Many Happy Returns

I made the basic image for this book in GIMP a few days ago, using a clip from the “Many Happy Returns” episode of The Prisoner (near the end). Most of the text I created in Word, converted to pdf, and opened as layers, positioned and sized, and anchored (or merged). I do this because I still haven’t figured out why GIMP doesn’t correctly display the Village font. The quote under the title refers to the ease of reading the text, as well as the lack of dialogue in the episode.

Once I made the book cover, I realized how flat it looked. It needed work to look more realistic. To get a more three-dimensional look, I took a photo of a handy book with mostly plain white cover (it was The Millennial Whole Earth Catalog) sitting on my desk. The angle allows a slight view of page edges, but I needed to adjust my image to fit on the book. It was easy enough with the Perspective tool, grabbing and moving the corners to match the corners of the underlying book. I then used the Smudge tool to rough up the edges just a little bit.

First try, too flat!

After all this, I thought the cover still looked too fresh and unused. So, I used the free select tool to isolate the book, and found under Effects->Distorts->Video the ability to make a surface of small dots, simulating a paperback cover printing process.

Overall, this was a good exercise in learning. Not only did I try some tools in GIMP, but I had to think about design. Of course, I used the Village font, but how about placement of the wording, cropping of the picture, etc? I had accidently left a blue line near the bottom (from my media player), but I took advantage of that to put a publisher’s name in the same color just above.

If I were to start over, I would not use a photo cover, but would go for a more minimalist look. But, if I remember right, TV shows and movies often had spin-off novelizations, and they often used photos from the original productions for the covers. It is a good marketing design (if not artistic) so the interested consumer identifies the tie-in.

By the way, no author is credited on the cover. It was probably written by a team of hack writers working from the original script, piece work, no royalties.

Design Assignment for Week 4

Out of the two choices of the “to do” assignments – I chose the book cover recreating  the aesthetic of Spacesick .

My first thought was the Dance of the Dead episode and having multiple skeletons, a sample was too close to that content and swaying me in replicating instead of creating.

While the look and feel is replicated – the process did require using design components to create. Space, form, size, color, place, text.

I used PhotoShop as my tool.

• Paper size canvas – black

• Brush – Sponge edges highlight then go back in with background color to soften and break up

• add Gaussian Blur – minimal

• Use Blur tool – large and draw dark into light colors

• Add rectangles for heading – fill with color

• Find camera icon and copy paste into file – Use SKEW to lengthen lens part

• Add Text Fields with Helvetica fonts Bold and Regular

• Find copyright free, free icons of hammer and anvil

• Open in new file and use color replacement tool to add color to each

• Scale

• Rotate

• Copy and paste into new layer in first file – place

• Duplicate hammer layer to make multiples to set in pattern

• change opacity for each layer going back

• cut out shadow of hammer – SKEW, Rotate, Scale,

• Add Title and tag line

• Futz around

• Export as jpeg

• I am also going to import to my iPad and use some photo apps to add some noise to the finished product to see what that does to age or make it look used. If they turn out  – I will add them to this post.

Updated:

I used an app called Snapseed. Adds effects. The part I don’t like is the randomness and just flipping from one effect to another. There really isn’t a way for you to create or control it – or get back to one you may have liked. It is take it when you see it. It does easily add some aging. I used the Grunge filter.

For the second week of ds106zone, the Summer 2013 edition of ds106, we were working in part on design assignments. I had a few ideas of things I wanted to do, but only managed to get one thing done because it took me so long. I decided to take on a difficult assignment, knowingly, because I wanted to force myself to learn about more things in GIMP to do it. That definitely worked–the learning about stuff part. The final product is not quite what I wanted, but it’s pretty close, which I’m happy about.

I thought about doing the “Wait, where’d that guy come from?” assignment, which I thought I could do fairly easily in GIMP, or the “Lyric typography poster,” which would give me a chance to play around with fonts, but decided that what would be most challenging, and therefore would push me most to learn lots of things, is the “I can read movies” book cover assignment. That requires looking at & choosing fonts, as well as adding things into images, and more, so it is a bunch of things I wanted to learn rolled into one. It is also quite difficult to pull off well.

