Since Inception, DS106 Radio Is TOPS! #2years #4life

“Since Inception” by aforgrave, on Flickr

Are you listening? Well, ARE you listening?  You better be!

HAPPY BIRTHDAY DS106RADIO !!!! YOU ROCK !!!

#ds106radio is celebrating its second birthday this weekend. Of course you’ve listened to the open, online, free-form internet radio offshoot of the University of Mary Washington’s Digital Storytelling course, DS106, RIGHT??

I’m sure that DS106Radio’s stickiness comes directly off of Grant Potter’s duct tape. The ds106 community embraces, encourages, supports, and requires the striving for creativity and expression.

Happy Birthday, ds106radio!

The image is captured from Christopher Nolan’s 2010 mind-bending film, Inception, from the scene were Cobb confesses as to how he tricked Mal into understanding that they were, indeed, in Limbo, and needed to return to the “real” world. I’ve made several GIFs of the top from the film. As I was finishing this one, the pun came to mind.

At which point GIF became considerably more involved.

Originally down to 15 frames, with an interval of 0.1 seconds per, the rotation rate of the top seemed and looked right. Longer intervals would have made it move slowly, clunky, and defeated the illusion of the endlessly spinning top. So to get enough frames for the text (rather than just an on/off static text at the end, I wound up using the copy all frames – paste after last – reverse selected frames technique to lengthen the loop. That extended it to ~30 frames. Then, as I started adding new layers for the text and checking the timing, I found that things needed considerably more time so as to not look too rushed. And I decided to split the top line into two pieces. And then have ds106radio stick around to resonate with the #4life once all the other text was gone. In the end, there were 90 frames in the final GIF.  They were still based on those original 15 layers/frames, with 5 additional layers added for the text. And then hand toggled on or off (with gradual adjustments to text transparency) to get the end result.

Originally the text was even closer to the dark colour palette (mostly grey), but it was just a bit too subtle. I settled on web-safe #333333 — it might still be a bit subtle, but I’m good with it.   I’m going to stick this one into Animated GIF Assignments 869: GIF the ds106.

It’s been especially fun listening to ds106radio the last few days, as folks drop in and play tunes and celebrate. Although I think the current playlist is on a second repeat since I started listening earlier today. Might need to do something about that.

Is it your time to give Otto a break??

Thanks, DS106radio, for your role in supporting this artistic community.  And now, go make us all some art, dagnabbit!

 

 

The Muppets Are On to You, ds106!

Allright, one more GIF (this morning) and then off to do something else. Maybe.

Statler-Waldorf-ds106

This one can fit into two of the categories- RIFF a GIF and GIF the #ds106 (this is a test if I can slip one example into two assignments).

Muppets + ds106 #4life

GIF the ds106

Last night as I was reviewing my process for making animated GIFs using Photoshop, I ran out of time and had to stop in mid-project. While I was happy with the basic GIF (CogDog has used it as the basis for a new assignment called GIF Me Again About My Eyes), I had bigger plans for the Saint’s halo. And so began the editing.

The Saint, with Halo, from "The Wonderful War"

Where I got to last night … before sleep time …

First, I wanted to use the halo has part of text within the GIF. But I found that the orientation of the existing halo was odd. Also, the halo was static within the sequence of images, and I wanted it to appear — like it does just earlier in the credit sequence. So I had to remove the existing halo.  This turned out to be quite a simple task once I sorted out the correct tool for the job — a few applications of the Spot Healing Brush Tool with a nice large diameter did the trick. Suddenly, Simon had no halo.  I spent a bit of time trying to apply this cleaned up layer to all the other layers using a mask, but I need to do some more research into that. So in the end, a simple rectangle copy, duplicate, and merge with each of the existing layers did the trick. Then, back to frames.

Simon has lost his halo ...

Simon has lost his halo …

I had already sorted out a font and a number of transformations that would let me replicate the halo (albeit with a better orientation) and the other necessary letters, and a bit of exploration resulted in a nice outer glow effect to mimic the original.  By gradually increasing the opacity of the halo, it appears and disappears as Simon looks up and down. I had to do this one two times, as somewhere along the way in the first attempt, I lost the glow effect on the halo in some frames, and it looked really wonky. I got it right the second time, and then adjusted the opacity to allow the halo to gradually appear.  But here’s the wonky one.

First attempt, some halos lost their glow ...

First attempt, some halos lost their glow …

My response to the pulsing halo and glance up and down suggested that I wanted the halo to appear more gradually (so I changed the opacity — larger increments, fewer frames), and spent a considerable amount of time fiddling with the timing intervals. It would appear that some browsers render the time increments differently that others. My original from last night just seems to rip along now (at least the copy embedded on the ds106 site) — way too fast. I wanted the halo to remain distinct and attached to the original image, but also I wanted the additional text to appear, augmenting the halo to produce the final result. I’ve intentionally used slightly different opacities in the image that displays the full “ds106″ code  – but all of this was generated from the same font, with f/x, rotations, and both vertical and horizontal stretching.

The Saint, with his ds106 halo

The Saint, with his ds106 halo

And so here you have it, AnimatedGIFAssignment869: “GIF the ds106″ — a new assignment for your enjoyment, contemplation, and creativity — and just in time for GIFestivus. All you need to do is somehow incorporate the ds106 course code into an animated GIF. But try to make it natural, and make use of something already in the image. Remember, ds106 is everywhere! 

Next up, the Swedish Chef.

 

 

GIF the #ds106

It seems that animated GIFs and the DS106 Digital Storytelling community were made for one another. Celebrate this connection by incorporating ds106 into an animated GIF. See if you can take advantage of an element already in the image — an address, a sign, or something else, rather than just adding the complete title. DS106 rocks the GIF !!