Visual Assignment 1892: Can You See What I See

For this week, we have been instructed to complete an assignment from the DS 106 Visual Assignment Bank. I chose to doĀ Visual Assignment 1892: Do You See What I See.

The instructions are: “Find or take a photo of an eye. Take another image of whatever you want, and overlay the image onto the eye. Make the image in the eye smaller so that it looks like a reflection in the person’s eye. Turning down the opacity of the image in the eye helps give a relection [sic] sort of look. Let us see what the person in the photo is seeing through their eyes.”

I don’t have any great photo editing skills or programs, but I am quite adept at using the photo editing options within Power Point, so I created my image there. I happened to have taken a photograph of my eye in the past, so that part was pretty easy to accomplish. I also love taking photos of flowers, so I had plenty to choose from! I then imported both photos into PowerPoint, did a little cropping and size adjustment, changed the opacity of the top image, grouped the two images together, and then saved the final product as an image. Here is the result:

Picture1.png

Let me know what you think!

Week 4 Reflections

Before my reflection, I’d like to share the two videos I created for my Mobile Learning class because I feel like I’m slowly, but surely, becoming a novice video editor!

The first video is called the History of Buffalo Wings. Ā I created it with GoAnimate as well as my personal Ipevo Ziggi HD Plus document camera. Ā GoAnimate is a tool that I know I didn’t even scratch the surface of. Ā There are so many Ā options and tools within the site. Ā I just wish I had more time!

The second video had no guidelines other than it had to “Go Viral,” which in this case mean that it needs to get 150 views. Ā Last time I checked, I was at about 120. Ā Hopefully I get those last 30 soon! Ā This video was also fun to make, but I learned that I could have been a lot smarter in my filming. Ā I should have filmed one pose at a time instead of trying to edit down the 20 or 30 minutes of video.

Reflection

  1. How well do you feel you completed the requirements of the week’s assignments?

This week, I completed all of my assignments extremely well.Ā  I definitely stepped up my theme game, I think.Ā  I put in a lot of extra effort to develop daily creates, an assignment, and a critique that helped me think about my true passion- the balance of technology integration into the classroom.Ā  I also took the time to learn how to use new tools to create better assignments.Ā  I’ve interacted with my peers on Twitter, the readings, and our blogs.Ā  I’ve even gone out of my way to interact with my peers on a more personal level by supporting them in their endeavors outside of the class.Ā  On top of that, I even reached out to the person who created my digital story to let him know my thoughts on his video.Ā  He actually read my blog post and responded to my Tweet, which was pretty surprising to me.Ā  It was the first time I’d ever reached out to someone so well known.

2. What gave you trouble? What did you enjoy most? What did you learn?

Again, the only thing I struggled with was my own time management. I should have known that trying to manage my time better when spending six days in Denver would be a little unrealistic.Ā  My hotel didn’t have strong enough WiFi to do anything without me getting entirely too frustrated, so I was left with finding free WiFi in coffee shops in my small bits of time in between conference sessions.Ā  Thankfully there are plenty of those in Denver.Ā  I most enjoyed the connectivity I’m feeling.Ā  I never thought that I was the type of person to get excited for ā€œlikesā€ or ā€œcommentsā€, but now that I’m putting so much effort into my assignments and posts, I really enjoy the confirmation.Ā  It’s a strange feeling, but I do enjoy feeling supported (even in the posts I make that aren’t about this class!) by my peers.Ā  So one of the things I learned was the importance of that feeling in the classroom.Ā  I’m sure my students would feel the same way as I do once they start posting thoughtful projects and posts online, so I need to make sure they are supported and feel the confirmation like I do.Ā  Another thing I learned is how hard it actually is to ā€œGo Viralā€.Ā  I never knew what that really entailed until I had my own video on YouTube and was tasked with getting 150 views.Ā  It’s tough!

3. What would you do differently? What questions do you have?

Next week, I’m seriously going to use my time more wisely. No kidding this time.Ā  I’m still wondering about better resources/placed to find more educationally-focused digital stories.Ā  I wonder if a digital story could also be in a format that is not a video.Ā  Could it be an educator’s blog?Ā  By definition in our course, blogs are forms of digital stories.

