What do you mean?

TV Guide Remix

Take an existing movie or television show and change the writing of the synopsis in a way where it’s still factual correct, yet the storyline feels drastically different.

Story Behind the Story: Words are an interesting aspect of our language. We can manipulate them and force them to mean whatever we want. Another person can read those same words and come up with a completely different meaning. Our society can portray any scenario using the right words or even the wrong ones. This is enhanced throughout the web where face to face discussion is limited; therefore, stimulating the need for us to make our own interpretations. Media chooses words arouse a sense of doubt as well as certainty. It shows us what it wants us to believe while also giving us a chance to guide us to our own conclusion. Miscommunication. Deception. Imagination. Freedom. These are what words can bring into society.

This assignment gave me the opportunity to work with words and manipulate the reader to believe something that is true but false at the same time. While what I wrote does happen in the movie, it leaves out the humor of the plot. It puts the power in the hands of the creator. For anyone that has never seen Mean Girls, my caption makes it seem like a drama filled, teenage angst story when in reality its a classic humor induced Tina Fey production. I would love to incorporate something like this in the English classroom. It would show students the meaning and power behind words.  It is fascinating to me that both captions are entirely true but only one shows the true nature of the film. So which one do you believe?

The Work Itself:

Mean Girls

Original:  Cady joins her new high school’s most powerful clique — but there’s hell to pay when the ex-boyfriend of the clique’s leader wants to be Cady’s guy.

Re-invented: Cady suffers from her socially secluded childhood, and ends up mingling in with the most deceptive crowd at her new school. Her relationships begin to disintegrate and a fatal crash may be her only saving grace.

Narrating the Process:

Screen Shot 2015-01-21 at 8.20.24 PM

 

I spent a great deal of time shifting through Netflix. If you hover over the movie titles then it brings up the packaged caption. I chose Mean Girls because I believed the “real” caption didn’t summarize the movie effectively.

I wanted to make it more dramatic with a twist. I thought back to my last viewing of Mean Girls (which I won’t lie was probably within the last month) and tried to remember the main points that I took from the movie: home-schooled kid, mean girls, mean girl getting hit by a bus, friends. Then I added adjectives to make those events seem more intense: deceptive, disintegrate, and fatal.

I went with the opposite of the original tone to create a true but slightly over exaggerated description.

Rated R

The Wire (9-10 p.m., HBO)

R-Two gangs wage war on a chessboard set in the streets of a post-apocalyptic city where it constantly snows, and the kings sit unharmed in their thrones atop mountains.

This writing assignment was to “Take an existing movie or television show and change the writing of the synopsis in a way where it’s still factual correct, yet the storyline feels drastically different.” I decided to relate it to the Wire and come up with a witty and almost poetic alternative description of the show that implies more than it says. I wanted to keep it short and keep it simple on the outside, while implying much more within the wording.

The two gangs represent the cops and drug dealing sides, while the chessboard is both a nod to the game so often discussed in the show and the drug war itself. Baltimore is the city, but I wrote “post-apocalyptic” in reference to McNulty saying “West Baltimore is dying” and the run-down picture we get from Simon of the town. I wanted to somehow reference the drugs themselves and decided on snow as a representation of the drugs that are constantly distributed all over the city.

The most important part to depict of the Wire in my mind is the hierarchy of the war. In my old-age sort of description of the Wire, I tried to show the workers down on the ground, while the people who run the cops and drug dealers sit “atop mountains” of money and ignorant of the harm they cause. I wanted to show the distinction of the people we hardly see in the show, but seem to hold most of the power in the cop world, as well as Stringer and Avon in the drug world.

Titanic

This assignment was to take an existing movie and write a synopsis in a way that is completely factual but misleading.

Rated R- Rebellious teenager cheats on fiancé with young man who is known to associate with prostitutes. After breaking and entering into an automobile the

Full Metal Jacket

Funny re-write. See Link.

Full Metal Jacket

For this assignment you create a misleading T.V. guide synopsis of a movie or show that uses actual facts to distort the story.  I chose the film Full Metal Jacket and make it sound almost patriotic or noble in its portrayal of Marine life.  I think Stanley Kubrick had different intentions.

