“Fear is stupid. So are regrets.”




The many faces of a timeless and iconic beauty, now available in four styles. The original “Unedited” option shows this star’s natural allure. Her supple skin radiates in the beautiful California sunshine, if there were a flaw to be found it could not be hidden in these photos. With this style in your possession, it’s as if she is right alongside of you in the room.

For a more striking option, the consumer may prefer to indulge in “Sauna.” Nevertheless beautiful, our star now glows under a slight tint reminiscent of a warm setting sun. Every feature of our famed actress seems to be enhanced in the light, she is almost luminescent herself.

If classic is what you seek, the “Vanilla” option is for you. Unsurprisingly, the iconic model is no less striking when stripped of her color. As the name implies, this black and white version is sweetly simple like vanilla ice cream. Cool, refreshing, uncomplicated.

If the aforementioned selections lack passion and spice, perhaps the “Rouge” option will be more to your liking. This crimson hue shows the fiery nature of the star, giving her a taunting beauty. The actress appears playfully dangerous, her mischievous grin will bring out your own tenacious personality.

The Story Behind the Story-

This project was inspierd by the assignment “Not Quite Norma Jeane” (http://assignments.ds106.us/assignments/not-quite-norma-jeane/) and took a slightly different angle than the prompt indicated. The assignment was to recreate the classic Marilyn Monroe “Expressions Sheet” poster:

I enlisted the help of my new friend, Tasha. With her short pixie cut and classic features, I figured that Tasha would be perfect as a stand in for Marilyn. We took the photos in a field full of wildflowers a few hours before sunset, the lighting was ideal for head shots. In fact, the lighting was so good that I felt that it would be a shame to cover up the natural beauty of the unedited photos with a black and white filter that would match the original. So to maintain the integrity of the original photos while still achieving the “look alike” effect, I decided to make several copies of the collage, each with a different tint. I then decided to write a short advertisement promoting each of the four different posters, highlighting the best qualities of the varieties. I was compelled to choose this project, not because I like Marilyn Monroe, but because I’ve always had a bit of disdain for recreation of classic works. I can understand why the emulation of such an iconic work may be compelling to create, but I’ve always felt that the adaptation fails in its goal and I thought it may be interesting to try something I’ve criticized so ardently. I found that, though my final product is reminiscent of the original poster, it does not do it justice. I do feel that my model was a good fit, but despite all of my attempts to recreate particular shadows across her face, the small details of the original photos did not prevail in my version. Decidedly, it is the process of creating the art that is most noteworthy. In generating these photos, I regained an appreciation for the classic and simple, something which is difficult to feign let alone recreate. The title of this blog post is a quote from Marilyn herself.

The Tutorial-

To complete this assignment, I first examined each individual photo of Marilyn in the original poster. I tried to take notice of the angles of her face and the subtlety of her expressions as well as to determine where light fell across her face. I then recruited my friend Tasha and we ventured off in search of adequate lighting. I captured at least five photos for each pose and later sifted through the images, selecting the best nine images. I then used the online photo editing tool “BeFunky” (https://www.befunky.com/create/collage/) to create the collage. After downloading the final image, I added the desired filters using the Windows Photo App, and embedded the final products in this blog post.

Look at Me Now

For my second assignment for our final project I did Not Quite Norma Jeane. This assignment is to remake this classic Marilyn Monroe “expressions sheet” with self-portraits or with the aid of a friend.  Were going to call Taylor my friend for this one.

To do this assignment I used the collage section of picmonkey. It is a quite simple program to use and you can just drag and place the pictures that you want in the spot that you’d like them.

To get my pictures for this assignment I started off on google images.  I was trying to find pictures of Taylor not looking like herself.  After I few minutes of searching I remembered her I Knew You Were Trouble music video that she recently released.  In this video Taylor is dressed much more emo/goth than usual and she has short hair with pink streaks which you can see right below

I then started doing a google image search to try to find pictures of her in this music video.  After having a hard time finding a good variety, I ended up just watching the video on a high definition setting and taking screen shots of it.  This proved to be much easier and gave me the freedom that I was looking for.

Here is my final collage.  Not exactly the Taylor you’d expect right?  Any ideas where my project could be going??

Taylor

DS 106 Assignment (B)- Not Quite Norma Jean

monroemanyfaces

For this assignment, you remake the classic “Marilyn Monroe Expressions Sheet” with your own self portraits. I tried to get mine similar to the original, but I added in my own silly personality. No make up, no editing, just the many faces of me!

http://assignments.ds106.us/assignments/not-quite-norma-jeane/

DS106 Assignment (B) – Not Quite Norma Jean

monroemanyfaces

For this assignment, you remake the classic “Marilyn Monroe Expressions Sheet” with your own self portraits. I tried to get mine similar to the original, but I added in my own silly personality. No make up, no editing, just the many faces of me!

