GIFing with Jean-Claude

JCVD-Sheep_ShootSlink

“Oh Sheep! This is gonna look bad.” – The directors cut.   (Created by Rochelle Lockridge  for the JCVD #GIFFight)

My latest round of creativity induced OCD started with a new GIFFight challenge from Michael B Smith (@mbransons)

There’s also a DS106 Animated GIF Assignment 1190 for any of the GIFFight projects to post to.

After downloading 1.1GB of short .mov clips of Jean-Claude Van Damme from Funny or Die JCVD Make My Movie Challenge there was no turning back.  I was riding the dopamine wave.  There were some new learnings and tricky bits with the Adobe Elements software I was using that I’ve included below in the process portion of this post.

My first GIFs used downloaded images from the Tate Collectives which I had been introduced to through a previous GIFFight Challenge. Animate the crap out of 1840′s Tate Artworks as part of the Tate Museum 1840′s GIF Party. (There’s also a DS106 Animated GIF assignment 1248 for this too.)

Two of my Tate 1840′s GIF Party entries:

 

JCVD-Vesuvius

JCVD Erupts With Mt. Vesuvius

Vesuvius In Eruption from the Tate Collectives

JCVD-TatePastPresent

JCVD To The Rescue. “I’ll protect you.”

Past and Present No. 1 from the Tate Collectives

The continued ride on that dopamine wave resulted in me making the following JCVD gifs to give a few of my DS106 mates a giggle.

Wanting to celebrate John Johnston’s hitting 106 likes on his JJGifs Tumblr site I searched through his posts and found a GIF of sheep running past that I thought would work well. Due to Tumblr size restrictions I was forced to shorten the “directors cut” version you see at the top of this post.  I just thought having him shooting the place up then realizing it was just sheep passing by added another layer of absurdity. The shortened version below is still funny watching JCVD slink away with the sheep though.

JCVD-SheepSlink_Short

“Oh Sheep! This is gonna look bad.” Shorter version due to Tumblr size restrictions

Sheep GIF from JJGIFs

The GIFaChrome corporation recently posted that Colin’s new body guard, Jean-Claude Van Damme may need to tone down his enthusiasm somewhat.  He’s going to scare everybody off…. not just the bad guys.

JCVDRun_ColinToy

JCVD is the new bodyguard for Colin the Dog (@GIFaDog). The GIFaChrome mascot.

A crazed Jean-Claude Van Damme freaked out on Twitter. His overactive testosterone levels blinded him to the fact that DS106 doesn’t need protecting from @clhendricksbc.

JCVDRun_Christina

Jean-Claude freaks out over @clhendricksbc Twitter thumb.

Remember the DS106 Headless ’13 Riff-a-GIF spontaneous collaboration Riffs Sprouting Up Overnight? Which started out as a doctored photo of my grandson “DJ at Stonehenge“, Glad Jean-Claude wasn’t in the picture back then “protecting us”.

JCVDRun_DJStonehenge

Stonehenge under attack – “Run for your lives! I’ll cover you!”

The How I Did It portion

I’m thinking it would be helpful if I were to create a screen cast tutorial for this process.  Like I said above, it’s a little tricky and has taken a fair bit of effort on my part to learn how to do it. Future project……

  1. Downloaded the 1.1GB (yes Gigabytes) of .mov clips from Funny or Die JCVD Make My Movie Challenge.
  2. Imported the clips into Adobe Premeire Elements 12 and added them to the time line.
  3. Added the still image onto a track under the JCVD clip. Premiere Elements knew that the movie clip was formatted so that it should have a transparent background and automatically created a video merge effect.
  4. Render, Publish+Share as Computer files => Scroll down to choose JPEG
  5. => Advanced => Basic Settings Click “Export as Sequence”
  6. To easily make the GIF in PSD from many images without having to drag and drop each. (A very painful process when you have 82 frames.)  The easy way…. File=>Place
  7. File => Save for web => make sure to check the “image sequence”.  Check for compliance with Tumblr size restrictions max 500px wide and must be less than 1MB

Going one step further, so that I or others (or me :-) ) could use the JCVD transparent images for their projects I produced a GIF and accompanying layered PSD file.

