cover + original

For this assignment I was asked to combine cover songs with another cover song. I decided to remix it a little bit and combine a cover by Amandla Stenberg of “Let My Baby Stay,” with the original instrumental by Mac Demarco.  It was really hard and I’m not that proud of this combination. For one I spent at least an hour trying to combine a rap song with a video game song of either Mario or Sonic. I ended up doing the cover assignment instead. This cover is slightly faster than the original song so I spent forever trying to make it slower.

My superhero Malevolent Melody plays this song whenever she’s feeling down and especially plays the cover in the mirror as a way to cheer her up.  

Everything I did made it too fast and I just can’t figure out why so this is what I have:


I did my best…also soundcloud would not let me upload this sorry

Mashup in the UK

The Sex Pistols are by far, the greatest boy band of all time. You cannot debate me on that. They were a band put together by record producers, featuring people who couldn’t play their instruments (at least Sid Vicious), but I still love them. Motley Crue, is my favorite band, and sure, they wore makeup and big hair, but they were as punk rock as hair metal could be (I mean, their first album was pretty much Glam Punk, in the style of the New York Dolls).

The Sex Pistols released their song Anarchy in the UK as a single in 1976, and it would on their first (and only real) album, Never Mind The Bullocks… Here’s the Sex Pistols. It really sent a message in the UK that would be picked up by bands like Crass and the Subhumans, and later on by numerous anarcho-punk bands across the world. It would be covered by acts like Megadeth and Green Jello, and become a common stable in the world of hard rock, where we all know the lyrics, even if we don’t know what Johnny Rotten was really saying.

Years later, Motley Crue would cover the song and feature it on their 1991 compilation Decade of Decadence. Their version would be slightly faster, adding that metal edge to their version of the song. I’ve mashed these two versions up, as it adds a layer of dissonance to both songs. It’s almost if the original version echos after the cover, reinforcing the message of chaos that that combined tracks preach. Personally, I want to go join a black bloc when I hear this version, and it’s only half because of the complete perversion of a great song from two amazing bands that I want to get away from.

http://youtubedoubler.com/lv0R

Dear Jolene…

Find a cover of a song and combine it with the original version of the song to create a new/remixed version of the song. After you’ve finished remixing your version, listen to it and see what kind of emotion it now makes you feel.

In the early 1970’s, when Dolly Parton and her husband had been married just a few happy years, Dolly started touring. While she was away on tour a bank clerk named Jolene would flirt with her husband. Dolly’s best friend alerted her of the situation and Dolly came straight back home to Nashville.

After confronting her husband and hearing that the allegations were true, Dolly gave him more than just a piece of her mind. She went to the bank where Jolene worked, and tried to ask her politely and quietly to back off. Jolene did not respond to Dolly’s pleas.

Dolly then asked to speak to a manager. Jolene had a history of trouble with her female clients, so she wasn’t happy to show Dolly to her boss. Well, they went to the manager and Dolly told him that Jolene had been refusing to do business with her, and would only see her husband, which was pretty much true. Well Jolene got an earful from her boss that day and never did cross that line again. Much to her dismay, the matter was not at rest. A couple years later the single Jolene came out, and everyone in town knew exactly who it was about.


I was drawn to this 4 star assignment  because I wanted to learn a little more about Garageband and try out some simple techniques like cutting and splicing songs that I hadn’t tried before. I also really love listening to music and different covers, so the title drew me in. The first cover I thought of was Miley Cyrus’s cover of Jolene by Dolly Parton. Cyrus had done a few covers of her favorite songs during The Backyard Sessions, and this is one I love. I had also watched the movie based on Dolly Parton’s life this past winter, and I was also remembering her amazing life story when choosing this song. Unfortunately, every version of her singing the original song was a faster tempo than the cover. I tried to slow down the original song, but Garageband doesn’t have the capability to change tempo of just one part of a recording.

So, I decided I had to choose a different cover. I chose the Pentatonix and Dolly Parton collaboration. Even though Dolly Parton is in both songs, the Pentatonix cover is very different from the original. It is a different pitch and tempo than the original and the lyrics only line up in the beginning of the song. Although the lyrics don’t overlap perfectly, I actually like the end result. The different pitches give an eeriness to the song in the beginning that I like because it makes the song sound more menacing, which is how I would sound if someone were trying to steal my man. I also like the gradual canon effect the song has as one version lags more and more behind. It sometimes seems like an echo which reminds me of the sorrow she must be feeling in this song. I also really like the very end of both songs, how they both fade into each other. I think this combined version shows the true hurt behind this song, instead of the more upbeat original version.


The first step is to open Garageband and select the voice option.

Then, either press the media button in the top right hand corner and select the songs to overlap, or click and drag them from the desktop into Garageband.

Once the two songs are in Garageband, line up the start of the songs so that the lyrics start at the same time. Just click and drag each orange audio box to move it. Use the vertical white line to decide where to start playing the audio from. This step will just be trial and error until both songs line up. 