Many Poses!…Many Faces!

 

 

Assignment 4 – Splash the colour

I’ve had a bit of a DS106 lull for the last couple of weeks. I had a bit of a schedule shake up with my partner being injured, but she is on the mend now and I am getting myself back on track. I struggle getting into routines, which I suspect is a common thing really. One day at a time I return to the productive day activities as opposed to staring blankly at Facebook.

As luck would have it I noticed a visual assignment done on the blog Amateur Hour here. I am still avoiding the video and animated gif assignments. I’m believing that it’s going to take me a long time to get one done and that I’ll lose interest. It is a big fat don’t know really, I could really love it so maybe I’ll try next time.

This assignment is called Splash the color it is a two star assignment inspired by the girl in the red dress in the film Schindler’s List. In the film she is the instrument of conscience or awakening for Schindler. He identifies with her as she moves alone through the jewish ghetto as people are being murdered around her and awakens to the inhumanity and atrocities happening around her. She transforms him from a detached observer into a human witnessing the suffering of other humans that cannot be denied. He looses sight of her as she hides in a building but she returns later on in the story but this time she is dead.

The page linked to the story of the girl here believes that the story is based upon a true story told at the trial of Adolf Eichmann told by Gavriel Bach (Assistant Prosecutor at the time). Bach questioned Dr Martin Foldi who described his experience of the selection process Auschwitz. Incredibly the session tapes for this trial are available on youtube which I think is quite amazing. I decided to have a look at session 1.

It is unsettling to watching someone who has been responsible for the murder of millions of people. What unsettles me most is that he just looks like an ordinary man. In fact he is an ordinary man, one who committed horrendous crimes. He looks on from inside his glass box at the court accusing him of crimes against humanity with quiet detachment. Bach, 50 years on reflects on his experience of the trial in which he also mentions the story of the girl in the red coat.

Wikipedia also mentions unintended similarities to the story of the girl in the red coat in the movie, to that of Roma Ligocka, a survivor who in 1940 was taken to the Krakow Ghetto with her mother. She wrote the novel The girl in the Red Coat.

With that story in mind I found it quite difficult to find an image that I thought would be a modern equivalent of this. Finally I settled on an image I took during Chinese New Year in 2008 It’s an image of a young boy poking himself through the barriers along Charing Cross Rd in London trying to see the parade coming towards him. Although this image is taken during a celebration the metal barriers the boy pokes himself through gives the feeling of containment, of ordinary people being organized and ‘controlled’ by authorities. the boy is the only face in focus and his slightly pensive expression I think adds to the atmosphere.

I used photoshop to create this image turning the original photo black and white then with a layer mask painted the colour back in to the boy and his dragon. As a half chinese person who grew up listening to the adults around me talk about the horrors the Chinese suffered at the hands of the Japanese there is for me a more personal connection with this story of the girl in the red dress and this image. I don’t doubt that my reason for finally choosing it is my childhood memories of being told about the millions of chinese who were murdered. As a mixed race child I can also remember asking what would happen if it happened again and being told that I would probably end up in a camp as I was not ‘pure’. So I suppose for me there is something of that memory in this image too.

Splash the color orignal image for DS106 visual assignment

Splash the color orignal image for DS106 visual assignment
© 2013 Oskar Marchock All rights reserved.

Splash the color visual Assignment for DS106 Black and white conversion

Splash the color visual Assignment for DS106 Black and white conversion
© 2013 Oskar Marchock All rights reserved.

Splash the color final image for DS106 Visual Assignment

Splash the color final image for DS106 Visual Assignment
© 2013 Oskar Marchock All rights reserved.

 

 

 

 

Assignment 3 – Not Quite Norma Jean

Hello again!

This week has been again a week of business but lucky for me I have had my eye on this assignment since last week. I had without really noticing started this project about 2 weeks ago. The assignment is to recreate the Marilyn Monroe Expression Sheet.

I decided I wanted to get some story about the expression sheet to see if I could find out who created it. So I searched for “Marilyn Monroe Expression Sheet” I sifted through the results with growing frustration all I could find was an entry on a website called retronaut.

After a few pages of google searches finding references to the retronaut page I decided to try a few different searches like Marilyn Monroe Paintings, contact sheets and Magazine covers. Still no luck, which was a bit frustrating because it isn’t the first time I have seen that image I am sure.