To create transparent background of JCVD for use in PSD files.

  1. Added JCVD movie clip to time line.
  2. This time our background will be a solid color that we can delete when it gets into Photoshop.
  3. Open project assests => New Item => Color Matte => pick color (I used green screen)
  4. Render, Publish+Share as Computer files => Scroll down to choose JPEG
  5. => Advanced => Basic Settings Click “Export as Sequence”
  6. Save
  7. Open jpg series in Photoshop Elements with File=>Place.
  8. click on layer changing it from background to layer
  9. Select a portion of the green. Select Similar. Select Inverse.
  10. Refine Edge. Output decontaminate Colors – amt 100% – Output to New Layer
  11. Smart Radius = 2.1 , Smooth = 1
  12. Edit => Cut (or ctrl-X)
  13. Delete original layers with the green background
  14. File => Save for web => make sure to check the “image sequence”.  Check for compliance with Tumblr size restrictions max 500px wide and must be less than 1MB.

JCVDRun_Template

 

My Tate Collection

wells-portrait-of-sidney-wells
whistler-nocturne-blue-and-silver-glitch
whistler-nocturne-blue-and-silver-chelsea-500
wells-portrait-of-sidney-wells-slide
wells-portrait-of-sidney-wells-aged
bete
legros-rehearsing-the-servic-2
watts-the-minotaur
steer-girls-running-walberswick-pier
huskisson-the-midsummer-nights
5SecondsApp

You will need to click on the thumbs to see the action.
A few gifs for the 1840s GIF party: call for submissions | Tate. I’ve already posted them on Tumblr, but thought I’d add them here. See the previous post for more details.

Picard’s Heart of Oak GIF Variation of Rehearsing the Service

1870 Rehearsing the Service: Picard Variation" animated GIF by aforgrave

1870 Rehearsing the Service: Picard Variation” animated GIF by aforgrave

The more I worked on the Tate Gallery 1840 GIF Party submission  “No dona eis requiem” GIF, the more I kept seeing the piano-playing priest as Captain Picard from Star Trek: The Next Generation — the likeness is pretty much dead on — and the red and black in the robes made it easy to see the uniforms. The second priest, minus the beard, was clearly meant to be reinterpreted as Riker.

Once the hard work was done on the original GIF, it was a simple matter to add in images of a TNG communicator badge and the dedication plaque from the Enterprise – E. The Okuda-style touch controls were inserted in place of the piano keyboard using a number of the transformations — resize and skew being the two most important. The star field was a little trickier — I wanted the stars moving from left to right and so I did a movie screen capture of an HTML mouse-influenced star field and then snagged some frames using MPEG Streamclip. The original bible was switched for an image of a TNG tricorder.

I was originally going to have Picard spouting some technobabble, but then I recalled the episode where Picard is replaced by an alien duplicate who breaks into an old English sailing shanty in Ten Forward, rousing Riker’s suspicions that something is not quite right with the captain. In this instance, that provided sufficient grounds for Riker to give Picard a tap on the head with the tricorder. The lyrics for “Heart of Oak” were sourced at the fan site, Memory Alpha.

Here, courtesy of YouTube, is the alien Picard-imposter, trying to impress everyone in Ten Forward that he is, indeed, their captain:

The Tate Gallery 1840 GIF Party submission deadline is today, February 2nd. I’m not sure if I’ll have time to do another entry before the day ends in England — but this has been enjoyable! I’m looking forward to seeing the sharing of the submissions following the February 7th adjudication.

No dona eis requiem: Another 1840 Tate Gallery GIF Party Submission

"1870 Rehearsing the Service: No dona eis Requiem" animated GIF by aforgrave

“1870 Rehearsing the Service: No dona eis Requiem” animated GIF by aforgrave

The original image is “Rehearsing the Service” from 1870 by Alphonse Legros, and is one of the images open for interpretation in the Tate Britain1840s GIF Party: Call for Submissions.

