving car without using the lasso tool on the original car image AGAIN. Okay, so I just use the first moving car layers over again. NO, because those have the wrong text on them (the first text about him leaving the desert), and I’ve already merged that text onto the layers.

Nothing to do but use the clone tool to “erase” the text on the moving car layers and replace it. I don’t know if I could have used the eraser tool…maybe.

LESSON TO ME: Don’t merge layers down until you know you are through. Of course, Rockylou told me another trick: save several versions, some without layers merged down, so you can go back and change stuff with the earlier versions if need be. I even said “yes, good idea,” and then I didn’t do it! Boo me. The problem is that you can’t really see what the gif is going to look like until you merge layers (unless you’re really good at this stuff and can just tell what the program is going to do!).

So yeah, I cloned the sky, and got rid of the original text, and put the “circles” text on the second go-around of the car. And of course I didn’t clone the same way on each frame, so you can tell that the color around the text changes. Also, I didn’t put the second text on enough of the moving car layers, so it doesn’t go for long enough. But if I try to add it to another layer now, it won’t be in the same place on the image (I duplicated the background with the new text, so it was always in the same place). So again, lesson to me!

And why the heck is the text so pixelated and not-nice looking? no clue.

I had a lot of fun with this one, and again, I’m learning more and more with each GIF!

DS106 Dancing Jim Assignment

Dancing Jim All Over the World Assignment

Like the elusive Pimpernell, dancing Jim may crop up anywhere at any time thanks to J Johnston’s assignment. Due to popular demand from #byzantiumbooks, there was only one thing to possibly do with the static Tabloid cover.

The only way this could be better is if Jim was dancing on the cover photo! Great job!

TabloidCover

 

 

 

 

 

 

 

So here you are. [Method - template of Jim downloaded from 106, Fireworks file created and saved as an animated gif first (I keep forgetting that), and the Tabloid cover copied across 10 frames to match Jim's grooving. Publish. Have lols].

TabloidCoverGif

DS106: it just makes sense

DS106 makes sense.  Running with bulls does not.  But running with bulls is exactly what’s going to be happening near Richmond August 24th.  Fools.

DS106 makes sense.  Bull running does not.

DS106 makes sense. Bull running does not.

I found some archival footage from the bull runs in Pamplona, Spain at Archive.org.  I downloaded that clip and then went to Photoshop, where I went to file >> import >> video frames to layers.  I then selected the file I wanted to import (I changed the file extension to .mov per Alan’s suggestion here).  The video is a few minutes long, and I only needed a couple of seconds so I checked the “selected range only” option and selected the couple of seconds that I needed.

Screen Shot  I grabbed the DS106 logo from ds106.us and made that a layer.  I made it the head layer and then made it visible on all 39 layers that made up the animated GIF.

Photoshop screen shot

Photoshop screen shot

Next, I created two layers of text: one for the “It just makes sense” and another for “Headless #DS106 . August 26, 2013.”  Initially I had both text boxes at the bottom of the image like this:

But when I went to preview the GIF, “It just makes sense” moved to the top of the frame and nestled itself under DS106.  I have no idea why.

Photoshop screen shot

Photoshop screen shot

I liked it like that, so I left it.

I made the text layers visible in all 39 layers that made up the animated GIF.

But here’s another Photoshop conundrum: If you look at the two pictures above, you’ll notice that layer 38 has the “It just makes sense” snug under “DS106.”  However, layer 39 had the “It just makes sense” text at the bottom of the image like I had originally planned.  I’m not sure why the positioning of “It just makes sense” text changed in 38 layers, but not layer 39.  If anyone has suggestions, I’d love to hear them.  I had to manually move the “It just makes sense” text box in layer 39 so that it matched the other 38 layers.

There we go.  I’m ready for the next challenge.

 

 

 

 

So I was out of town for a week, and when I got home I opened…


What the H-E-double-L is THIS?!







Merging a shelf/Jim layer onto a fridge background layer.

So I was out of town for a week, and when I got home I opened the fridge to…what the H-E-double-L is THIS? Jim Groom in my refrigerator? Okay, I’m a bit creeped out now. At least he seems to be having a good time. Maybe he ate all the food and just left the sparkling water and the Metamucil.

This is the Dancing Jim All Over the World ds106 assignment, as part of the August 2013 GIF challenge created by Talky Tina.

This one was not as difficult as I feared it might be, in large part thanks to some very helpful instructions posted by Rockylou and Brian Bennett.

I used an earlier image I made for a ds106 daily create as the background and foreground for Jim.

The process

(You can see screenshots of some of this by clicking the tiny arrows next to the image at the top! Or clicking on the image, which will give you access to all the images in the post)

1. Opening and duplicating the background image

I opened (as layers) the wireless mic version of the Groom template that Talky Tina created into GIMP. Then I opened (as layers) the almost-empty-fridge-blues image I had from the earlier daily create assignment.