 

Full Metal Jacket

“Darwinian study of Marine Corp life during Vietnam.  Portrays the efficiency and splendor of Marine life and follows the struggle of one undisciplined Marine as he eventually overcomes his shortcomings and finds his purpose as a long-distanced rifleman.”

The Lion King (6-8pm, EST)

(Rated G) A story about an African lion prince who’s Father is killed by his uncle and blamed for his death. He runs away and lives with a meerkat and warthog surviving on bugs in the jungle. After the prince’s girlfriend tries to kill his warthog friend they fight Hyenas.

TV Guide Remix: Bananas gone bad

When I first browsed the DS106 bank of writing assignments, the TV Guide Remix appealed immediately:

Take an existing movie or television show and change the writing of the synopsis in a way where it’s still factually correct, yet the storyline feels drastically different.

I think the appeal had a lot to do with the  brilliantly executed example displayed by the submitter, Tim Owens:

TVGuideRemix_Ozexample< go on, click it. you won’t regret it.

I immediately decided I’d remix one of my 2 yr old’s fave shows: Octonauts / Bananas in Pyjamas / Fireman Sam. I was tossing up between Octonauts and Bananas when, last week I sat down with him to watch an epi of Bananas – “The Cushion”. As the episode unfolded, I thought it would be a good candidate for the Remix. Here is the original synopsis from the ABC website:

Episode 13 – The Cushion

The Bananas spill some juice on one of Bernard’s cushions and everything they do to try and clean it only makes things worse.

Sounds innocent enough, right? What this synopsis doesn’t tell you is that the Bananas, on realising they’d stained the cushion, actually escape out Bernard’s lounge room window (while he’s busy making their lunch), and enlist the help of the teddies in an attempt to clean and return it without Bernard noticing. Pretty sneaky: pretty much collusion to cover up property damage, if you ask me!

So this is the angle I played on. And here is my remixed synopsis (executed as an on-screen tv program guide):

DS106 WritingAssign772 TV Guide Remix

The writing process: decisions, decisions

Once I’d decided on the angle, I needed to determine style and tone. I started thinking of genres as far removed from children’s tv as possible. Horror? Crime? Drama? Thriller? I decided serious adult drama with a dark and sinister subplot. Think Dexter, or thereabouts.

Now, for the writing. The biggest challenge was how to refer to the protagonists – two giant bananas – in the context of this genre. Giant fruit references were out. As was using their ‘real’ names ‘B1′ and ‘B2′.

Finally, I remembered reading character descriptions on the ABC2 website with aforementioned 2 yr old, which referred to the Bananas as twins. “The twins”: perfect. Everyone knows that twins are freaky and slightly occultish. (For all the outraged twins out there reading this: don’t fret, I’m one of You. Yes, I’m a twin. So, naturally I’m allowed to say these things without fear of retribution).

After that, it was pretty easy – just a matter of dressing up the plot in the language of collusion & cover up.  Had to include the phrase “web of lies and deception” (natch), and “spilling juice on one of Bernard’s cushions” became “a reckless act of destruction”. Then: voila – done!

If you’re interested in how I created the graphic, see this post for a tutorial.

So…this was my first DS106 asssignment. And a helluva lot of fun it was too.

TV Guide Makeover

DS106 Assignment

This assignment is two stars for “too” much fun.

Tonight I dipped into the DS106 Assignment Bank to complete my first assignment, in this case Writing Assignment 722, TV Guide Remix. I thought this was respectable low-hanging fruit for The Twilight Zone episodes we are considering this week and I tried each of them on for size. I thought about reality shows, and Extreme Makeover, which seemed like an interesting fit for “The Eye of the Beholder.” I never watched EM so I hoped I could pull enough from my light internet research to make a convincing synopsis.

The next challenge would be finding a vintage TV Guide image to work from or to adapt. I was able to find a suitable image file by Googling “tv guide vintage listings ‘twilight zone’” and I ended up finding a high quality image that was archived because it included a listing of The Sounds of America which was filmed at Disneyland. In any case, it had my TZ listing, so I was golden. On a side note, vintage TV Guide images of TZ were not too hard to find, however, they were at a very low resolution. I pressed on for a high resolution images because I really wanted to enhance it as Tim Owens did in the assignment 772 details for The Wizard of Oz (which is an excellent piece of work and a high standard to emulate). You can see the low-resolution samples I found here and here and the high-resolution image I went with (curated here by vintagedisneylandtickets.blogspot.com/).

