The Thin Line Between Heaven and Here

Bubbles is attributed the epigraph “[There is a] … thin line between heaven and here” in Old Cases, Season 1, Episode 4 of HBO‘s The Wire. He delivers the line at about the midpoint of the episode, and the line came just at the right moment to punctuate what I perceived as the first whack-me-over-the-head, must-be-gifted juxtaposition. That I held off on GIFfing anything (including this) until I had made my way through all 5 seasons / 60 episodes is a result of knowing that I wanted to get as far through the series (having never seen it) before the end of my summer break. We’ve been back at school for two weeks, and having finished the series, I’m ready to play.

This post is also an entry into the Animated GIF Assignment 1352, Summarize a Wire Episode in GIFs. I haven’t necessarily done a complete summary so much as tried to interpret the epigraph as portrayed in the context of the episode.  In scanning the previous offerings for this assignment, I was pleased to see that, aside from one GIF, it appears that no one has yet summarized this episode. And so, onward! 

Partway into the episode, Bubbles hitches a ride home with MucNulty (on his way out into the suburbs to his son’s soccer game), who thus takes Bubbles on a detour .

"Leave-it-to-Beaver Land" animated GIF by @aforgrave

“Leave-it-to-Beaver Land” animated GIF by @aforgrave

McNulty meets with his ex-wife at the soccer game (she shirks back from shaking Bubbles’ hand and pulls her coat closely about her protectively), and Bubbles takes in the surroundings.

"The Thin Line Between Heaven ...." animated GIF by @aforgrave

“The Thin Line Between Heaven ….” animated GIF by @aforgrave

The lush, green grass and uniforms of the kids playing the organized soccer game in the bright day time sunlight with spectators galore set us up for the immediately subsequent scene when McNulty’s car pulls up after dark back in the inner city. There, kids play on the pavement/dirt lot beside a dimly-lit back alleyway. One adult stands, plastic shopping bag in hand, as the kids circle round. The stark contrast in the scene cut had me immediately playing back the transition to check the parallel.

"... And Here" animated GIF by @aforgrave

“… And Here” animated GIF by @aforgrave

It is then that Bubbles delivers his line, having just seen how close the two worlds are physically — and yet how distant that suburban reality is for those caught in the city.

"Bubbles: [There's a] thin line between Heaven and here." animated GIF by @aforgrave

“Bubbles: [There's a] thin line between Heaven and here.” animated GIF by @aforgrave

 Bubbles has no options but to return to his world, and McNulty ponders.

"Bubbles is Home" animated GIF by @aforgrave

“Bubbles is Home” animated GIF by @aforgrave

There are a number of other nice moments in the episode which speak to the notion of a thin line between two worlds.

Avon Barksdale lives a life influenced by, but isolated from the street. Stringer Bell runs the day-to-day dirty work, and Avon has everything done for him by his lieutenants (they are always opening and closing the door to his office for him). In this scene from Old Cases, I found this emphasized by the way that Stringer  sets-up Avon for a jump shot in the gym. All Avon has to do is grab the perfect set-up (from a standing start) and dunk the ball. Minimal preparation, but all the glory.

"Stringer Setup for Avon" animated GIF by @aforgrave

“Stringer Setup for Avon” animated GIF by @aforgrave

The scene where Herc and Carver go to roust the missing Bodie and encounter his mom also presented a nice contrast between the constant and stark representations of Bodie’s outdoor street life, and the indoor home world of his mother.  Granted, her living room has little of the brightness of the living rooms of the police and politicos (are they brighter the higher up they go?), but a wholesome warmth is there.

"Brodie's Mom" animated GIF by @aforgrave

“Brodie’s Mom” animated GIF by @aforgrave

Herc realizes the contrast between the brash approach he and Carver naturally brought with them from the street to her front door, and the welcome she provided when she asks him if he “would like to sit down.” Her nature calms the Herc(ulean) cop, and he softens noticeably. The difference between being rude and being polite is only a choice away.

"Polite Moment" animated GIF by @aforgrave

“Polite Moment” animated GIF by @aforgrave

Back outside, Carver asks him, “What were you doing in there?”
“Talking,” Herc replies.
“Talking.” Carver is stunned.

