EDCMOOC: Utopia, as x approaches c

There’s a lot to like about the EDCMOOC currently running in Coursera. It’s probably the closest thing I’ve seen to a cMOOC on an xMOOC platform. That said, the platform hinders its greatness. This course would be just about perfect if it existed entirely on the open web. Indeed, much of it does.

I like that the organizers decided to focus their attention on curation so they have more time to provide thoughtful prompts and meaningful engagement. While scanning the work of tens of thousands of people is impossible, I feel like I have all the information I want from the facilitators.

In truth, I had no intention of even participating in the course. Like many of the other xMOOCs I’ve signed up for, I had just planned on skimming. So far the majority of xMOOCs follow the pattern of Video, Quiz. Yawn. Video, Quiz. Stimulus. Response. Stimulus. Response.

Yawn.

When Gardner Campbell incited T.S. Eliot, “That is not what I meant. Not at all” he was pointing at this structure, labelled as Bateson’s first level of learning (at best!).

Ecology of Yearning [visual notes] @gardnercampbell keynote #opened12

We have a wealth of genius on the open web, we don’t need to reduce it to a pavlovian response test.

But the EDCMOOC hints to me of the opening that Gardner yearns for. The mere fact that his lecture was included on the resources page speaks to it for me.

I love that EDCMOOC is entirely comprised of creative commons material and publicly available resources. I don’t love that the content locked behind a password. Though, I realize that Coursera can offer analytics, accountability, marketing and recruitment more than the open web currently can.

Of course it’s highly practical to want these things, I mean we’re talking about education in the 21st century and apparently, that’s broken. But other than a lot of PR (and consequently thousands of students) Coursera has not brought a lot to this already really great course.

It’s actually a bit fascinating to see that the use of publicly available course materials is out of devious necessity rather than ideological design. That’s the kind of opening of education I like to see.

A lot of the course lends itself to meta contextual critique and this layering of theory onto itself is helpful for me, in that there are no assumptions made that THIS is the BEST way or that there even is a best way.

The resources are visually rich, which is important to me. Even the text resources about metaphor are dense with visual language. I probably need about 4 more posts just for the Johnson & Lakoff article alone.

The videos were great to watch; they ranged from clever vignettes to deeply metaphorical animations to being just downright creepy. I chuckled at a few of the character names pulled from famous-for-surveillance philosophers, Benthem & Foucault to the bureaucratic victim in the film, Brazil- Harry Tuttle.

I’m not sure if I’m naturally drawn towards pessimism or I just like making fun of Microsoft but I had a hard time watching their utopian future advertisement videoand the Corning one without scowling. I know that if any of those things worked like that for me, I’d definitely consider it utopian. But honestly, if my wireless connection can keep three of us in the house connected for an evening, I’d consider THAT utopian.Technology just fails and we deal with it.

I thought it would be interesting to snip parts of the video out and play around with what would happen during the inevitable crash or unintended consequence occurs.

At the beginning of the film, we see a woman, late at night in a foreign land, donning some babelfish translating shades getting ready during her cab ride to check into her hotel. Murphy’s Law would definitely indicate this exactly when you’d get an exception error.

HOTEL-KEY

The next day, this woman will have a meeting with some locals, who for some reason are really far away. In the future everything will be whitish blue and very sterile so any odd odours will be very noticeable. Be careful if you wave your hand about trying to clear the air, as you might swat all your data out onto the table in front of you. Sploosh. Oops!

swipe

This could lead to the AI in your data analysis app to come to some alarming conclusions for you and your colleague.

efficiency

At the end of a long day, finally when tele-baking with your family your uber intelligent fridge does an analysis of the ingredients and finds you in breach of the homeland food security act.

animated gif of futuristic dad and his futuristic fridge

That combination of foods may be deadly

I realize that’s all very silly, especially when the other videos are really actually quite good and already full of their own dystopian views but I like to add a bit of dystopia to the utopia every once in a while.

As for my utopian view, it’s been great watching Sheila engage in the course content. I’m drawn to her wonderful musings and love how she tries new things like the data analysis and her clever reference to The Ghost in the Shell, which I used as my animated GIF for my first #Change11 post.

Ghost Typing in the Shell

Ghost Typing in the Shell

It’s these grand harmonies of the spheres where the you find resonances across the globe of people who fascinate and teach you, mostly without them even knowing it (except maybe on a WordPress ping?) and there’s a little bit of excitement because they like things you do too.

That’s what connectivism is to me and though I’m surprised to find it sprout from unlikely xMOOC sources, I must remember that when these things happen rhizomatically that’s when they are best.

Casserole Ensemble

Casseroles – Montréal

Sunday’s Daily Create was to take a picture that shows motion. I decided to make it rather show a movement. I love the celebratory, non-violent movement of this ensemble featured in The Huffington post. I’ve included the embed of the video below. It’s quite moving. I love the track titled Intuition by Astronomie. It’s en français; my fave line is “D’un même élan” (roughly translated: the same momentum).

Quebec students have been on strike for over 100 days and most mainstream media has mostly ignored them or chalked them up to “self-absorbed brats

Last week the National Post ran an op-ed from John Moore where he challenges the prominent notion from the R.O.C (Rest of Canada)

He points out, “Today’s youth face a grim future not of their own making. Is it any wonder that they’re angry about it?”

Born in Toronto, Ontario but living in Montreal, QC, my brother, Matt Forsythe has done some beautiful art work as his contribution to the Casserole.

In addition, his recent FB status update has generated a lot of discussion.