Once the songs are lined up, the unneeded parts can be cut out. To do this, select the box to cut. Then, go to edit > split regions at playhead. This will break the audio box where the vertical white line is. Then, just click the unneeded boxes and hit delete on the keyboard.

Then click and drag both boxes back to the beginning of the recording. Go to file > save as and give the new recording a name. To change the file from a .band to .mp3 file click share > export song to disk and select the mp3 option on the pop-up screen and then click export to save as an mp3.

Cover Art

Audio #2: Combining Covers

Stand By Me is a classic song by Ben E. King. But what happens when you mix the original with it’s cover? Well that’s what I had to discover for this assignment. I took Ben E. King’s classic and combined it with Florence + the Machine’s cover version. I chose to do this combination because I wanted to pick a song that was relatively well known. Furthermore, I think it’s rare to find a cover version of a song that is just as good as the original.

For copyright purposes I wasn’t able to post the following song rendition to SoundCloud.


I decided to do this specific assignment because I was curious to see how these two songs would flow together. In the beginning they sounded relatively good, until they became out of sync (around 0:19). I think this rendition had an indie soulful vibe to it. I think the emotion for this combination slightly intensifies. The reasoning being, that the song itself delivers a powerful message, but the way they are both sung gives it the additional ‘oomph’. Creating this rendition only involved using the program Audacity. The procedure is listed below if you would like to recreate this assignment.

Procedure

Step 1: Open Audacity and go to the file tab. Select the import option and click the audio subcatergory. Upload both the original song and its cover in step 1

Step 2: The first audio file should be Stand By Me by Ben King and the second one should be the version by Florence + the Machines. Select the Florence version and highlight the audio frequency, then select the trim audio tool. This will get rid of the end of the song, the fade (seen in the second screenshot below).

Step 3: Move the Florence audio over by using the move tool next to the Record button. Move the audio to where the first big peak of Ben’s song is, so that the beginning of both songs sync up.

Step 4: Go to the file tab and select the export audio option.

Step 5: When saving your new song double check that you save it as an MP3 file. If you do not have the option to save as an MP3 go to this website and download the plug-in for Audacity.

Link to assignment is tagged above in ‘Audio #2: Combining Covers?

 

“Hallelujah,” it’s Spring Break!

http://youtubedoubler.com/?video1=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DLRP8d7hhpoQ&start1=2&video2=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3Dy8AWFf7EAc4&start2=80&authorName=Chris+Markham

My punny title has nothing to do with spring break, other than it being right around the corner. I chose Hallelujah because there have been many very good covers of the song with a variety of sounds to them. The Pentatonix version has arguably surpassed Jeff Buckley’s original version, but the two are still very different. Buckley’s version feel much more sad and depressing while the Pentatonix version is intense and focused the whole time.

The hard part of this was finding the timing in which the lyrics synced up, which still isn’t perfect because they sing at different paces. But once I did find a good idea of where they lined up, listening to them at the same time was very cool. It made it much easier to compare and contrast the two versions and almost feel the different experiences that the two songs present.

Have Mercy

So this took me a little bit longer than expected because it wouldn’t allow me to post it onto my soundcloud but I just made a quick imovie so I could upload it on my youtube channel.  I chose this song because my girlfriend has been singing it all day and I like it a lot too.  I attempted to have the songs matchup but changing either speed made it sound a bit wonky so I settled for the small delay that is happening.  I basically uploaded everything to audacity and went through to cut out any unnecessary audio in the beginning and end.  I think its interesting to hear them in delay and you can also hear the difference in their voices even though they are very similar.  But its also noticeable how they both sing the song with a lot of emotion.

Cover Combination (3.5 stars)

For this assignment I chose to work with Chasing Cars by Snow Patrol. It’s a song I’m very fond of and was curious to see how my feelings towards it would change, if at all. It was pretty hard finding a cover that fit well with the song; either the cover wasn’t of the entire song or it was sung at a different pace that just didn’t go well with the original. I finally found a cover by The Wind and The Wave that went perfectly with the original. I combined the songs using Audacity. I used the sound shift tool to align the songs and I had to amplify the cover song a little so that it wasn’t overpowered by the vocals from the original. This combo made me love this song even more. I like that it has both male and female vocals so it sounds like a duo. I think it makes the song much more powerful and interesting. I tried uploading it to SoundCloud but was unsuccessful due to copyright legal stuff. But yeah credits to Snow Patrol and The Wind and The Wave!


Combining Covers

I think it’s interesting to look at how the vocal and instrumental composotion changes the emotion of a song. For this assignment find a cover of a song and combine it with the original version of the song to create a new/remixed version of the song. After you’ve finshed remixing your version, listen to it and see what kind of emotion it now makes you feel. To complete the assignment, I chose to take Don’t Forget Me by Harry Nilsson and combined it with Hamilton Leithauser’s (The Walkmen) cover of this song.