I had to wrap my brain around taking some kind of a different approach to get a GIF out of this image. I knew that something was in there, and it was by viewing the original image through the irreverent lense of Terry Gilliam and Monty Python that resulted in this little endeavour.

For those not familiar with the antecedent, we need look no further than the venerable You Tube: The following clip was kind enough to provide me with a subtitled transcription, which helped a lot.

Rather than going with a simple text bubble as I originally envisioned, I sourced an image via the Google (“illustrated manuscript images”) of a page from a $40,000 manuscript on the Christie’s Auction site (BOOK OF HOURS AND PRAYERBOOK, in Dutch, ILLUMINATED MANUSCRIPT ON VELLUM AND PAPER) and replaced the existing text with the monk’s speech using a font called GregorianFLF by Casady & Greene on dafont.com.

The final .psd file has on the order of 20 layers — the background (hands of both removed), a three layers for each of the left and right hands for the singer, the singers mouth, two layers for the eyes, three layers for the hands & book, a layer for the extended arms (I took a clipping from the cloak and extended it using the clone tool), a layer for the manuscript, 2 for the text, and a couple utility layers to mask out things that weren’t needed at various points.

At 256 colours, 35 final frames, and a 600 pixel width, the GIF weighs in at 568 KB — which I can live with for an enhanced Piece of Art.

Saved out at the original image width of 1536 pixels, the larger GIF is a bit more massive (2.9 MB) — you can view the full size GIF here.

Just Bloody fun: 1840s GIF Party

Everyone loves a good 1840s GIF party.

There’s an amazing collection of them growing as part of this DS106 assignment, at the GIFfight Tumblr, many by the CogDog himself.

I chose to GIF up this Oil paint on canvas Ellen Terry as Lady Macbeth (1889) by John Singer Sargent (1856?1925).

 The famous actress, Dame Ellen Terry (1847-1928), is shown here in the role of Lady Macbeth. At the first performance in 1888, Sargent was struck by Terry’s appearance and persuaded her to sit for a portrait. He invented her dramatic pose, which did not occur in the production. Oscar Wilde, who saw Terry’s arrival at Sargent’s Chelsea studio, remarked, ‘The street that on a wet and dreary morning has vouchsafed the vision of Lady Macbeth in full regalia magnificently seated in a four-wheeler can never again be as other streets: it must always be full of wonderful possibilities.’

The first thing that occurred to me was to have blood gushing all over Lady Macbeth, like from a horror film and of course I thought of this scene from the Shining. I borrowed the GIF from one of the bazillions all over Tumblr and inserted Lady Macbeth over top (after carefully masking her out of her canvas).

The Shining bloody elevator Lady Macbeth mashup

REDRUM QUEEN

Come, you spirits
That tend on mortal thoughts, unsex me here,
And fill me from the crown to the toe top-full
Of direst cruelty!

- Lady Macbeth

Then I felt a bit guilty not GIFfing the whole thing from scratch, so I attempted to draw some blood over the poor dear.

Bloody Crown of Lady Macbeth

Out, damned spot! out, I say!

I read Macbeth way back in Grade 11 high school English. I’ve always been haunted and intrigued by Lady Macbeth. She was such a pushy, overbearing wife but then in the end was consumed with guilt, seeing blood on her hands that she could never wash away. Ah, regret.

As part of my major end of term assignment I chose to do a magazine and one of the ad inserts was a cleaning product for poor old Lady Macbeth.

Advert for the Lady MacBeth of the house

FiFi Five was somehow representative of something I thought clever, but I really can’t remember what any more.

Forever Changed: The 1840?s Tate GIF Party Submission

"1858 Past and Present: Forever Changed" animated GIF by aforgrave

“1858 Past and Present: Forever Changed” animated GIF by aforgrave

I’ve been intrigued by the Tate Gallery’s 1840s GIF Party and have been looking to find the time to dive in and see what I might come up with. Any invitation to create a GIF is worthy of a response — but the opportunity to work with some old school art presents a specially unique challenge.