Students should be realistic and think about the economy. Let’s be realistic.
Raising tuition fees reduces social mobility, increases personal debt, reduces spending and home ownership, increases student loans (which, by the way, is great for banks), creates a less-educated and less-skilled workforce.
So how is raising tuition fees good for the economy?

I agree. I think this argument is brief but clear and his friends are commenting in droves, not all agreeing but all being quite respectful.

Now this is really looking like a fan site for my brother, but I really have to also give credit for this stunning picture he took from a rooftop in Montreal:

=======
NOTE on making the Animated GIF: I took a screen grab of the video for about 5 seconds. The more observant of you will notice my sloppy mouse icon in the bottom left corner]

Then I Imported mov as layers into Photoshop CS5. I masked out the movement I wanted to freeze and what I wanted to move.

I applied the filter: Brush strokes-Ink Outline to the layers and exported as B&W animated GIF.

Photoshop screen shot of layers for casserole gi

Photoshop screen shot of layers for casserole gi

How DS106 Changed My Life

Having exhausted everyone in my physical proximity, I was sitting around this weekend just hoping someone would ask me about DS106.

#ds106 folk help me out. @ & I need short video clips telling me what made #ds106 special, powerful, fun, different etc. Anyone?
@twoodwar
Tom Woodward



Oh, Tom, I’m so glad you asked:

This is the second animation that I’ve tried using this method. The first one was last week for Dave Cormier’s #change11 session on Rhizomatic Learning.

I find it interesting that Rhizomatic Learning has 300 views and two “likes” whereas this DS106 video has only had 30 views and already has 5 “likes”. I realize we shouldn’t conflate mouse clicks with engagement but this is a good example of how I feel the DS106 community is so encouraging and enthusiastic.

What I meant to mention in the video was the essential role of commenting. My first post was just two drawings, no text. The comments caused me to revisit the post and write out context and process. Luckily, Tim and Alan have already touched upon this in their videos.

And maybe you will too? There’s always time to tell the world about how much you love DS106!

Technical notes:

[Yes, I used an iPad but please be aware: I partially despise the things.]

I used the Taptrix Brushes app to do the drawing, which records your brush strokes as you draw. I have been mostly using AutoDesk SketchBook Pro for most of the work in my Visual Practice. I use a pogo stylus. The hardest part is erasing and redrawing because it does not do frame-by-frame animation, just records everything you do.

I do NOT enjoy the process of drawing, exporting “Actions” via email. [EMAIL?It's 2011, why am I EMAILING!?]
Then I have to extract the .zip file into a .brushes file, open the file on the desktop Brushes App (free download). Then export to MOV. Then Import into iMovie. Alas, this is Life With an iPad, where moving content is notoriously painful.

I feel like I help sell these infernal devices every time I do a drawing on one, so I must tell you: it is not all rosy. It takes patience and tenacity.

I used PhotoBooth to record the video and just watched the animation as I read. (This is why I missed the key important bit about comments) Finally I brought the whole thing into iMovie. I confess I also despise iMovie 8 and up so I’m still using iMovie HD (v. 6?). I had to export the thing about 4 times before I got the settings correct. YouTube wants wide screen but Brushes exports 800×600.


cc licensed ( BY NC SD ) flickr photo shared by giulia.forsythe

Filtering for Bags of Gold

Last night I stayed up incredibly late. Combed over the Change MOOC threads. Analyzed my opinion about comments on the main site vs my blog. Signed up to help with the eBook project. Listened to DS106Radio. Y’know a usual Friday night.

Around 5am I drifted off to sleep as I think I hear It’s…Later…Than…You…Think was playing. I don’t remember any of the episode.

Data Visualization of a Learning Community?
[Screenshot from: Deb Roy, MIT Media Lab Ted Talk March 11, 1011]

But I had the oddest dream

I was sitting with all the listeners from across Canada (BC, ON) and the world (NZ, USA, UK, AU)

and

even though we were geographically far apart
we could still see each other
because
we were sitting on this large patch of sandy earth
plugged into our devices
I was on my laptop
others had mobiles
a few people sat at large desktop PCs

then suddenly
the ground moved upwards
and we weren’t on the ground at all
but rather a giant sieve box

like the kind the maybe the gold rush would use
to filter between gold and dirt
or what they use for compost
to filter between nourishing earth and waste
and the box lifted the listeners and their devices away from the earth
and the sand fell through the sieve
and all that remained were the listeners
having a conversation
and the words shapeshifted into
these incredible hybrid beasts

they were
beautiful and slightly grotesque mashed up beasts
straight from mythology
Miyazaki’s Totoro inspired,
or something from Spirited Away
impossibly combined
hirsuit insect dinosaurs
grasshopper legged yeti

and all the listeners sat physically in this filtered sandbox
were
elevated,
but trapped
with giant brick walls around us
we were in a box
though we didn’t notice
because we were
having fascinating conversations
but people from the outside the giant walls
below our huge sieve box
in the rest of the world
had no idea what was going on
and it was impossible to describe the beasts of the conversations properly
and the outsiders couldn’t see the beasts
so they were just mythical

soon enough,
interestingly,
outside the box
the beasts rose in popularity
out of context
not as pieces of conversation
rather, instead, as products on shelves
children had them as beloved stuff toys
stickers
colouring books
there were handcrafted interpretations for sale on etsy

at first we enjoyed the popularity of our beasts
we had shared the wonder of our experience
and they were so flippin cool
of course they should take many forms
beyond a conversation

I wanted to collect all of the beasts
to put on my shelf

but

there was also this acute sadness
a loneliness
a feeling of incompleteness

that we were unable to describe the feeling
of sharing
of being
and learning together
of the ideas
that sprang forward
without commodifying it
or objectifying it