Meanwhile, back at the station, Polk is considering the fine line between the drudgery of his job as police, and the short-term pain of intentionally throwing himself down the stairs so that he can retire on a disability pension like his partner Mahon, previously injured by Bodie. Either the sudden arrival of McNulty and Kima, or more likely his lack of fortitude, scuttles his plan.

"Contemplating Retirement," animated GIF by @aforgrave

“Contemplating Retirement,” animated GIF by @aforgrave

Then we arrive at one of my most long-anticipated #wire106 GIF moments, capturing Lester Freeman building his furniture miniatures. Initially a bit of an enigma (we wonder how it is that he is allowed to just sit around making furniture miniatures when there is work to be done?), we first see Lester’s skills at work as he susses out a photo of Avon Barksdale in the previous episode The Buys, episode 3, and then runs down the pager number of D’Angelo here in Old Cases, episode 4.

"13 Years, 4 Months" animated GIF by @aforgrave

“13 Years, 4 Months” animated GIF by @aforgrave

By this time, McNulty realizes that Freamon not an oddity, but is rather “real Po-lice.” We see some foreshadowing of McNulty’s future when we later learn of the bizarre rationale behind Lester’s 13 year, 4 month exile to the Pawn detail. The dedication and ability of McNulty and Freamon in solving crimes contrasts wonderfully with the slack and ineffective efforts of Mahon and Polk. And the very thin line between being real police and kowtowing to the politically-motivated, stat-driven bosses is clearly evident when Freamon offers his sage advice to Jimmy near the end of the episode.

"Do Yourself a Favour" animated GIF by @aforgrave

“Do Yourself a Favour” animated GIF by @aforgrave

Jimmy, however, does not succeed in avoiding the question — he has already been asked the question by Jay, and he has already answered that he would hate the diesel fumes of the Marine Unit. (Spoiler: As we see at the end of Season 1,  that is where he ends up.)

Big Things Come in Small Packages, No Gif 2 Me!

The GIF assignment proved to be VERY challenging to create. I still haven’t mastered the skill of bringing the animation of it to life directly on my page, underestimating the time it would take to understand the process limited my ability to do this in a manner satisfying to me. It is something that will take further addressing to achieve and a skill I hope to attain with pursuing the GIF technique in the future!

Come @ the King, Bet not Miss! Was a revolving theme in The Wire episode 8, portraying a constant reminder that in the game on the streets there are parts delegated to all. Even the youngest pictured in the first GIF reminds the watcher how essential it is to keep count even with shaky math skills. With being a peon or soldier of the streets one is careful not to cross the expectations of the King!

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But what when crossing the King. You’ll surely be reminded and checked by reality. With attempting to side hustle Avon, Orlando has his coat pulled notoriously. The message is given to stay in pocket as Avon has delegated his position to be liquor license holder and no more.

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Though even with elevating the game to a higher class status there are pawns to be kept in place and ordered to fall back in ranks, seen here with Daniels as he is consistently reprimanded for violating. In the next GIF the story tells of political corruption permitted to run amuck.

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Even higher ranked individuals such as Stringer, seen in this next GIF has the task of controlling with the legit front put in place to minimize the activities under the control of Avon. He has to run a tight ship to keep speculation off of the matters handled in the streets of Baltimore. Here he reminds the crew that unlike the streets, the printing business is to mimic that of an official business apart from the true business of running a drug ring.

4 Unna-stand-Idris

Finally we get the true meaning of coming at a player in the streets without preparing properly for the ramifications as Omar so stealthily reminds WeBey in this OK Corral shooting with the whistle from death. What is to become his signature caveat that one would be dealt with when missing the opportunity to seal the deal. A reckoning I’m sure as Stinkum is doomed to find out of.
5 SHOT-N-DEAD

Getting GIFfy With It

So this week, we were assigned to make 6 gifs to summarize an episode from The Wire. I decided to make gifs from Episode 9 “Gameday.”

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The episode starts off where Stringer and Barksdale are talking about Omar. They know he’s been starting his own little drug ring in their territory. But they also know that if they send someone for him, he’ll know before they even get to him. So they are stuck between a rock and a hard place in regards to Omar.

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After the title scene the shot goes to De’Angelo and Wallace talking. This is the first time we see Wallace’s need to get out of the drug circle. He wants to finish high school.I really like Wallace. He’s definitely a good kid who just got caught up in the wrong crowd.

