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Design Assignment – The Ultimate Merger

This assignment, called the Ultimate Merger, has you combine the logo of two companies together, as if they merged. I tried to think of two logos with a similar theme, rather than think of two companies that are similar. Eventually, I saw the twitter logo, and wanted to use another bird. I remember that NBC’s logo is that peacock, and though it would be pretty cool to mash up the two logos. Below are the logos I used.NBC_logo.svg Twitter_logo_blue

And this is the final result. I did everything in Photoshop, besides finding the font NBC uses, which is Kabel Demi. If you look at the NBC logo, you’ll see that the body of the bird is white, and everything else is one of the colors. I wanted to replicate this effect, even though the twitter logo doesn’t have 6 feathers, so I used the beak and tail. I used the pen tool to trace the path of the feathers, which was slightly difficult because they aren’t clearly defined besides the protrusions. There was a little bit of guesswork, but I think it still looks pretty smooth and sleek. After getting the shape, I filled it in with the right color, and added an interior stroke to get that white border effect. This required some finagling, but I got it right eventually. I also had to change my blog color to have the white show up, but I actually like this theme more anyway.merger logo

DS106 Assignment Bank

Holiday Mashup—Take 3 holidays and bring them all together. Looking through my window, these are special and I look forward to celebrating each when it comes. The picture window is the birth of Christ, to the left are representations of Easter, and then bringing  the Irish together in fellowship is  St. Patrick’s Day.

 

Screen Shot 2016-02-16 at 10.22.56 PMThis entry was posted in Assignment Bank and tagged ,  on February 16, 2016.

You’re Listening

You’re listening to the best radio in town, DS106 Radio.

I took audio files from Free Sound to create this 17 second long radio bumper. I also created a computerized voice which would announce the name of the station. I did this to accompany the theme of the song I chose on Free Sound. I then smashed it all together as one file on Audacity. Finally, I created an icon for the audio through the Paint application found on Windows computers, and Pic Monkey, a free photo-editor found online. This is what I ended up creating.

EDIT: I forgot to add that I also had to do some practice tests with Audacity because it got a little confusing at first.

Dingo Found It

Riza and Tate are sitting in their dinning room, enjoying mashed potatoes with a side of broccoli when all of a sudden, Dingo, their German Shepard mix, accidentally turns around, and with a whip of his tail knocks over their photo box. Riza and Tate look at each other and instantaneously both start laughing.

“Don’t worry about. I’ll clean it up.” Says Tate while taking Riza’s hand in his.
“Thank you, but you cooked dinner and it was delicious so I suppose I’ll clean it up.”
“If you insist,” says Tate while calling Dingo over.
“Good boy… good boy,” murmurs Tate while handing Dingo his last piece of steak.

Riza stands up and walks across the ice cold floor into their living room. The smell of the wooden cabin reminds her of the saloon and she decides to pour herself a drink before picking up the photos. Once she bends over to pick up the photos, she gasps, spilling a drop off wine onto the cold floor beneath her.

“My gosh– Tate — get in here. Quick!” Exclaims Riza as she puts her drink down. Tate runs into the room faster than his heart can skip a beat and holds Riza.

“What’s wrong? Are you okay?” Asks Tate holding her in his arms. Riza turns around releasing herself from his embrace and says, “Remember that photo I was looking for?”

“Uh– no.” Says Tate releasing a sigh of relief.
“That one from our wedding?”
“Oh, yes! What about it?”
“Well I might have just found it!” Exclaims Riza as she reveals the photo from behind her back. Tate takes it in his hand to get a better look at it and a smile crosses his face. 

lovers-988615

“My gosh, Riza!”
“I can’t believe that was 20 years ago. I was so young and beautiful.”
“You still are. You will always be young and beautiful to me.”

I found this image on google images and thought it matched perfectly to continue my story of Riza and Tate. I decided to create a story around the image and to incorporate my Western created characters. 

A Southern Key

I’ve never seen bluer skies than when I went south to Virginia. As soon as I stepped off the train into that hot summer evening, I saw a matted jewel surrounding this earth, glorious and bright, just short of glimmering. Even as we entered the car and even our hotel, I couldn’t stop gazing at it. I don’t think I’ve ever seen a shade of blue that brilliant before in my life. And as the sun receded into the horizon, the colors only blossomed into still more incredible shades and hues. I admit, I was smitten.