My first step was to browse the gallery of available pieces (69 in total) with the task of selecting the images that seemed most GIF-able. Not all of the images suggested some kind of effectible motion to my eye (my GIF-eye-tis tends toward the concrete and not the abstract/psychedelic that some folks arrive at) and in the end I selected 10 paintings for potential animation. With a couple of them potentially set aside and promised to another GIF artist, I was down to eight possible choices.

Moving forward from there was a bit more difficult. I’d already seen some examples completed by ds106 colleagues, as Alan Levine (“Giffing It Like It was 1872″), Tom Woodward (“Museum Remixes”), and John Johnston (“But Is GIF Art?”) lead the way with some artful renderings. Ryan Seslow set is up as a GIFfight challenge and it was added to the ds106 Assignment Bank. Perhaps I was a bit intimidated with the subject material. After all, this is an art gallery asking us to GIF with Art. I took another look at some of the examples provided on the project site, and decided that taking a Terry Gilliam approach might work — as James Kerr aka Scorpion Dagger had done as one of the commissioned participants —  the same time, I’ve rarely attempted the Gilliam animation style.

In then end, I found my attention captured by “Past and Present, No. 1,” painted in 1858 by Augustus Leopold Egg — and was pleased with the process which unfolded as I started to work with the image. Without saying too much, I think that in the end the GIF accentuates details present in the painting so as to emphasize a particular narrative. Whether this was the original narrative of the artist, I do not know — I’ve not yet read the text accompanying the image on the Tate website — (later, having read it, yup, it works!). Perhaps this might help a few more folks to see the hidden potential for GIF-as-Art?  The classic ds106 assignment Say It Like The Peanut Butter and the If We Don’t Remember Me collection are two superior places for you to go if you need some convincing of the power of the GIF as art form.

The Tate Gallery 1840′s GIF Party is accepting submissions for a couple more days — they close their inboxes on February 2nd before the adjudication process leading up to the February 7th opening in London.  Hopefully I’ll have time to attempt a couple more submissions before then. Maybe I’ll try an abstract or a Gilliam next time?

Ancestors Found in the Tate Gallery

Portrait of Sidney Wells and Older Sister Silent Tatiana Wells" animated GIF by @iamTalkyTina

Portrait of Sidney Wells and Older Sister Silent Tatiana Wells” animated GIF by @iamTalkyTina

Well, you know that I am not one to talky about myself all the time. Because I am humble and stealthy like a ninja and a television star, and all.

But did you know that I have some of my ancestors that are in Art Galleries?

It was on ds106 website that there was thing called “The Tate’s 1940′s GIF Party” to find famous GIF paintings in a famous Art Gallery in the Tate Gallery (that’s in London, England) and so I took a little trip after my last overseas mission to check up on the family history. Because they want to have a special show of them.

Up above is one that I found, of my great great grandmother Silent Tatiana Wells. She was born in 1856 and had her portrait panted when she was only two years old which would make this picture from 1858 which was only a year before the artist also painted another picture that is in the Tate Gallery of her step-brother Little Sidney Wells, who would not sit still. You can see how the artist was hard up for inspiration and kind of just repainted some of it the same a year later for her little step-brother, maybe because he moved so much. I made it into an animated GIF so you can see the family resemblance and then the artist’s remixing. Plus, both Little Sidney and his mommy died very young. But clearly my great great grammy Silent Tatiana Wells did not!!  ;-)

But can you see the family resemblance to me?

Plus I did a little digging and found another picture that was done about 40 years later of my great grandmother Outburst Annie and you can see that she looks even more like me! Plus, I think that artist (it might have been her mommy, Tatiana) just used the same old ripped baby suit where you can see their shoulders sticking out of it. But people used to keep old stuff like those moldy old christening dresses back then, so I guess that explains it.

"Portrait of Sidney Wells and Outburst Annie" animated GIF by @iamTalkyTina

“Portrait of Sidney Wells and Outburst Annie” animated GIF by @iamTalkyTina

Well, I will do some more digging to see if I can find some other famous ancestor GIF paintings but if you are going to do it too then you have to hurry because the search will expire by February 3rd and then it will be over to have your GIF picture in the Tate Gallery exhibition with mine if they pick it.

Well, bye!