4. What are some of the larger issues surrounding your work, particularly as they relate to exploring your focal theme?

I’m still unsure of my true focus and what the outcome of this course will be. I want to feel like I’m going to be able to continue keeping up with my blog and making my passion a reality after this course is finished.

5. Provide a self assessment of your work quality and effort on a ā€œexceeding expectations,ā€ ā€œmeeting expectations,ā€ and ā€œbelow expectationsā€ scale. Why are you “exceeding” or “meeting” or “below” course expectations?

I think I’m still exceeding expectations. I’m completing every assignment on time and meeting all of the requirements of the course.Ā  I’m also going above and beyond by trying to create a holistic experience by integrating my real life experiences with this course and with my other course.Ā  I’m also continuing to help others as much as I can.

Digital Reflection of Myself

Digital Reflection

This assignment of making a digital reflection of yourself was actually quite easy in my opinion. It was kind of easy because on my Xbox Live account I had already created a virtual/digital version of myself. The only thing that I had to figure out was how to get it from the screen to a picture that I can place as a jpg.

Then I thought that I can go to Xbox.com and sign into my account to find the picture. When I found the picture, I took a screenshot of my screen using the Mac app “Snip” which allows you to take any picture of your screen. After I had the avatar picture, I put it into the Sketchbook App. The next thing I did was find a fairly recent picture of me, so I picked a picture where I was sitting in a restaurant. However, I wanted both pictures to match and just filled in the background by painting it the same color background as the Avatar picture. It was kind of tough, because I didn’t want to paint over my face or head. I needed lots of concentration so I wouldn’t mess myself up. The last thing that I did was write text explaining which one was which to avoid confusion, because the digital version looks just like me.

Overall, I thought the assignment was going to be easy. But it turned out to be a little more difficult than anticipated because of making the background the same.

REMIX VS MASHUPS

This is my remix vs mashups reflection, which took me like a million tries! I kept stuttering over and over again. But I got it done and hope you enjoy it and get what I am trying to say. If you listen you will clearly understand the differences between the two. Well the person that I talked to about it did, so I’m sure you will too!

I used my own integrated mic to record this audio and uploaded it to soundcloud to embed it here onto my blog. Sometimes soundcloud works perfectly and then sometimes it takes FOREVER. Any idea why that is?

What is Remix?

Instead of writing up an explanation of what you learned, instead formulate your own understanding about remix and mashup, and record a video or audio of you explaining it to someone who is not familiar; this could ba a family member, friend, neighbor, random stranger. The point is to capture a recording of your explanation and make sure we hear the other person, perhaps asking a question. If you show them any examples, do it before you record (we do not need to hear them again).Write up a blog post that includes this recording and anything else you want to share to show your understanding of remix, and explaining how the examples you watched demonstrated the form. Put some thought on whether this is a creative act and as well explore what it means for the entities that retain copyright over the media forms that are remixed. Include links and/or embeds of all media you reference.

I began by watching RiP: A Remix Manifesto and I was really confused at first I thought I was watching Project X. But then they started talking about Girl Talk. A band that remixes music, then they narrator started talking about copyrights and the legality of it. I though the conceptĀ of ideas being property was really interesting. Personally I think that ideas should be shared and manipulated in order to create new ideas. I understand copyrighting product ideas in order to make a profit, but ideas of the internet are different. The video focused on music. Asking the question who would have a problem with two videos being put together. When we started thinging about music I think of the Taylor Swift and Spotify debacle. At first I didn’t agree with Taylor Swift but once I heard her side, I thought she was correct in her argument. Swift argues against Spotify allowing listeners so listen to music for free while paying artist minimum by saying,

In my opinion, the value of an album is, and will continue to be, based on the amount of heart and soul an artist has bled into a body of work, and the financial value that artists (and their labels) place on their music when it goes out into the marketplace. Piracy, file sharing and streaming have shrunk the numbers of paid album sales drastically, and every artist has handled this blow differently.

Music is art, and art is important and rare. Important, rare things are valuable. Valuable things should be paid for. It’s my opinion that music should not be free, and my prediction is that individual artists and their labels will someday decide what an album’s price point is. I hope they don’t underestimate themselves or undervalue their art.