In the dark, my concert mates and I spent an awfully long time drinking expensive variations of wines that I couldn’t name if I wanted to. I prefer a heartier drink myself, but of course we didn’t venture to find anything less than the forty dollar bottles offered to us by the richest hotel in the state. I drank a bit, sitting alone and gazing at the quiet, mute sky. I wondered what other colors painted the skies of the South.

One of my dear friends Ethan Caldwell, a violinist, sat beside me after he noticed my solitude. “More wine?” He offered the bottle to me, grinning. “This one came off of Thomas Jefferson’s own Monticello. Can you believe that? A drink practically from our founding fathers!”

I did my best to look like I had more interest in the wine than I actually did, taking the bottle and looking idly at the label. “Really?” I asked, but probably not in the right tone of pure wonder.

Ethan took the bottle back and poured some into my still-half-full glass. “Yes, really. It’s an excellent quality. Smell it – you’re practically sitting beside Jefferson, accompanying his own violin when you do.”

The wine smelled exactly like what I find other wines to smell like. Fruity, bitter, watery. “Did Jefferson play the violin?” I asked, looking at him sideways as I took a sip. It tasted like it smelled.

“Every self-respecting gentleman played the violin back then,” he replied, waving off the question as though it were a trivial matter. “Anyway, come and join us at the table. You look miserable.”

I don’t like to argue, and I was especially not in the mood for it just then. The wine was not helping, either; I admit I like to get more drunk with less of a headache the day before a show. So I joined them around the tables as they chatted and laughed and drank. After a few minutes of that, I abandoned my drink in favor of setting myself at the grand piano in the restaurant. It was beautiful, old, just a bit dusty and out of tune. Without a word I started playing a few simple tunes to warm up. The others continued their banter, paying no mind.

After a few minutes, I was halfway through one of our pieces. “Ethan,” I called, gesturing for him to come over and listen. He made his way around the table and leaned against the piano, grinning. He knew what I was up to. “Listen to this. I’ve been practicing something new—“

“A new trick?” he asked, still with that knowing grin.

“Just listen.” I began playing, taking one of my pieces and cutting its timing a bit. I liked the feel of a quicker beat, one that went a bit against the grain for a concert pianist. Once I finished, I paused and looked at him. “What do you think?”

He took a thoughtful gulp of his drink. “I think,” he started finally, “if you played like that tomorrow then we’d be chased out of town before you could finish.”

“It’s just a small change. It sounds more modern, don’t you think?” I protested.

“Our itinerary has classics, Daniel, not silly jives. People want to listen to a concert, not get up and dance around to it.”

I didn’t argue any further. He was right, after all; no one who would step into our concert hall tomorrow evening would want to hear anything that they haven’t already heard. That would be blasphemous, surely.

*          *          *

The next night, after our concert was a roaring success, after it moved the crowd in ways that were unimaginable, I went out alone to find a bar or something, somewhere to appreciate a bit of peace. The sky was alight with hues of pink and orange, even as the sun had ducked away. I wandered until it was nearly dark and I found a small bar hidden away in the middle of the street. Inside were men laughing and drinking and singing – working men who had just finished a long day. At the piano sat a stout, older man, with sleeves rolled up and a hat set askew, hammering away at the keys in a manner I didn’t think was possible.

I bought a drink and watched the bar pianist play away. He had so much energy, so much style. I couldn’t believe it sounded any better than the discordant smashing of keys, with the way his hands moved. He didn’t miss a beat, and as soon as he finished one song someone called for him to play another, and no matter what the request was, he was at it again, giving them what they wanted to hear. Even if it was the same song four times in a row.

After a while I made my way over to the piano, eventually leaning against it a bit. The pianist was taking a break, drinking a beer that someone had bought for him. He smiled and winked at me. “You’ve been real stuck in this piano,” he said with a low, gravelly voice. “You play yourself?”

“Yes, sir,” I replied, not really sure what to say. After hearing that man play, I felt like I was six again, hearing my teacher explain to me what the different chords were for the first time.