So I began to think, how can I find something relating to Marilyn and photography. I began by searching for Marilyn Monroe and Photographers. I came across this site which documented all of the photographers that worked with Marilyn. I took a little journey through the pages that had comments and quotes from the photographers about Marilyn and a selection of thumbnails of the photos they took of her.

This site “Immortal Marilyn” documents her relationships with 25 photographers, the range from self-taught to fashion, to documentary photographers. They include Americans, English, Scottish and other Europeans. Out of the 25 photographers mentioned 2 were women (Jean Howard and Eve Arnold).

I took the time to scan through each of the photographers on the site and got a real sense of Marilyn. Some photographers had worked with her from when she was Norma Jean through to being Marilyn just before she died. It is an interesting journey through their eyes to a much more 3 dimensional picture of Marilyn. She is often described as sweet, innocent and fragile while at the same time being able to take care of and handle herself. Yet that is not all there is to her their observations also paint a picture of a woman focused and determined with ambition and willingness to keep on going for what she wants. As she continues to move from model to starlet

 

Richard Miller:

‘She was nice when she was Norma Jeane, very sweet,’ Dick Miller reminisced. ‘She posed very well, she was creative about her modeling  She came to dinner at the house.  A nice, friendly girl.’ Then Norma was signed by Twentieth Century Fox, and soon changed her name to Marilyn Monroe.’

‘Nearly sixty years after his first meeting with Norma Jeane, Miller recollected in the Los Angeles Times, ‘I invited her to have dinner with my family, and to this day I remember her description at dinner of what she wanted (in her career.) And every bit of the thing that she wanted she achieved. And, of course, it killed her.’

Earl Leaf:

‘His last time with Marilyn was in 1962 at the Golden Globes. In his words he describes her this day – “These photos are so strange. Taken shortly before her death, they show a haggard woman, her flesh pulled back on her face. The many selves that flickered through her presence only two years before – they seem to have departed. She looks hardly there. She still uses her skills to reflect more light than those around her, but she no longer registers on the camera with anything like her previous face. Only in the most shadowy shots does she look “herself”, as though the shadows had already claimed her.”

So with that in mind I decided to continue on with putting my “expression sheet” together. What struck me about the expression sheet was the versatility of expression. She goes from serene to sad to playful to silly. I wanted the same range of expression and it just happened that my willing model, Rachel was in a playful mood. We began with a couple of standard or serious portrait shots where I aimed to capture the quieter expressions. Continuing on, Rachel began to get a little bored which turned out to be a bit of a bonus as she began to pull faces. I love Rachel’s silly faces they always make me laugh and my laughing encourages her faces, bonus! So I think the energy of my expressions sheet does in some ways match the one of Marilyn and I imagine that the shoot that produced the expressions was a similar experience.

I’m probably going to find out that the Marilyn Monroe expression sheet is not a result of a photo shoot, but that is ok.

VisualAssignmentsVisualAssignments886

VisualAssignments
VisualAssignments886

Not Quite Norma GIF

How could anyone resist doing Tom Woodward’s Not Quite Norma Jean assignment?

The past is strange. Remake this classic Marilyn Monroe “expressions sheet” with self-portraits or with the aid of a friend. Bonus points for the involvement of a stranger.

And I thought, if Tom Woodward can pose coyly like Marilyn, than surely my stuffed animal Feldspar can pull it off? And as I worked with the image I made from it it started saying to me, please make me into a GIF, yeah, a Riff a GIF type of GIF.

Enjoy.

mariyn-feldspar

For the makings, I created Photoshop file with the background a capture of the screen at Retronaut (I liked the frame on it), and in the top layer, a copy of this made with the images of her cut out, so it was a copy of the frames around the images that sits above the 9 separate image layers.

For the photos I worked for hours to pose Feldspar appropriately (sigh, these pompous film stars are so hard to work with, where was I to find green milkbones?). I did the black and white / sepia effects in Aperture using Silver Efex Pro plugin, and exported as 500px JPEGs, which I then imported into Photoshop, sized and cropped to fit in the frames.

I then used the Convert Layers to Frames command in the animation palette, and set about turning on layers in each frame as needed; I set the first and last frames for a longer duration so they would linger.

If you would like to give this a go, you can download my photoshop file as a template, and see if you can get your own images into the layers.

This is done solely as a tribute to Tom Woodward, who from the very get go in December 2010 has contributed some of the best ideas and assignments for ds106

marilyn

Marilyn expression sheet from 1955 via Retronaut in the spirt of the Hawkeye Initiative. I made this assignment, damnit!

Kids “a la Marilyn”

Self-explanatory. Grid of faces, my kids make great faces. I’ll try for stranger bonus points next time.