This is somewhat different then the argument in the video, but still somewhat relevant. The conceptsĀ being brought up include; is creativity being limited?, artist build on past work, singing Happy Birthday is a copyright infringement, copyright was designed to encourage people to create, downloading music from the internet and the copyright infringement problem. I learned about copyright through this video, but I somehow don’t understand how it’s so terrible and worth suing and criminalizing. I liked the comparison of citing an authors work to using video. You can take a passage from an author and cite it and that’s okay, so why can’t you do that with video?

Everything is a Remix Part 1

  • Remix: To combine or edit existing materials to make something new
  • Covers and knockoffs are legal remixing
  • Covers: Performances of other people’s material
  • Knockoffs: Copies that stay within legal boundaries

Part 3

  • Xerox: Modern computer in 70’s- Alto and Star
  • Apple: Lisa and Machintosh
  • Mac copied Xerox but made it a household appliance
    • Combinations

Buffy vs Edward: Twighligh remixes

  • Using scene from both
  • Alternating
  • Making them work coarsely
  • Remix
  • Color difference- creator said intentionally left

I was still confused about the difference between the two so I googledĀ Remix vs. Mashup. I ended up finding a really helpful page where the question was tweeted out and responses were tweeted back. The page was created by Adam Levine, whose name I automatically recognized as a member of the DS106.

  • Particular remix technique utilizing content from multiple sources
  • Creative blending of multipleĀ songs/videos
  • Involved the combination of 2+ works that may be very different from one another
  • Blending multiple things
  • Combining 2+ elements into a coherent whole

Remix

  • Revisiting a piece of content
  • Creative personal reflection of a song/video
  • Reworking or adaptation of an existing work, may be subtle or completely redefined, may add elements from other works, but generally efforts are focused on creating an alternative version of the original
  • Scrambling something
  • Changing a work, adding new elements, reordering

Mashup

  • Particular remix technique utilizing content from multiple sources
  • Creative blending of multipleĀ songs/videos
  • Involved the combination of 2+ works that may be very different from one another
  • Blending multiple things
  • Combining 2+ elements into a coherent whole

I decided to teach my dad about remix and mashups and here’s our recording that I did on Audacity.

x Kelsey

 

 

How to Read a Movie

I have done something like this before in an AP LiteratureĀ and Composition course in high school. We would take movies and go through them looking for context clues and different signs that underlay the plot such as shadows, words, different view points, or lighting. The one I most vividlyĀ remember reflecting on was when there’s a scene shot through a window or different room and how when it was shot through the window the character didn’t know something was happening. When the scene was shot normally the character was in the loop about what was being discussed. After learning these techniques in high school I found myself looking for things like those in movies now and I really enjoyed that. So I was excited for this assignment.


Notes on How to Read a Movie by Robert Ebert

  • Had to teach himself
  • Intrinsic weighting: certain areas of the available visual space have tendencies to stir emotional or aesthetic reactions
    • Not consciously applied
  • Shots that well up emotionally, instinctively, or strategically
  • Placement of people
    • Somewhat to the right of the center- ideally places (strong axis)
    • More right- positive
    • More left- negative
    • Centered- objectified (like a mug shot)
    • Person on right seems more dominant over the person on the left
  • Future on the right, past on the left
  • Top is dominant over bottom
  • Foreground stronger than the background
  • Symmetrical composition seems at rest
  • Diagonals in a composition seem to “move” in the direction of the sharpest angle they form
  • Tilt shots put everything on a diagonal, implying the world is out of balance
  • Point of view above a character’s eyeline reduces him, below the eyeline enhances him
  • Extreme high angle- make characters into pawns, low angles- into gods
  • Brighter areas dominant over darker
  • Dominant contrast: area we are drawn towards
  • These rules work by being followed and by being violated

Top 20 Amazing Cinematic Techniques

  • There are a lot of different cameras and filming techniques (steadicam, long cam, track cam, trunk/low angle,frantic, etc) that go into recording a scene
  • The director must think about how he wants the audience to perceive the scene and what he wants to demonstrate