I put the fridge image on the bottom so that I could see the Jim layers above it—this made it easier to see where I needed to scale and move Jim’s layers.

I then duplicated the fridge image so that I had the same number of fridge layers as Groom layers.

2. Scaling and moving the Groom layers

There were 9 layers in the Groom gif, and in order to move them together and scale them together, I had to do two different things, as explained in an earlier post.

In order to scale all the Groom layers together (rather than one by one) I put them all into a “layer group” (click the link to see how to do this). Then I could scale them by right-clicking (or control-clicking) on the layer group folder and choosing “scale image.” I made Groom the right size to fit into the fridge shelf.

But I also needed to move all the layers together so they’d be in the right place. Unfortunately, due to some strange quirk of GIMP, you can’t move layers together in a layer group. Instead, you have to “link” them. Then you can move them all at the same time.

3. Creating a foreground in front of dancing Jim

I already had 9 fridge layers to act as background for the Groom layers, but now I needed to create a foreground for him too. To do that, I duplicated the fridge layer one more time, and then used the “lasso” or “free select” tool to select the shelf that would go in front of Jim.

I then created a layer mask on that image (go to Layer->Mask->Add layer mask) and clicked “selection” in the dialogue box. This made it so only the shelf was visible and the rest of the image was transparent. In GIMP you also need to “apply layer mask” to the image after adding it. You can do this by clicking on the layer with the mask, and going to Layer->Mask->Apply layer mask.

I needed 9 of these foregrounds as well as 9 of the original image as backgrounds. So I just duplicated the image that had the layer mask applied.

4. Putting Jim between the foreground and background, and merging

I first put a fridge layer under each Groom layer so that each Groom has a background. Then I put a fridge shelf layer above each Groom layer, so each Jim has a foreground.

Time to merge down. First, I merged a fridge shelf layer with a Groom layer. Select the top layer and right or control-click to get the dialogue box and choose “merge down” (see screenshot). Then, I merged the fridge shelf/Jim layer with the fridge background layer beneath it using the same process. And repeat for each threesome of shelf, Jim, fridge.

5. taking layers out of the layer group

You can’t animate the layers in GIMP if they’re in a layer group, so you have to take them out. You can do this anytime after scaling and moving them, but I kept them in for awhile just to make sure they were in the right place.

Move the layers out by just clicking and dragging each to the top or bottom of the layer group, keeping the same layer order. Then you can delete the layer group by clicking on it and control- or right-clicking and choosing “delete layer.”

6. Changing the animation speed

Jim was dancing too fast at first, so I exported as gif again and changed the dialogue box on export to read 200 millisecond delay between frames. That got him about right, I think!

Now, if only I could get my act together and add some music! But I’d have to do it in WordPress, I think.

P.S. I have learned over the last couple of GIFs that if you put one on Tumblr over 1MB, then it won’t animate on the blog. It will animate when you’re editing the post, but not when it shows up on the blog. At least not with my theme! Even 1.1MB didn’t animate. Had to make it a smaller image.

It’s Subtle

Our hero, just before the return journey

Our hero, just before the return journey

This shot is from George Melies‘s amazing La Voyage Dans la Lune, my absolute favorite movie from that very first age of cinema, known to some people as Early Cinema, but which I call Everything Sucks Except George Melies.

To answer your unspoken question, yes, I will be talking about this old cinema stuff all month long.

The most famous shot from the movie is the moon’s face, which seems to be one of the first closeups of a human face in cinema history, which is sort of hilarious, since it’s just personification. As in, they couldn’t think of a good reason to just look at a human face unless it was also a celestial body. Or whatever.

La Lune that La Voyage was all about

I don’t love everything about the framing of the animated gif. The dude on the right is just kind of standing there, but it’s the clearest shot I could get and still have the entire space bullet in the frame and the window into it completely unobstructed.

At first I didn’t like how small J.G. was, and then I remembered all that smack he talked about state schools and public education, and I was like, “What? Make him even smaller.”

Now I’m a day behind on giffing, but I have no no idea what to do for the DS106 poster prompt, so I’m gonna take a day. Bonne chance, mes amis (mes amies? maze amy’s?).

Here’s the original video if you want to watch it (it’s rad!):



He’s a Maniac! And He’s Dancing Like He’s Never Danced Before

I must have been blind when I took this photo at the recent Apple Store Markville opening (slideshow). I didn’t notice @jimgroom doing a dance-webcast (a popular Apple Store pastime for teens at one time) off to the side until I got home and developed my memory card.

"Jim Groom at the Apple Store" animated GIF by aforgrave

“Jim Groom at the Apple Store” animated GIF by aforgrave

You can clearly see the MacBook open on the counter in front of him, and Jim dancing in glorious ds106 abandon.

Shared in response to @iamTalkyTina‘s August 2013 Animated GIF Challenge #2: based on @johnjohnston‘s Animated GIF Assignment 1001: Dancing Jim All Over the World.

Such a fun guy! Go, Jim, go!