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Now this part of the episode is hysterical but it also has a sad connotation to it as well. Here Bubbles is swiping a stash. He almost gets away with it too. I find this part really funny because of his Macgyverlike skills to grab the bag. But once he gets caught, he runs away but unfortunately/ fortunately, another guy is “caught” leaving him to escape. Bubbles also just went to rehab to attempt to get clean. Clearly it doesn’t last very long.

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After Bubble’s adventure getting his new stash, Kima and Lester attempt to get to one of Orlando’s girls, Shardene. They want her to become an informant within the case to help further the case along. As a way to sway her to their side they have her go identify a friend of hers from the club at the morgue. They aren’t getting much input from her quite yet but eventually she sides with the detectives.

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Then the big game happens. It is the east side vs. the west side. Ellis and Herc are out patrolling. It seems too quiet, as they pull up to the basketball court they realize why its so quiet. The scene continues and Barksdale is bantering back and forth with Proposition Joe. The west side coach offers Barksdale a deal. Barksdale accepts but little does he know that he will be hustled by Joe. As Ellis and Herc are watching the game they come across two of D’Angelo’s dealers. “We’re on break. Yeah well so are we.” I really love this quote because its like a game of basketball brought them together even though they are from completely different worlds.

ep9pt6

 

Towards the end of the episode, Lt. Daniels pages Herc and Ellis because there was a serious mix up. Some how during a raid, two stacks of money were lost. Here this gif shows both of them tearing apart their car to find the money because the lieutenant gave them an ultimatum for them to come up with the money. “You have until roll call tomorrow morning to crawl back to whatever rock you hid it under.” I found this part very interesting because of the way the director set the scene up. First shows trash begin flung out of the trunk. Then you see an empty box of Dunkin Donuts hit the ground. You can also feel the panic set in on both Herc and Ellis. Then there is the release of tensions when Ellis finds the money in the wheel well of their patrol car.

I really liked this episode because it had a great sense of drama between the basketball game, the picking up of Shardene, the money bust done by Ellis and Herc and even the heartbreak to see what Wallace is going through.

 

 

Jeremy’s Wrap-Up The Wire Episode 12 in 6 gifs

wireEP1201

It’s all about me…

wireEP1202

Let the boy be…

wireEP1203

You ready to put the work in…

wireEP1204

Death of Wallace

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Where’s Wallace at?!!

 

wireEP12

Catch YOU Later…

Episode 6 – “The Wire”

This week I decided to summarize episode 6 called “The Wire.” I feel like this episode is extremely important to the series. Creating the GIF’s this week was a first for me. I have always seen these on websites and what not but I never had any idea of how they were made. At first I was overwhelmed with the process to get the media content I needed as well as figuring out how GIMP worked. It was a great experience learning how to make them. I look forward to make better and cooler ones in the future.

My first GIF is from the beginning of the episode. In the previous episode Wallace saw Omar’s boy Brandon and called D’Angelo. Avon’s men obviously took care of Brandon in hope of getting back at Omar. Wallace saw this right outside where he sleeps and feels horrible about what happened. I though it was interesting that he felt bad because he knew what was going to happen when he called D’Angelo. Wallace wanted to turn him in because it made him look good within the drug business but now feels bad about it. I am curious as to if he had another opportunity if Wallace would turn him in?

GIF 1 09

 

Bubbles was trying to do good until Johnny came by the food stand he was working at. Johnny was just released from medical care and his first thought it how to get high. They planned out a con to steal copper pipes and then sell them. It just shows how bad these guys need to get high and why the drug dealers in Baltimore have so much control.

GIF2

Going along with the con is the process of Bubbles and Johnny actually selling the copper. Bubbles first asks the contractor to pay 40 cents a foot and the contract doesn’t want to buy it. Bubbles puts on his best salesmen act and negotiates with the contractor. In the end the contractor and Bubbles agree to a cost of 30 cents a foot. I chose this section for 2 reasons. First, it once again shows how bad these addicts need to get high. They literally do whatever is needed to get enough money to get high. Secondly, the contractor seems to be a well established working man yet he buys this stolen copper. He is enabling these druggies to get high.

Gif3

When McNulty saw Omar’s boy dead on that car he knew he could use this to his advantage. He finds Omar’s car and leave his business card. Omar calls McNulty on a night that he has his kids. He takes Omar up on this offer even though he doesn’t see his kids a lot. This shows how McNulty is a workaholic. He is an addict himself just in a different way. His “high” is being on the job trying to figure out whatever case he has at the time.

