Doesn’t matter when or where–Dean will always think he’s Batman

It took about an hour browsing YouTube before I found the perfect scene to re-make into a silent movie a la the Return to the Silent Era assignment, and I was kind of surprised that it turned out to be from the TV show Supernatural. Here’s the original clip:

And my silent movie re-make:

This thing… definitely worth the five star rating. Hell, I’d give it an extra star just for how detail-oriented the whole assignment is, and how frustrating it was to get all the programs I needed to cooperate.

To begin at the beginning, though: Supernatural. A show about brothers fighting mythical creatures and ghosts, and then demons, and then angels, and then trying to stop the apocalypse, and then… yeah. It gets intense pretty quickly. That said, despite how modern the context, Supernatural is at its core an action series, which made it the perfect choice for a silent film adaptation. I’ll admit that I’m not exactly an expert when it comes to silent films, but one thing I have noticed about them is that due to the lack of voices, there’s always a lot of action going on in every scene. Whether it’s the classic girl-tied-to-the-railroad gambit or super dramatic expressions, the audience needed something to look at to keep them engaged. Supernatural has all of that in spades, and the pauses for dialogue between actions in this scene made it easy to place each title card to give a sense of back-and-forth banter between hero and villain.

I used YTD Video Downloader to download the clip to my hard drive, then uploaded it into Windows Movie Maker and quickly realized that the “Old Film” effects I’d been relying on to complete this project had been gutted in the so-called “updates” to the program. After poking around online a little and asking a few ds106 students for advice, I downloaded VideoPad and gave that a whirl. No dice—not only was the program abysmally slow on my computer (a complaint many others have about this otherwise well-stocked piece of freeware), the interface was too complex to master in a week and the “old film” effect it produced was migraine-inducing, as evidenced by this ds106-ers otherwise excellent video.

After a bit of poking around, I discovered that I wasn’t the only person lamenting the loss of the video effects from previous versions of Movie Maker, and it was still possible to download Version 2.6 from Microsoft’s website. This was a Godsend, but I found that it was easier for me to edit my clip and insert title cards with the version of Movie Maker I already had because I was more familiar with the program. I decided to edit my clip with the later version and add effects later with the previous one.

Creating the title cards was one of the more time-consuming parts of this assignment. I did a quick image search for silent movie title cards and found this wonderfully simple example from a teacher’s blog in Hollywood (how cool is THAT, by the way?). After importing the image into Photoshop (YES, PHOTOSHOP. THAT IS A THING I HAVE NOW!!) I found an appropriately silent-film-y font and went through the clip writing out the dialogue and sound effects. I added some intro title cards to give context to the clip as a whole, and some hand-drawn flourishes on the “Supernatural” and “The End” title cards completed the effect. Once that was done, I imported them all into Movie Maker and stuck them in the right places.

After fighting with the formatting a bit and going through a couple of conversions (thank you once again, Online-Convert.com) so that I could upload the edited clip into my older version of Movie Maker, I managed to get all of my video suitably old-ed up. I was pretty disappointed that the only way to get that authentic, jumpy silent film feel meant a serious decline in overall image quality, but decided it was an acceptable sacrifice since I was trying to evoke a specific style of film, and conveying the scene itself was secondary.

Last but not least, music. I found the perfect track on Incompetech.com, a ditty called “Amazing Plan – Distressed,” and uploaded it into Audacity to edit it. The biggest change I made to the song was extending (rather clumsily, I’ll admit) the major-key middle section. Once that was done I added it to the final movie, exported it as a video file and sent it off to YouTube. SO EASY, RIGHT?!?!

As to the work of other students who’ve attempted this assignment, I mentioned Norihide’s Jurassic Park silent film. I think he did a fantastic job capturing the feel of a silent film—in fact, I’d say his movie is far superior to mine simply because of how much clearer it is, annoying jumpiness notwithstanding. I also love how he was able to capture the cinematic feel of Jurassic Park without cluttering it up with too many title cards. I think I would have been tempted to do a lot more with sound effects than he did.

