Limbo

Limbo by wanderthisworld
Limbo, a photo by wanderthisworld on Flickr.

This is a travel poster for Limbo. This project was inspired by the ds106 assignment to create a minimalist travel poster based on a movie. I was initally drawn to this challenge for the travel context, but I was a bit stumped as far as a movie location. All of my favorite movies have such a strong sense of place (India, Australia, Italy, etc…) that there would be little to differentiate it from a standard travel poster. But then I realized that the beauty of Up in the Air is that it has no consistant location, and instead the recurring theme is the idea of living in a state of limbo. So I decided to turn the state of limbo into a literal State of Limbo for this project.

In this movie, the main character, Ryan, spends most of his time flying from city to city to tell people they’re fired from their jobs. He states that the purpose of his work is to, “make limbo tolerable,” which is the line that inspired this poster.

The irony of the movie is that while Ryan has to force employees into the supposedly intolerable state of limbo, he thrives on living in this in-between state. He enjoys living on the road and having nothing to tie him down.

The tagline, “everyone needs a place to call home” comes from a conversation in which Ryan’s brother-in-law is making a case for buying real estate. Ryan shudders at the idea, because to him, living in Limbo is home. Therefore this poster is designed from Ryan’s perspective, to demonstrate the freedom of living in Limbo.

As a traveller, I can certainly relate to this feeling—I feel most alive when I’m on my way to somewhere else. Limbo is an exciting place to be.

 

Istanbul: A Place I’ve Never Been

For years I’ve been admiring the “Places I’ve never been” series by JHill Design, so I finally decided to put my own twist on it.

Istanbul has always been at the top of my list of places I want to see because it seems to be so rich with culture and beauty.

To create this image, I blended the silhouette of the famous Blue Mosque over an ornamental pattern and a map of the region (because it’s always fascinated me that the city bridges both Europe and Asia).

Mission: Defamiliarize

10.6.07 Good Fortune

In the months before my semester in Spain, I was on a mission to document every mundane detail of my daily life as a student in Minneapolis. Even though I didn’t expect the photos to be very interesting, I knew from my time in Australia that no matter where you’re living, eventually you get used to your environment and stop paying attention to the little things. I was determined not to let this happen in Spain, so for the 90 days before I left for Europe, I photographed everything.

What surprised me from this experiment was how refreshing it is to try and view your familiar surroundings in a completely new way. I felt like a child, seeing everything for the first time. The above photo is an example of this—a beautiful discovery that I would never had seen if I hadn’t been on the lookout for novelty.

Now, several years after that experiment, I’m back in a state where everything is routine and familiar again. So when I came across the “Mission: Defamiliarize” assignment for ds106, I realized that it’s time for me to change how I see my surroundings.

For the first of these photo missions, I chose to focus on one of my favorite places: the Minneapolis Central Library. Not only is the building itself a work of art, but where else can you find free knowledge, natural sunlight, and amazing coffee all in the same place? So of course, I spend a lot of time there.

I spent part of a Sunday afternoon wandering around the library with my camera, taking note of details I’d never noticed and searching for unfamiliar vantage points. The library was busy, so I was very self-conscious for the first few photos. After all, it’s hard to blend in when you’re repeatedly taking photos of the ceiling… Soon enough, though, the excitement of new discovery outweighed the awkwardness, and I was down on my hands and knees, photographing the carpet.

And now, the results of the Defamiliarize: Minneapolis Central Library Misson

Remembering Places by Color

All of my favorite places have a distinct color palette tied to them in my memory. I remember Lisbon by the sunny yellow of its tram cars and the blue and white of its famous azulejo tiles, while I picture the island of Santorini being simply white buildings against a background of oceanic blue.

I often wonder if I’ve just arbitrarily picked these colors based on the photos I took in these places, or if a place is truly dominant in the colors I associate it with. So to test this theory, I created an average of the photos I took in two of the places that have the most vivid color associations for me. This was inspired by a tutorial by Tim Owens, which I found through ds160.

 

Dubrovnik

Dubrovnik is a very vibrant city, but I will always remember its Old Town area very in distinct hues of ocean blue and terra cotta orange.

Here are some photos of Dubrovnik:

1056-DUBROVNIK.jpg

1059-DUBROVNIK.jpg

 

Here is the average photo of Dubrovnik:

The average photo of Dubrovnik, Croatia

Conclusion: 

I’m impressed with the results. In fact, it does look like I remember it: the blue of the ocean on top, and the grey and terra cotta of the buildings below.

 

 

Chefchaouen, Morocco

Chefchaouen was unlike any place I’ve ever been to. It’s famous for having its buildings painted in every imaginable shade of blue. What’s interesting about Chefchouen is that I don’t associate it with a vivid set of colors like I do with Dubrovnik. In fact, Chefhouen is all a blue-tinted haze in my memory. Therefore, I’m going to put my photos to the test.

 

Here are some photos of Chefchaoen:

Chefchaoun, Morocco -036.jpg

Chefchaoun, Morocco -142.jpg

 

Here is the average photo of Chefchaoen:

The average photo of Chefchouen, Morocco

Conclusion: 

The average photo of Chefchaouen is not nearly as blue as I remember the city. It looks rather generic, in fact. I’m surprised with the results.

 

I find it interesting how the average image of Dubrovnik nearly matched the color I had accociated with it. Chefchaouen, however, did not stand up to its fame as being a blue city.

I have to wonder if my perception of a city is influenced by the photos I have of it. Dubrovnik, with a very similar set of images, matched my perception almost perfectly. On the other hand, in Chefchouen I was not focusing my camera on the landscape of blue buildings. Instead, the blue was so ubiquitous that I was focusing on subjects like chickens and children. That may have thrown off my results of the average image.

In any case, I’m curious about your take on the association between places and color. Do you have a place that you strongly associate with a certain set of colors? Do you think your color association could be associated with the photos you took there? Please leave your answer in the comments.

The Evolution Of a Story

The Evolution Of a Story by wanderthisworld
The Evolution Of a Story, a photo by wanderthisworld on Flickr. (Click to enlarge)

This is a series of photos I took on two separate occasions that depict 1) the root of the story, 2) the story being reinterpreted, and 3) the story finally being retold and reinterpreted by others.

This story began when I was in Athens with my friend Alla. We stumbled upon some sort of changing of the guard, and Alla decided to join in the fun by reinterpreting their march. (She claims it was just the result of too much caffeine. Note the coffee she’s holding…) Later, when we were back in Spain with our friends at our favorite corner bar, Alla retells the story. (With a slight bit of exaggeration.)