 

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McNulty takes Omar to the morgue to show him Brandon’s body. I knew that Omar was going to get revenge. This scene shows that even a guy like Omar who shoots people like its nothing has feelings and cares about certain people.

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Finally, the scene that was a turning point in the detectives cases. Getting Omar on their side or at least getting him to answer questions and get some info from him helped take the case to the next level.

 

Gif6

 

 

Mircales happen – I made a GIF

wire gifEpisode 2 sets the standard for the way of life on the street. “Fuck right. It’s ain’t about right, it’s about money.”

 

 

 

 

Did I just really made a GIF? 5 GIF?

It’s quite amazing how I made a GIF. I’ve always seen on facebook and other social media websites of people making GIF and I always thought like when will I be able to make one. I didn’t know making a GIF would be that hard. All I did was to follow the steps from this link: http://ds106.us/docs/Creating_Animated_GIFs_with_MPEG_Streamclip_and_GIMP

It isn’t that bad. I downloaded MPEG Streamclip and GIMP. I downloaded the first episode of The Wire from the media hub and followed the steps of what Professor Groom showed us which was basically going to the video and clicking the download icon. Then in the link, I went and followed the steps. I went to the scenes and clicked in the beginning of those scenes “Select in” and “select out” at the end of the scenes that I wanted to make my GIF. Then after that, I click “Trim”. I then click “Export to other formats”. From there, I saved it in a file and went to the program GIMP.

At the program GIMP, I clicked “File” then “Open as layers” and then I selected all of the images.  When I added text, on the other side I merged them with the pictures but before that I made a duplicate of the text so I can merge it with the pictures. After that, I clicked “Export as” and then I put it as a “.gif” post.  I as well put it as an animation post. That’s how I made it as a GIF. So I chose the first episode of season 1 of The Wire.  A lot of people did the other episodes. I felt like episode 1 was a better choice and that’s my opinion.  Plus so far no one did it. Here are my reasons below:

In this GIF, it shows Gant testifying that D’Angelo is indeed guilty for his crimes that he did which was murdering someone. I liked this scene because this showed particularly that we all know that there are more than 1 season of The Wire and D’Angelo wouldn’t go to jail yet. Something indeed was going to happen.

Gant Confessing

In this GIF, this is where The Wire begins. Nakeesha Lyles changes the story by saying the man (D’Angelo Barksdale) who murdered the man isn’t there in court. That changed the whole story and what I believe started and made this TV show The Wire interesting.

Security Guard Lady Lies

This scene to me particularly is quite interesting to me because I never seen McNulty apologize before. I mean of course it’s the big boss he’s apologizing too but I mean watching all the other episodes, I never seen him like this before in this particular scene. But afterwards, he goes and investigates this case.

McNulty is in trouble

This scene shows that even though D’Angelo is free, he can’t keep talking stuff that can get him in jail. Everyone knows he killed that man. He’s lucky that his buddy told him not to talk because who knows, the car could have been wire taped and it would have caught him confessing to the murder.

D'Angelo isn't supposed to talk about the case

In this specific scene, I thought this made the TV series more series when they showed the witness that testified against D’Angelo dead. When I saw D’Angelo seeing Gant dead, he just walks away. To me, that looks guiltiness right there. I didn’t expect Gant to be dead. When it shows he got shot in the head, the show gotten better because like I said before, this is not a regular tv cop show about winning or losing, it’s more about each sides.

Gant is Dead

One Arrest as told by GIFs

This weeks assignment for DS106 was to create GIFs to summarize an episode of The Wire. When I first read this I was both nervous and excited. I had never made a GIF, didn’t know where they came from, and had no idea how I could summarize an hour-long episode in six or less GIFs.

For this assignment, I chose episode seven “One Arrest.” I really enjoyed this episode because there was a lot of action.

The episode begins with the Prez decoding a message with information of a resupply. The police end up arresting Kevin Johnston. This scene is important because it really shows progress. Many times when I watch this show I get bored because everyone is just sitting around listening and waiting. This episode proved me wrong.