Show Us Your Headless13 ds106 Self

Okay. So #ds106 is going Headless for the fall of 2013.

Show us your #ds106 #headless13 self in an animated GIF. We want to see you with — and without — your head.

My 60 Second Saturday – A Video Narrative

It’s no secret that I’m openly in love with the anti-MOOC that is #ds106. It’s also no secret that my wife makes amazing digital art…when she actually has time to create. Last summer she created a 60-second narrative of her day, capturing small moments with her phone’s video camera. She cut each of those moments into one-second vignettes then stitched them all back together to create a minute of video that was a heart-warming and compelling narrative. You can watch it below or follow the link here to see it on YouTube.

I should have tweeted, blogged, and Facebook’d it last summer, but I didn’t. I’m a bad husband (sorry, honey). I’m trying to make up for that now, and took last Saturday to create my own version, with my wife providing a few cameos throughout the day. There’s been a lot of buzz about the 1 Second Every Day App, mostly thanks to keynote speakers at educational technology conferences showing off the pieces they’ve created with the app. The pieces created are moving, playful, and fun….but require a lot more time and fore-thought to slowly build a narrative than I was willing to create. Sure, you could capture what’s happening in your life at the same time everyday for a year or a month. You could even try to capture at least one powerful emotion everyday, or a moment in which a human interaction has left you feeling just a little bit better about life. Personally, I would be tempted to capture at least one smile or laugh a day; from a co-worker, a friend, a family member…small moments of joy compounded over 365 days.

I didn’t want to wait that long to create a one-second narrative, nor did I want to tackle the more ardent task of creating a narrative over several days; I can see where it would be very easy to create a disjointed narrative capturing just one moment everyday if there isn’t much thought put into it. Then again, what I created may not have a strong emotional impact either, as the staccato transitions from one second to the next creates a rapid-fire movie that often requires repeated viewing to capture small subtle movements, sounds, or emotions. Your narrative is much more limited as well; who knows if you’re encounter 60 amazing laughs or smiles in a day (I hope you do), or whether any given day will be particularly note-worthy. My goal then was to give everyone a glimpse into a typical summer Saturday with my family….farmer’s market, raspberry picking, skinned knees, and all. I hope you can get a sense of my day below, or over on YouTube.

There’s so much room for broadening the definition of narrative story telling in our schools, not just from closer alignment to Common Core Standards, but as a society as well; YouTube and Vimeo have become the defacto video space for most individuals to tell their stories, with Twitter and Vine quickly becoming the standard bearer for snarky conversations and witty visual jokes. Even the animated GIF, once derided as the “this website under construction” butt of many web-based jokes, has seen a resurgence as a powerful storytelling medium. Imagine the impact a teacher could have on students and parents by redefining what the classroom newsletter could be, or how daily messages about homework or important papers could be transformed into 6 second videos? You don’t need a special service or app like Vine to do it either. A digital camera and the standard video editor that comes with just about every platform works in a pinch. Most students are already carrying the devices you would need to capture the video, so in many cases it’s just a matter of seeking permission, or moving forward in a deliberate and “safe” manner (for those teaching in districts with more conservative social media policies) and seeking forgiveness later.

Regardless of whether you agree that narrative story telling is in need of a 21st century facelift in many classrooms (and be mindful, I’m not advocating doing away with written narratives), I hope that many would agree there’s a certain power and emotion that video makes it easier to elicit from viewers.

I’ve created a ds106 assignment for the 60-Second Day in the assignment bank, but I’d love to see what other stories someone creative could tell. Perhaps a field trip, the life cycle of a frog, or an entire reading of a novel in class, each chapter distilled down to one sentence? Expand the parameters, allow 4 or 5 seconds instead of just one. Challenge students to tell the same story through video from multiple perspectives. You could even start telling your “summer story” right now, and have a one-second vignetter video narrative to show your class on the first day back this Fall.

You BETTER Run!

Well! Let this just be a lesson to all those #pretenderTinas out there.

For some reason, the Dynamic Duo lit out when they saw me ...

For some reason, the Dynamic Duo lit out when they saw me …

This here @iamTalkyTina can set a fright to a man if he’s not prepared. The Dynamic Duo got mistaken and climbed up the side of my house with their batropes and happened upon me in the middle of the night while I was doing my scrapbooking again.

Boy, when they saw me, they weren’t prepared and I guess they just lit out like they were spooked by some Arkham inmate or something! For Batman and Robin Running Scared.

Anyway, you bub #pretenderTinas better be ready to rumble tomorrow night. I’m ready for you. I’m ready for you all!

Batman and Robin Running Scared

There’s an awesome Tumblr blog created by That Design Bastard filled with animated GIFs of Batman and Robin Running away from sh*t. The cool thing is the site posts a PSD file of Batman and Robin running with a transparent background so you can make your own. He even encourages you to submit your GIF to him for consideration. Time to get those two caped crusaders running scared!