Drafting the synopsis was a challenge to keep within the scope of the TZ episode and not overwrite the surprise ending. While it was rare to have images in TV Guide for routine episodes back in the 1960s I wanted to incorporate a visual anyway. I took an image that I thought crossed-over both TV shows: the moment of unveiling. Since I was viewing the original TZ episode in Netflix, I was able to use the Microsoft Windows 7 Snipping Tool to capture the image with a “rectangular snip.” It was dark and moody and I knew I wanted more details to come out so once I imported it into Microsoft Publisher I modified it with +20% brightness and +10% contrast. I set the image aside and then modified the text, font, paragraph spacing and text box margins to approximate the other text of the original image.

I grafted bits of the yellowed TV Guide page to obscure the listing on the top right of the page and then grafted just the first line of the Twilight Zone listing and set it there. The image was tilted, by less than a degree and so I knew I’d have to address that at some point later. Even the little graft of the TZ listing carried a bit of the listing above it (almost imperceptible) due to this tilt and I intended to smudge that out later. I added more grafts of blank page to the area to create a new canvas and corrected and smoothed with still more grafts. I didn’t fuss too much, hoping I could ultimately smooth it all out with another pass of the Snipping Tool.

Composite of Grafts

Clockwise from top left: selecting original listing and copying and relocating it to the top of the page, creating a new canvas with page grafts (shown), and canvas complete; bottom right shows the tiny smudge correction above the channel listings; last two images show the show listing pre- and post-rotation (of 0.5 degrees).

Once I had the synopsis in place, I moved in my photo and enlarged and cropped it to get a good helping of the action. I used the Snipping Tool to take one last capture of the new composite and adding a little highlighting over the TV listing for effect. I imported it into Word and applied the Picture Styles tool to obscure any lines in the page from my grafts and possibly to distort any obvious differences between my font (Calibri) and the original font (unknown). I decided to go with the “Reflected Perspective Right” option to make it jump from the page, like a 3D image. The text faded with this option so I had to tweak with -40% brightness, +20% contrast. Before giving it one last pass with the Snipping Tool, I changed the background of the Word page so as to give it a less sterile appearance overall; I opted for Denim to suggest maybe the armrest of a couch in the background.

Mock listing of THE TWILIGHT ZONE EXTREME MAKEOVER - NON-SURGICAL EDITION “Eye of the Beholder” concludes. Contestant 307 undergoes the last of her experimental injections in hopes of returning to her normal life; however, new opportunities arise, including all-expenses paid travel to an elite northern village and invitation to an exclusive club. Janet Tyler: Maxine Stuart. Rod Serling is host.

What’s good to watch tonight?

Thomas A. Edison is quoted as saying “Genius is one percent inspiration and ninety-nine percent perspiration.” And while I don’t consider this the work of genius, I will say that the conception is but the smallest portion of the time I spent on this work. For those who aim to tackle this Writing Assignment in this manner, expect to spend about 3-4 hours. If you plan to prepare a tutorial for the Assignment Bank, that might take you another 1-2 hours. Still, I enjoyed the heck out of this project and the only thing that could elevate this nostalgia-induced high would be a bona fide Swanson Hungry-Man Turkey Pot Pie because I must have eaten 200 hundred of them from a TV tray on my adolescent trek through the 1970s; a good deal of those meals eaten while watching The Twilight Zone.

Hungry Man Turkey Pie dinner - For the Hearty Appetite circa 1970

Hungry Man Turkey Pie dinner…”for the Hearty Appetite” (Circa 1970).

TV Guide Makeover

DS106 Assignment

This assignment is two stars for “too” much fun.

Tonight I dipped into the DS106 Assignment Bank to complete my first assignment, in this case Writing Assignment 722, TV Guide Remix. I thought this was respectable low-hanging fruit for The Twilight Zone episodes we are considering this week and I tried each of them on for size. I thought about reality shows, and Extreme Makeover, which seemed like an interesting fit for “The Eye of the Beholder.” I never watched EM so I hoped I could pull enough from my light internet research to make a convincing synopsis.