Arrest

 

The next big event in the episode was when Johnny and Bubbles attend the Narcotics Anonymous. During the meeting, Bubbles stands up and gets a 24 hour pin. While watching this, I was really happy. He looked like he really wanted to change. In a following episode (I think it was episode 10), Bubbles stole what he thought was cocaine. I was really disappointed with him. I had thought he wanted to change.

Getting Clean

The next important scene is where D gets the offer to sell cocaine behind Avon’s back. I found this scene to be foreshadowing in a way. If D’Angelo takes the offer, that could really mess up the case. The police unit could get confused with the drug flows. D could also face fatal consequences if Avon were to find out.

Think on it

When Stringer gets nervous that the police are onto them, he mandates the men to rip out the payphone and gives them rules for future contact. This means that the police unit will need to find other ways to watch them and keep a closer eye on their movements.

Cut Off

A reoccurring theme in this show is the brutality the police show towards the perps. This theme is evident in this episode when the police beat Bird Hilton. After he refuses to cooperate and shares nasty remarks towards the police, they rip up his picture and begin beating him. This just shows that the police force is willing to do anything to get answers regardless of rules.

Beating

 

As the episodes go on, I am getting more and more into them. I am excited to see what happens next!

Pager Paranoia on the GIF Wire

This is my attempt at the “Summarize A Wire Episode In GIFs.” I chose to pull six (actually seven) animated GIFs from episode 5 of Season 1 of The Wire: “The Pager.” It’s one of my favorite episodes because the theme of being watched and a more generalized sense of paranoia creeps into the episode constantly. The cops are finally up on the wire, and Avon Barksdale seems to have a sixth sense about it. In the opening scene he reminds Wee-Bay of their reality given they control the drug trade in West Baltimore.

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And the cops aren’t the only reason they should be paranoid. This is one of the earlier, if not earliest, episode where we hear the refrain: “Omar’s coming!” As we all know, “the cheese stands alone!” —and he’ll be coming for Avon soon.

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There’s a lot of warnings in this episode, and I found an interesting parallel between Omar’s raid on the East Side stash, and the young hopper’s in the pit calling the warning for “5-0″ that Stringer Bell and D’Angelo hear while talking about there being a snitch in D’s ranks. Again, this constant sense of being watched, betrayed, and generally under someone else’s control.

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I love this seemingly throw away scene when McNulty says “School’s out” as he sees the kids heading home while staking out Omar’s pad. He then remembers to call his ex-wife about his kids’ weekend visitation, while one of the neighborhood kids picks up on the cops presence and reports back to Omar. So many small, perfect details to reinforce the theme of being watched without driving them down your throat.

schools_out 01

Possibly one of my favorite scenes in The Wire is when D’Angelo goes out to dinner with his baby’s momma, to use the parlance of our times. She notes he didn’t push hard enough to get a better table away from the kitchen door, and as she finishes he’s spooked by the waiter behind him. Not only demonstrating D’Angelo’s “soft,” but also suggesting his discomfort, bordering on paranoia (although not seemingly misplaced), with the race/class-driven logic of the system.

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I love this one between Sergeant Jay Landsman and McNulty because it’s an allusion to Sidney Lumet‘s 1981 NYC cop film Prince of the City. Interestingly enough, the “protagonist” of that film, Danny Ciello, turns state’s evidence on his fellow cops because of his guilt over the institutional corruption. Ultimately he’s torn apart by his choices and can’t trust anyone—in effect becoming paranoid. The tagline of the film: “A cop is turning. Nobody’s safe.” Also, it was Lumet’s attempt to make up for his two-dimensional portrayal of cop corruption in his 1973 film Serpico—so much potentially layered into a throw away line.

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Finally, as a bonus GIF, D’Angelo relays the whereabouts of Omar’s partner Brandon to Stringer Bell. This is a moment that leads to a whole series of events that reverberate throughout Season 1.

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That was fun, I love GIFs.

The Buys

the wire episode 3 01 (2)gifassign1 (4)pills  the wire episode 3 01 (3)the wire episode 3 01 (1) punch 01

I loved this assignment! If you all could have seen the happy dance I did when I made my first gif. I find this class very rewarding when I’m able to create things I never knew how. I chose episode 3, The Buys for this assignment. I feel like these 6 gifs are able to sum up the episode pretty well. We learn how most of the characters fall within the power ranks and some of the details of how “the game” works. Enjoy!