He slid to one side of the bench and gestured for me to join him, smiling with the enthusiasm and kindness of a grandfather. Hesitantly, I joined him, setting my drink on top of the worn out little piano. He took another long drink and watched me expectantly. “Go ahead and play a tune for us, son,” he prompted gently.

I shifted uncomfortably. “I’m afraid I only know classical tunes,” I murmured. “Doesn’t seem like the kind of music any of you folks would care to hear.”

“Well, what’s say I accompany you, then?” he offered, beaming with a look I couldn’t possibly describe, though I suppose something similar to encouragement was in his eyes.

Again, I hesitated. I’d been playing all evening for a crowd of thousands, yet I felt like I knew nothing, couldn’t get a tune out if you tried to choke it out of me. But I didn’t want to disappoint this man. I sat up and placed my hands on the keys. “Uh, do you know Pachabel’s Canon in D?” I asked, though I felt foolish doing so.

He shrugged and smiled. “Go ahead,” he replied, settling on the keys further down the board.

I began playing, and not four bars in he joined me with a ragtime accompaniment that sounded like he’d known the song backwards and forwards. Every note I hit had another sound beneath it, one that my instincts said would ruin such a classic, but which sounded too good to resist enjoying. I hadn’t enjoyed playing music that much since I’d played the piece for the first time. Once it was over, I just looked at the man in awe.

Someone shouted the name of a song I’d never heard of before. The pianist started on it immediately and that group of men cheered for it.

“How long have you been playin’, son?” he asked me.

“Oh, since I was six,” I replied timidly. Didn’t feel like much of an accomplishment next to this guy. “What about you?”

“I can’t remember not playing,” he said with a grin of pure pride. “We had an old keyboard like this one in my home. The only one in the neighborhood. I played for the church and here and there once I got old enough.”

“What are you doing in a place like this, if you have so much experience?” It sounded rude, putting it out there like that, but I couldn’t figure out how this old pianist wasn’t touring Europe with his skill.

He shrugged and smiled. “I took some lessons a while back, probably when I was your age,” he explained slowly, his fingers dancing across the keys, “but I couldn’t deal with all those rules you boys up in the concert hall have. ‘Sides, who would play this poor old thing if every guy like me was working like you do?”

I was baffled. How could someone who played so well be satisfied sitting in a bar like this, playing to a bunch of shouting drunks? Surely he didn’t get paid a fraction of what his skill was worth.

But then, I felt as though I knew exactly what the reason really was. He had what I wanted, what every musician or artist wanted.

“Could- could you possibly show me how to play like that?” I asked, nervous and anxious about his response. “Not right now, of course. But if I –“

“Sure, we could play a little right now,” he replied, moving effortlessly down a couple octaves without interrupting the music for a moment. “No one’s gonna mind a bit more music. Here, just follow my lead.”

I could barely keep track of his hands, let alone follow his lead. There was no sheet music, no guidance whatsoever. “What are you doing, exactly?” My heart was pounding; I couldn’t keep up if I tried. He was everywhere.

“Just listen, son,” he said, once again in that grandfatherly way. “Play along until it feels right and sounds good. It’s all right if you go about it slow.”

I played for hours that night. No guidance, no rules. He would play a song and I would imitate him, counter him, go against his beat. And if it sounded good, he would smile and praise me. If it sounded bad, he would tell me what key to hit instead. All my years of classical training didn’t come close to the amount of music I learned on that piano.

*          *          *

I quit my job after that concert series ended, decided to learn more about the piano on my own. I travelled around the South for a couple of years, meeting the best pianists around, playing with them for a while and then moving on. I didn’t stick around for too long, since being a “damn Yankee” made it hard to find some real work, especially on a piano. I still had a lot to learn.

I went out West after that to see if I could find some new teachers in some other towns. I didn’t expect to go as far as I did, but once I settled into Heatherton I opted to stay for good. I would have liked to learn more from the South than I did before leaving, but I have yet to use another sheet of music to learn a song out here. I’m not the best, but just as long as I get to play it doesn’t matter. I’ve got years to improve.

__________

So here’s the “origin story” of Danny Keys. I took this prompt in order to explore his character more, since he’s still brand new. I thought doing a background story could be a great way to round him out more. Danny is kind of a narrative character, so he doesn’t mind telling the tale himself. He likes to talk about himself.