It doesn’t really tell how the effects contribute to the film and without seeingĀ the films or knowing the backstories it’s hard to know what the effects are suppose to be doing. However I did take away an appreciation for all the thought that goes into movies and then I wonder if what Ebert said is true most of the time; that the filmmakers don’t plan these things out, it’s just natural,


The Shining: Zooms

  • Car on the right
  • Car bright yellow, background neutral, earth tones
  • Car enters just to the right of middle
  • Person sleeping top left corner, rest of the scene black
  • zooms out from him sleeping, to show more

I’ve never seen The Shining so I thought it was just showing people and this was a scene from the movie and then it kept adding people so I scrolled down and read:

A synchronized collage of every zoom in Stanley Kubrick’s 1980 horror masterpiece, The Shining.

This was a really short video and I’m not quite sure how to reflect on it without every seeing the movie. Since I’ve never seen it I don’t know why exactly there is zooming in and out and who the characters are or which parts are important. So I decided to read some of the comments and see what people said in order to see what I could learn.

  • Tracking shots:Ā  when a camera follows a person or an object physically moving with the subject

That’s about all I got from the 19 comments. However I know that the zooming is important and relies an undercover message.

  • Possibly when zooming out on the people sleeping: they don’t know what’s happening, someone watching them, showing distance, enhance foreground
  • Zooming in on person sleeping: showing thought/emotions
  • Zoom helps to show a focus point, draw your attention somewhere

x Kelsey

ā€œKnowledge is of no value, unless you put it into practiceā€

This week we learned a lot! It was a lot of new information and trial and error. I’ve never used Audacity so that whole process was very new to me. I still do not know how to saveĀ a YouTube videoĀ from YouTube, but I worked my way around it. I learned that Professor Polack usually gives us the tools we need and that I need to read the instructions better. I learned that SoundCloud does not take Audacity files and you need to convert to an MP3 before you can upload it. I used several new programs this week including Audacity, Sketchbook, Vintage it, VideoMerger, freesound.org and then I downloaded a couple other photo apps and started playing around with them. I’m not a fan of my voice so it was weird to have to record myself for some of the audio assignments. I learned that it is fairly easy to play around and change pitch, tone, etc. Overall I’ve really enjoyed how this week has taken me out of my comfort zone and made me try new things.

x Kelsey

DS106 Tasks: You Snooze – You Lose!

I’m having fun learning how to create animated GIFs with frames extracted from digital video. In fact, with practice, and the support and feedback of my DS106 learning community, I think I am getting better!

I created this animated GIF and then chose my title. The message combination resonates with me on two levels: the primary one which I’ll address now and the more subtle, subliminal suggestion (which I hope you can figure out), I’ll share at the end of this post.

Zorro as an animated GIF

DS106 Task Tips
This post’s title warning “You Snooze – You Lose!”, with its animated GIF, is a reminder to both DS106 participants (and me) to begin work early Monday morning on the current week’s “Daily Creates” and/or assignments. Those who wait until Sunday to complete the majority of projects assigned during that week will be not only frustrated but will miss out on many positive support and learning opportunities.

As the Digital Storytelling DS106 course moves into more participant-selected assignments and projects, I’d recommend the following:

  1. Plan out your upcoming week’s work early.
  2. Select your first weekly assignment carefully. Pick one that you feel you can accomplish in the least amount of time and, if necessary, with little time spent learning new applications or techniques. Once you have completed your first weekly assignment, you will be motivated and inspired to continue with others.
  3. In your blog posts, document your learning journey. Where possible, provide hyperlinks to tips and resources that showcase how you “tweaked” or made the assignment “your own”. Indicate, what you might do differently if you were to attempt this assignment again.
  4. Choose your “Daily Creates” with care. As an example, if you are instructed, as a minimum, to “do three ‘Daily Creates’ this week”, do not wait until Friday, Saturday and Sunday to tackle this task. Also, if you are weak using Photoshop (as I am), I might be tempted to bypass the Wednesday challenge asking me to “Design a poster of an action movie starring Julia Child” because I know it will require me to spend more than 20 minutes. However, don’t skip a “Daily Create” hoping that the next one will be easier. In reality, the “Daily Creates” are designed to stimulate your creativity and engage you in your learning adventure. No one appreciates this endeavour better than Norm Wright (from the Spring 2012 DS106 course) who shares more than a year’s worth of each days’ creativity in “All My Daily Creates”.
  5. Leave some “percolation time”. In order to be innovative in completing or designing your own assignments, you will need “think time” to explore all aspects of the endeavour before jumping into the task at hand.
  6. Investigate the DS106 Handbook for ideas and tips to help you progress, with fewer hassles. The associated links have been compiled from previous DS106 courses and represent the best resources.
  7. Invoke Google Reader’s RSS feeds in order to keep up-to-date with blog posts and resources shared by the DS106 learning community.
  8. Read other student’s blog posts and provide positive, constructive comments.
  9. Connect with other DS106 students (face-to-face or online) so that you have an idea of whom you might like to work with should a collaborative project be assigned.
  10. Sign up for Twitter so that you can monitor and reply to DS106-related tweets, which can be filtered, using the hashtags like #ds106, #dailycreate or specific iindividuals like #cogdog. I personally like to use TweetDeck, to organize Twitter feeds, as I can setup individual columns for “All Friends”; “Mentions”; “Search: #ds106″; “Search: #dailycreate”; “Favorites”; etc.
  11. Take time to send 140 character tweets (with the #ds106 and/or #dailycreate hashtags) to share your accomplishments. You will be surprised how many of your DS106 colleagues will check out your creativity and provide you with motivational comments.
  12. Faithfully read CogDog’s Blog posts and Twitter feeds (@cogdog) so that you are kept up-to-date on the many facets of the DS106 course.
  13. Always be generous when scheduling each project’s time estimate. Remember that when using technology, Murphy’s Law states that “Anything that can go wrong will go wrong.” If you have completed a DS106 assignment in less time than you previously estimated, then you are “laughing” :-)
  14. If you leave projects to the weekend you will miss out on the valuable aspect of reading colleagues’ blog posts and commenting. This important step helps build a productive and caring learning community.

Creating My Animated GIF
Without repeating myself, I worked through the basic tasks that I have already documented in my post entitled “The eyes are the windows into the soul. In fact, as someone who does not easily internalize processes, I find that if I document the steps in my learning journey, I can go back to that post whenever I need to repeat the process. In summary, I used these steps:

  1. I began, by selecting the YouTube movie trailer “The Mask of Zorro – Trailer”
  2. Since I am using an older Windows computer running the XP operating system, I used the PWN YouTube bookmarklet process for downloading the trailer and saved it as a High Quality MP4 file.Ā 
  3. Next I used MPEG Streamclip to extract only the clip showing Zorro’s “sword play” near the start of the trailer. I was careful determining the “In ” and “Out” points along the timeline by using my arrow keys to move one frame at a time. Ideally, I wanted the final sword slash to end at a position near where the initial slash began. Such positioning would promote a cleaner, cyclic animated GIF. Unfortunately, I was unable to find a video footage where Zorro uses his rapier in repeated, distinctive “Z” slashing moves, so I did the best that I could in selecting the start and end points of this trimmed video clip.
  4. I extracted 16 frames that I imported into GIMP as separate layers. I then followed the detailed steps in the DS106 Handbook link “Creating Animated GIFs with (free) Open Source Software”.

I admit that I do not understand the complexities of GIMP and follow the instructions blindly. However,Ā  having a link to these important instructional documents, always helps me in the future. I know that if I enter “animated GIF” (without quotes) into my right-hand “Search L-L-L Blog” field on my blog, I will find posts explaining how to create animated GIFs. I know that if I scan each post for hyperlinks, I’ll find valuable resources to help me create another animated GIF.

I’ll always like to ask myself … “If you were to repeat this assignment/project, what would you do differently?”. For this activity, I’d like to follow up on Alan Levine’s suggestion to try and reduce the size of animated GIFs. To do so, I would like to see if I could delete some of the 16 frames that I extracted without diminishing the visual appeal of the sword play.