I looked at Spacesick’s original “I can read movies” covers, and most of the ds106 versions on the assignment page, and decided I wanted to go with a black background with a couple of colours. It reminded me of a kind of 60s/early 70s aesthetic that I thought would work for my idea to do a Twilight Zone episode version.

Here’s the finished product.

What I was trying to do:

• I wanted to capture an idea, a feeling, or a scene in 2-3 images, and when I first thought of this assignment what came to mind was the scene where Bemis’ glasses have just fallen off and broken, and he is reaching down to them. He doesn’t yet know they’re broken, and his vision is completely blurred, just like it will be for the rest of this life. It’s the moment just before he finds out, and I find that powerful. I originally created the rectangles to represent rubble–I was thinking of those skeletal remains of buildings you sometimes see in rubble, with just some beams left over. But later, I thought they could also be book spines, perhaps–a jumble of them.

• I included “Series 1″ and the number “8″ to fit the season/episode.

• I wanted to include a tv icon on the top left, instead of the movie icon that Spacesick used for the book covers.

• I wanted to make it look old and worn, and somewhat “paper-y,” as it’s supposed to be a paperback, and one that was printed decades ago.

What I’m happy with

• The design of the three images–hand, glasses, rubble–turned out almost exactly as I meant it to. It’s what I pictured. Except for some details, as noted below.
  

• I like the fonts I found for the “I can read tv” (Dream Orphanage) and the “Time Enough at Last” (Diamante Fresko). I wanted them to look like they’d fit a book from the 60s. I’m not 100% happy with them, but I think they work all right. I tried to find one that fit The Twilight Zone original font, and the closest thing I found was I Still Know. It’s pretty good, but “The Twilight Zone” on the book doesn’t quite look how I wanted (see below).

• I think I managed to make the book look dusty and a bit worn, which I’m happy with. I wanted to do some other things to make it look more worn, though, as noted below.
  

What I’m not happy with

There are a number of things I’d like to change, but I just needed to finish this so I could move on to week 3!

• The thing I worked hardest at was dealing with the pixelation of the glasses and hand. As you can see, I didn’t end up managing to fix it. The rubble ended up pixelating too, which was weird b/c I drew that myself. Saga on all that below.

• I’m not happy with the colour of the tv icon at the top left. I struggled with what colour to make it, as I wanted this to have only a couple of colours beyond black/white/grey (given the b/w of the original show). I didn’t want anything really bright, as again, I wanted to stick fairly close to a b/w feeling (that’s why the colours that are there are pretty dark). The problem was I had to colour this thing by hand, as discussed below.
  

• I think the font for the “Series 1″ at the top, and the “A story created from the original script” at the bottom (both are Liberation Sans) doesn’t really fit the rest. It’s too modern-looking.

• I’d like to have more spacing between the lines of “The Twilight Zone,” so the three words are separated a bit more. But when I hit “return” after each word in the “text” tool, the spacing was too large. Beyond putting each word on a separate layer and moving them, I don’t know how to fix this. I decided not to put each on a separate layer and move, but just leave as is.

• I didn’t manage to make the book look as old and worn as I wanted, nor to look like it was made of paper. I like the look of the one on the assignment page for this assignment, with the light pixels on the edges that makes it look like the top part of the paper is flaking off a bit. See below for how I tried to do this, without a lot of success.

The process

Since this was a complicated process, the discussion will be a bit long. As with my post on selective colourization, mostly I’m documenting this in such detail for my own future reference, and for anyone else who is very new to GIMP like me.

Creating the hand and glasses

I got the hand and glasses from The Noun Project site. They were svg (scalable vector graphics) files, as are all the files on that site. I had watched the presentation on design for ds106zone and learned that svg files are useful because they don’t pixelate when scaled. So I thought: hey, great! I’ll put them in my image and scale them up a bit and they’ll look fine. 