A current student, Witt LeFew, did this assignment with the trailer for Skyfall, the most recent Bond film. While I really liked the way his video kept the clarity of the original trailer while also looking like an authentic silent-era movie and his use of big-band music to create atmosphere, I thought incorporating title cards would have made it even better. Trailers for silent films always had really fun title cards with big, splashy adjectives on them, and that would’ve made his trailer that much more exciting.

Silent Vader at Disneyland

Not gonna lie – I’m pretty good with iMovie. In fact, I teach people how to use it professionally. (I’m an instructional technologist.) So instead of planning out my video projects this week, and then executing them next week, I’m just going to stagger the projects. And maybe do a couple extras just for fun, we’ll see.

My first project is inspired by the recent acquisition of the Star Wars franchise by Disney. As soon as I saw the Disneyland commercial starring Darth Vader (and a few anonymous storm troopers, as all storm troopers are) I knew I wanted to use it for one of my video projects. And given the brilliance that is Silent Star Wars, I felt inspired to make my own attempt at a Star Wars silent film. A Disney one, that is.

To create this, I followed my usual process of pulling the video from YouTube via PwnYoutTube. I then imported the video into iMovie (File -> Import -> Movie) and copied the entire thing into a new Project. I removed the beginning and end stills and added my own. The introduction uses the “Far Far Away” title format, and the end uses a basic “Centered” title. I then removed the audio from the main portion of the commercial:

  1. Hover over the footage until the blue Options gear icon appears.
  2. Click on the gear.
  3. Select Audio Adjustments.
  4. Bring the Volume down to 0%.

I liked the sound of Darth Vader breathing from the beginning of the original commercial, so I selected that portion of the video in the Event Library and dragged it onto my opening title slide (be sure that the playhead cursor is at the point where you want the audio to begin, in this case the very beginning of the footage). This brought up the overlay menu and I selected Audio Only. The audio clip wasn’t long enough, so I had to duplicate it to cover all of the opening.

For the main portion of the video, however, I wanted to use a traditional silent film score. Some Google digging brought me to Incompetech’s listing of freely available stereotypical silent film scores (if you are looking for a particular film’s score, you’d probably have better luck with the Internet Archive or another repository of copyright-free resources). The song “Merry Go – Distressed” had the playful tone I wanted (plus, Vader actually rides on a Merry-Go-Round, so it seemed like a felicitous song to use). I dragged it into iMove (again matching the playhead). The song is longer than the footage, so I had to add a fade-out. To do this:

  1. Click on the green Options gear icon on the audio track.
  2. Select Audio Adjustments.
  3. For Fade-Out select Manual.
  4. I set it to a 1.9s fade. I find that slower fades are less jarring.

The most challenging part of this was generating the film grain – iMovie has some default options available, but none of them had the look I wanted. I went with the Aged Film effect (Options gear -> Clip Adjustments -> Video Effects), and then started to dig for other options.

I really liked what Ben Rimes (@techsavvyed) achieved with his Silent Era Back to the Future (and discovered that apparently we had used the same score source), so I looked into the Particle Illusion graphics he used. I found working with the individual images to be cumbersome, so I converted them into a separate movie, which you can view or Pwn on YouTube. I then imported the movie into my Events Library and dragged it onto the footage to create an overlay. From the overlay menu I selected Cutaway (some tutorials will tell you to use Picture in Picture, but this doesn’t allow you to change the opacity). I then went to the Options menu for the grain overlay and under Clip Adjustments set the Opacity to 21% (the exact percentage will vary depending on the main footage you are working with, but I’ve found that somewhere in the 20-30 range allows you to see the grain without making the footage difficult to see).

Finally, inspired by the gorgeous title cards Ben had used from CopyCatFilms, I redid the end still of the twitter hashtag #starwarsdisney. And thus was born the Silent Era version of Darth Vaders first trip to Disneyland.