Did you find the subliminal message?
At the start of this post, I suggested that the title “You Snooze – You Lose!” and Zorro’s distinctive, three stroke rapier cut “Z mark”, shared a subtle, subliminal message. One might suggest that the animated GIF, that I created, produces a repetitive pattern of “Z Z Z Z …”. In the English language, the symbol of repeated Zs often means that an individual is snoozing or snoring. Thus Zorro, with his distinctive sword-play, is subtly reinforcing the title message that snoozing or snoring during the DS106 term not only causes the individual to lose out, but perhaps equally important, the DS106 learning and support community loses an important contributing component … You!

Take care & keep smiling :-)

ā€˜DS106: Thanks for the Memories’ Video

My first DS106 video assignment is a “Digital Story Compilation” in which I was challenged to “Create a video compilation of some of your favorite things you’ve made in ds106″. I titled it “DS106: Thanks for the Memories” because while I was creating this video, I was totally engaged in the process of documenting my new-found experiences in my DS106 learning journey.

Ā 

I must admit though I was so envious of some of my colleagues who assembled a 3-5 minute video of their creative images, added a soundtrack, uploaded it to YouTube, and quickly moved on to their next video assignment. True, their videos represented their accomplishments and other DS106 students, who shared the learning experience, could view the elements without the need for additional commentary to explain the back story.

By comparison, my video, like my blog posts, tend to favour the longer formats. I am jealous of my colleagues who can write effortlessly and share ideas with an economy of words. Some might consider my style to be somewhat “anal”(ytical). This approach might be reinforced if one knew that I initially attempted the relaxed “voice over” narration and rejected it after several “takes”. As an educator, I just felt uncomfortable “winging it” and recording a narration as the video progressed.Ā  Therefore, I created a Word document with an embedded table which contained both the slide images and their respective narrative “sound bites”. Believe me, after matching images and writing appropriate narration to enhance the video, I have a new-found admiration for the work that goes into video production.

Your “Teacher’s Voice”
However, it was my adult son who raised another aspect of video creation that I had not considered. After listening to my “20 Questions & Answers About DS106” radio show, he provided me with some constructive feedback about my sound-track, when he stated:

Dad … in your narration, you pause too much and your speaking is too slow and deliberate. Radio announcers talk quickly and move right along. I think you seem to be lapsing into your “teacher’s voice”.

Certainly my “radio show” narration was somewhat stilted. In fact, I will warn viewers that even the following “DS106: Thanks for the Memories” video appears to have this same deliberate narrative quality that I, as an educator, tend to use in an instructional setting.

It was this feedback and reflection that caused me to finally ask this very important question:

Who is your audience?

While most DS106 students were designing audio-visual creations, their primary audience was their respective instructor and their supportive DS106 colleagues. Each of these audience members were quite familiar with the DS106 massive, open online course (MOOC), the “Daily Create” activities, and its challenging assignments. These individuals were immersed in the ABC’s of “Always Be Creating” and “Always Be Commenting”.

On the other hand, as a former teacher, who has been sharing educational blog posts for more than two years, I write for a primary audience who are K-12 educators, with my DS106 community an important secondary target. Whereas, my colleagues are creating for an audience who knows the complete DS106 back story, I am sharing with many educators who are not even aware of what the MOOC acronym represents let alone understand the mechanics and learning that goes on within this course. For this reason, I feel the need to explain in more detail so that my blog-following educators can better understand the dynamics, the energy, the fun and most importantly the learning that is taking place within this creative DS106 community. As an educator, I am doing my best to share powerful ideas and creative endeavours that I hope can somehow be adapted to work successfully within the K-12 environment. So perhaps, I am using my teacher’s voice but in many ways, I am still teaching.

I trust that readers will find ideas and learning opportunities within my 18 minute Vimeo video entitled “DS106: Thanks for the Memories“:

DS106: Thanks for the Memories from Brian Metcalfe on Vimeo.

In closing, it seems particularly fitting to share with you Solomon Ibn Gabriol’s five step process for learning and acquiring wisdom:

The first step in the acquisition of wisdom is silence,
the second listening,
the third memory,
the fourth practice,
the fifth teaching others.

Take care & keep smiling :-)

Credits:
-Ā Ā  Flickr – Creative Commons image ā€œThanks for the memoryā€
by Leo Reynolds – http://www.flickr.com/photos/lwr/4037019936/