No. I didn’t watch the presentation carefully enough. Tim Owens and Jim Groom noted that when you import svg files into GIMP they get turned into something else (jpegs, I think), and so when you try to scale them up they DO pixelate. Tim suggested we could import them into GIMP as bigger images (you can choose the pixel size when you open them in GIMP) and scale down, and they’d look okay. Which I did, and they did.

But the problem came when I tried to colour the svg files from The Noun Project. They were black to begin with, and I needed them white. It was when I coloured them that they pixelated. I used the “fuzzy select” tool and then the bucket tool to colour them white, and I got weird pixels. I don’t know any way to fix this except to use an svg editor like Inkscape (thanks to Brian Bennett for suggesting that to me via Twitter). But I just didn’t want to try to figure out a new image editor at this point. So I lived with the pixels.

I drew an arm to attach to the hand with the lasso tool and filled it with with with the bucket tool. I then wanted some kind of colour on the glasses, so I tried colouring them entirely red, but I didn’t like the look. So I used “stroke selection” to do an outline on them, Which was also pixelated b/c they were pixelated. I used the pencil tool, I think, to draw in some “cracks” on the glasses lenses.

To break the glasses in half, I selected one half of them and used “cut” and then “paste” to get a floating layer. Then I created a new layer and anchored the floating layer to it (if I remember correctly). Then I could move that half of the glasses separately from the other half. I know Henry Bemis’ glasses didn’t break in half in the episode, but I did this to emphasize their brokenness.

Creating the rubble

I drew rectangles with the rectangle select tool, and filled them in with grey. But they were all vertical, and I wanted them rotated a bit. This turned out to be difficult, because when I used the rotate tool I got white where the bars used to be. I didn’t know what to do, so I started trying to paint black over that white part, which was a pain. I can’t remember exactly where the bars were–I think on the background layer, rather than on their own separate layer. I did an extensive web search to solve the problem, and finally found an answer here. I discovered I could put the rectangles on a floating layer and then move them, either using a combination of key strokes or “cut” then “paste” to create a floating selection. I can’t recall if I could rotate them on the floating selection or whether I had to anchor them to a new layer first.

I originally made the rubble just grey (to fit the b/w show, and grey seems a good colour for rubble), but it looked really flat. So I used the “gradient” tool in GIMP to add a darker/lighter gradient–picking the foreground and background colours and making the gradient go from one to the other.

Creating the top of the image

I just used the rectangle select and bucket fill tools to do the red lines at the top. The tv icon was also from The Noun Project, and was also black to begin with. When I used the fuzzy select tool to try to recolour it, the pixelation was really, really bad. It looked awful. So, I used the lasso tool and selected around each part of it and then used the bucket fill to change the colour. I tested a few colours and decided on grey. It took awhile to hand select and colour in the whole icon, so when I was done and didn’t like the colour I couldn’t bring myself to do it again.

Adding the dust

At first I tried the following. I first downloaded some new brushes, from the Deviant Art site. I downloaded some texture brushes and some “grunge” brushes. Then I created a new layer and coloured it white, lowering the opacity. Then I used the eraser tool and played around with some of the texture and grunge brushes to erase away parts of the white layer. This looked pretty good, except that there was then no “dust” on the white parts of the image. I realized I needed to add grey “dust” to make the white parts look a little old and worn as well.

So I used some of the texture and grunge brushes and painted on a grey colour. I played around with the colours and the opacity, as well as the brush characteristics, including size, spacing, dynamics, and more. Here is a nice tutorial on brushes that I found very helpful.

As noted above, I wanted to try to make the book cover look like parts of the paper were flaking off because it was old. I tried to do this with the “dissolve” mode on various brushes, playing with the colour and opacity, and the best I could do is at left and below. I used white at first, but it just looked weird, so I went with grey. It’s okay, but it looks like grey speckles rather than flaking paper. 

I tried a few different ways of doing the speckles, with different colours and opacities, and here’s one with brighter speckles. I still don’t think it looks like paper flaking off. Not sure what else I could have done.

Well, I think that’s it for process. I’m pretty happy with the way it turned out, but it took me a LONG time because I still don’t know that much about GIMP. But doing this project taught me a whole lot of things I didn’t know before, so I’m very happy about that!

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