This story ran a bit long for just background, but I really enjoyed the writing process. I’m a bit of a sucker for narratives, especially when I get to be the character I’m writing about for a brief moment. I didn’t have much time to revise any of its content, since I was in a bit of a rush to get it posted, but hopefully there aren’t any glaring errors.

It’ll be exciting to see where Danny ends up next.

How Harry Potter could have ended…. (X Versus X – Movie Remix)

I’m just saying…It could have ended way sooner.

 

How to Chimeratic

Tutorial on How to Make a Chimeratic Composition

Assignment prompt:

Take at least three pictures (your own or someone else’s) mash them together into something that makes them more than the sum of their parts, something that would have been impossible in real life. Include the original images so we can see how they build on one another to make your final composition.

Even though I did not actually do this assignment worth 3.5 Stars during the course of the semester, when I saw it, I thought it would be something cool and fun to do!

I used Photoshop Elements 11 to create this assignment and tutorial but if you have Photoshop you should be able to following this same process. It is a pretty easy assignment and you will only need to use one tool throughout the project.

First find the photos you would like to use and compile together. I started with a plan landscape photo, and then picked four other photos that had objects I wanted to crop out and place onto the landscape backdrop. The following are the photos I used for the project:

Landscape

Izzy

Couple

Horse

River

Now that you have your photos compiled together, upload each of them into Photoshop Elements 11 in order to begin editing. Start with one of the photos you would like to crop the object out of and select the  Quick Selection Tool, which is highlighted in the toolbox below.

Once you have selected the object, right click your mouse and select Layer via Copy.

Screenshot (115)

Next right click your mouse over the new layer and select Duplicate Layer.

Screenshot (117)

Once you have selected Duplicate Layer, a box will appear. In the Destination subsection of the box, place the layer in the same window as the background photo. The name of the background photo in my project, was DSCN3240.

Screenshot (122)

Proceed with these first few previous steps on each photo used until all objects you would like to use have their own layer with the background photo.

In order to adjust the sizes of the objects, right click on the object you would like to resize, and select Free Transform. Now you will be able to adjust the size to your desire and move it around anywhere on the photo.  Do this with each object until you have created your desired scene.

I wanted to make my objects really big because I thought it would look funny with the tall mountains in the background.

Screenshot (123)

Final Product 

Composition

Movie Poster From the Future Past

For the This Doesn’t Belong Here assignment, we had to take two scenes from two different movies and mash a picture out of them.  I used one scene and technically a movie poster, but I feel the affect is the same.

Movie Mash Up

Clerks is a movie released in the 90’s that was filmed in black and white because of budget constraints.  The Artist is a movie released in 2011 that was filmed in black and white as a stylistic choice.  Thinking about it, the poster for The Artist doesn’t feel too out of place.  Someone in the 90’s probably wouldn’t think of it as a film that would be made two decades later.  Considering it’s place in the scene as a poster outside a video rental store (yeah, it’s the 90’s), the effect is magnified.

I enjoyed both of these movies, despite their completely contrasting styles.  Clerks is very raunchy and vulgar comedy, while The Artist is a very stylized film that makes you think.  I think both of them are iconic in their own ways.  They are both creative in telling two completely different stories without needing the overly imposing computer effects of Hollywood.  Thinking about it deeply, they don’t feel completely different from each other.

How I made it:

  1. Found the two images on Google and downloaded them
  2. Opened them on Microsoft Paint
  3. Moved the poster into an appropriate spot

Capture13

4.  Saved the image and uploaded it to Flickr

The Good Jurassic Dinosaur

Original Assignment

I mashed together the new trailer for the movie “The Good Dinosaur” and the audio for “Jurassic World” and the result I thought was pretty funny. I just used Windows Movie Maker and imported the audio that I had clipped in audacity to play over top of the video portion.

The beginning started off a little bit weird but once it gets going I think it’s pretty funny.

Saint Vincent Stand Up Comedy

Original Assignment

I attempted to make this scene from Saint Vincent funny but it was pretty difficult to do. It’s a sad movie and no amount of laughs really made it much less sad. Just found a laugh track on youtube and converted it to an mp3 and then I mashed everything up in Windows Movie Maker.