The next challenge would be finding a vintage TV Guide image to work from or to adapt. I was able to find a suitable image file by Googling “tv guide vintage listings ‘twilight zone’” and I ended up finding a high quality image that was archived because it included a listing of The Sounds of America which was filmed at Disneyland. In any case, it had my TZ listing, so I was golden. On a side note, vintage TV Guide images of TZ were not too hard to find, however, they were at a very low resolution. I pressed on for a high resolution images because I really wanted to enhance it as Tim Owens did in the assignment 772 details for The Wizard of Oz (which is an excellent piece of work and a high standard to emulate). You can see the low-resolution samples I found here and here and the high-resolution image I went with (curated here by vintagedisneylandtickets.blogspot.com/).

Drafting the synopsis was a challenge to keep within the scope of the TZ episode and not overwrite the surprise ending. While it was rare to have images in TV Guide for routine episodes back in the 1960s I wanted to incorporate a visual anyway. I took an image that I thought crossed-over both TV shows: the moment of unveiling. Since I was viewing the original TZ episode in Netflix, I was able to use the Microsoft Windows 7 Snipping Tool to capture the image with a “rectangular snip.” It was dark and moody and I knew I wanted more details to come out so once I imported it into Microsoft Publisher I modified it with +20% brightness and +10% contrast. I set the image aside and then modified the text, font, paragraph spacing and text box margins to approximate the other text of the original image.

I grafted bits of the yellowed TV Guide page to obscure the listing on the top right of the page and then grafted just the first line of the Twilight Zone listing and set it there. The image was tilted, by less than a degree and so I knew I’d have to address that at some point later. Even the little graft of the TZ listing carried a bit of the listing above it (almost imperceptible) due to this tilt and I intended to smudge that out later. I added more grafts of blank page to the area to create a new canvas and corrected and smoothed with still more grafts. I didn’t fuss too much, hoping I could ultimately smooth it all out with another pass of the Snipping Tool.

Composite of Grafts

Clockwise from top left: selecting original listing and copying and relocating it to the top of the page, creating a new canvas with page grafts (shown), and canvas complete; bottom right shows the tiny smudge correction above the channel listings; last two images show the show listing pre- and post-rotation (of 0.5 degrees).

Once I had the synopsis in place, I moved in my photo and enlarged and cropped it to get a good helping of the action. I used the Snipping Tool to take one last capture of the new composite and adding a little highlighting over the TV listing for effect. I imported it into Word and applied the Picture Styles tool to obscure any lines in the page from my grafts and possibly to distort any obvious differences between my font (Calibri) and the original font (unknown). I decided to go with the “Reflected Perspective Right” option to make it jump from the page, like a 3D image. The text faded with this option so I had to tweak with -40% brightness, +20% contrast. Before giving it one last pass with the Snipping Tool, I changed the background of the Word page so as to give it a less sterile appearance overall; I opted for Denim to suggest maybe the armrest of a couch in the background.

Mock listing of THE TWILIGHT ZONE EXTREME MAKEOVER - NON-SURGICAL EDITION “Eye of the Beholder” concludes. Contestant 307 undergoes the last of her experimental injections in hopes of returning to her normal life; however, new opportunities arise, including all-expenses paid travel to an elite northern village and invitation to an exclusive club. Janet Tyler: Maxine Stuart. Rod Serling is host.

What’s good to watch tonight?

Thomas A. Edison is quoted as saying “Genius is one percent inspiration and ninety-nine percent perspiration.” And while I don’t consider this the work of genius, I will say that the conception is but the smallest portion of the time I spent on this work. For those who aim to tackle this Writing Assignment in this manner, expect to spend about 3-4 hours. If you plan to prepare a tutorial for the Assignment Bank, that might take you another 1-2 hours. Still, I enjoyed the heck out of this project and the only thing that could elevate this nostalgia-induced high would be a bona fide Swanson Hungry-Man Turkey Pot Pie because I must have eaten 200 hundred of them from a TV tray on my adolescent trek through the 1970s; a good deal of those meals eaten while watching The Twilight Zone.

Hungry Man Turkey Pie dinner - For the Hearty Appetite circa 1970

Hungry Man Turkey Pie dinner…”for the Hearty Appetite” (Circa 1970).

TV Guide Remix

Take an existing movie or television show and change the writing of the synopsis in a way where it’s still factual correct, yet the storyline feels drastically different.