But is Gif Art?

watts-the-minotaur

I’ve come across a couple of interesting projects this week involving animated gifs.
1840s GIF party: call for submissions | Tate and
The GIF the Portrait Project.

So far I’ve giffed a few images from the the Take 1840 exhibition. I then to find animating gifs as an end in itself, it is interesting that the both these projects seem to be thinking them as art.(there are some amazing examples at Tate Collectives tumblr).

I’ve also been reading The Academic GIF where Jim Groom is talking about how to:

integrate animated GIFs into a curriculum centred around film analysis.

The Tate challenge has become a ds106 Assignment, which already has some submissions, Tom Woodward producing beautifully subtle and a much more dramatic version of the same painting. Alan Levine puts both subtlety and humour in the same gif.

GIF FIGHT!! has a Special 1840 Edition which is filling up.

For the tate gifs I’ve changed tactics a little. I’ve been using photoshop to split the images into layers before switching to Fireworks for animation. Photoshop has superior selection tools.

I an unsure if anything I’ve done is Art but it is interesting in lots of different ways, from visual puns and jokes through problem solving. I wonder if gifs could become part of an arts curriculum in schools?

Museum Remixes

After seeing Alan’s post . . .

This is a response to the Tate’s call for their 1840s GIF party — they have made images available from selected pieces of art from their 1840s room and inviting anyone to remix as a GIF.

That is such a good idea I made it into a ds106 assignment.

It is interesting to see how museums and libraries are using social media in fairly different ways. I’d been impressed with Iowa’s Special Collections Tumblr and this idea by the Tate is certainly something you wouldn’t expect from a museum.

In any case, I gave the gif thing a shot (subtle and not so subtle versions). My wife had The Lady of Shalott poster for a number of years so I’d seen it many times but in the gif reshaping I saw all sorts of interesting things in the painting that I’d never noticed. I’d missed the swallows1, the chain in her hand, and the crucifix in the prow. That led to some light research and, as always, some new knowledge.

ladyofshalott

shalott


1 I didn’t know what they were but guessed mockingbirds originally.

GIFfing it Like it Was 1872

Click the little kicker to see her kick biger

Click the little kicker to see her kick bigger

Don't Rage around Miss Cicely Alexander! This is a response to the Tate’s call for their 1840s GIF party — they have made images available from selected pieces of art from their 1840s room and inviting anyone to remix as a GIF.

That is such a good idea I made it into a ds106 assignment.

I chose as my subject James Abbott McNeill Whistler’s Harmony in Grey and Green: Miss Cicely Alexander (1872-4). I saw movement possibility in the pair of butterflies, but was curious about the item at the base of the window sill… it is just some sort of etching ?? but when I saw the image it reminded me of one of those silly rage faces.

face

The first step was selecting the butterflies and putting each in a layer. On the base layer, I clone brushed in beneath them.

To be able to animate the rage head, I selected the rough rectangle of the left pane, cut it and put it in a layer below. This way, the rage face could be n between the two, and appear to rise into the window.

And the swinging leg was less hassle then I thought, select an approximate shape, and as long as it rotated, it would work meshed in with the skirt. I was able to clone brush in behind it, and fill out the shape of the hat.

To animate, I did a series to loop the butterflies over the girl’s head– doing a New Frame, and then moving the two different butterfly layers. I got a way cheaply as I did not have to flip them. I then copies the series of frames and pasted them at the end to have 2 loops. Similarly I made a new layer, and began the same process to make the rage face appear and rise. Once in place, I made another 2 loop series as the butterflies moved over to the Rage head.

Since the leg swing involved a change of shape, I had to duplicate the leg frame 3 rimes, rotate it a bit each time, the last two also distorting the leg to keep it in frame. And then I had 2 copies of the rage head, to make it rotate and shrink as the kick was delivered.

The GIF comes in tiny, because most of the image is a base layer that never moves; thats the beauty of GIF compression. Even the big one, at 550px wide and 965pc high, is only 365k but has maybe 30 frames.

I hope we see some more ds106ers take on the Tate 1840s GIF Party challenge