Moving Mashup

In Doctorow’s novel Pirate Cinema, the main character is obsessively driven to create and transform a video “mashup from something trite and obvious to something genuinely moving”.

It’s a great complement to this week’s ds106 remix challenge.

Jonathan Worth, the brilliant prof behind #phonar, has released all his great Cory Doctorow photographs under a creative commons license for all the world to remix. Cogdog has already given Cory the Jedi Master treatment.

I decided to choose this picture:

cc licensed ( BY NC SA ) by Jonathan Worth

cc licensed ( BY NC SA ) by Jonathan Worth

I stared at it so long I thought I could almost see Cory blink. The way his face leans on his hand reminded me of the scene from Indiana Jones when the adoring student blinks slowly to reveal ‘LOVE YOU’ written on her eyelids.

Student infatuated with professor Jones

Student infatuated with professor Jones

I always loved the way the nervous professor Indiana Jones stopped suddenly to look at the girl’s eyelids.

I wonder if he’d look the same at Cory?

While it’s not exactly the kind of moving mashup* Trent from Pirate Cinema has in mind, it does make me chuckle.

Professor does a double take

Professor does a double take

Technical stuffs:
I downloaded a spanish version of the Prof Indiana teaching scene using pwnyoutube, clipped the eyelid scene in MPEG Streamclip, exported as mov, then imported frames as layers in Photoshop. I put the Indiana frame layers in a masked folder so that the only movement would happen in the eye area and then added Cory as a layer below.
While Jonathan’s photography is beautiful, the colours were so different between the photo and the film so I modified the skin coloration by adjusting the levels, hue and saturation. There’s still a huge colour difference between the eyes and Cory’s face but I think it adds to the absurdity.

*Also, I realize there’s some deeper discussions about the difference between Remix and Mashup but I’m lazy and I’m going to use them interchangeably.

Drive by learning

Evidence that learning cannot be contained within the boundaries of a course, I’ve taken a couple double takes reading both Audrey Watters’ and Mike Caulfield’s excellent critiques about Sugra Mitra and his Hole in the Wall project in India.

Caulfield also tweeted a link to this excellent essay by Morozov touching on the topic of his book about solutionism,: which is “an intellectual pathology that recognizes problems as problems based on just one criterion: whether they are solvable with a nice and clean technological solution at our disposal”

This harkened me back to last year during #Change11 week 24 session hosted by Geetha Narayanan. I was totally blown away by her live session (of which I can’t seem to find the archive). I took many notes. Even on paper!

I still don’t feel my final version did her work justice, but it still works for me as an excellent memory anchor of her wonderful thinking about deep, meaningful learning which she describes as slow learning.


cc licensed ( BY NC SA ) flickr photo shared by giulia.forsythe

This short clip George Siemens recorded after Geetha’s keynote at the Global Summit 2006, summarizes her perspective very succinctly.

Paraphrased:

Slow learning can best be understood in counter position to fast knowledge.

Slow food movement, we enjoy the flavours of the food. We appreciate cultures, traditions, food making and world making that comes with it.

You must understand that food is a complex phenomenon. You can’t just eat it while doing something else

This is what is happening to learning.

Learning is happening very much on the run. Many of the discussions have been to destabilize the school structure. We are asked to do more and more and more in less and less time, such that students don’t understand flavour of their learning.

Slow learning is about the first person consciousness. It’s the primacy of experience, to make learning directly embedded in your first person consciousness.

We’re finding the major patterns and trends in teaching and learning are memetic; composed of fashions and fads, rather than search for true value inherent in learning.

There is a place for technology. In fact technology will be at the core of new learning and will contribute to a lot of change. But not as long be wary of policies and corporations eager for a marketed product.

You can’t put learning in an information kiosk.

The current mantra of the government of India, “have kiosk, will learn.”

ATM as a learning kiosk

Learning Kiosk

Data Mine

Another great #etmooc session this eve. Audrey Watters dropped some awesome thought bombs. She posed some challenging questions, as we move beyond the analog manilla envelope (like her mom collected of her school artefacts) into the digital realm and quintillions of bytes are collected daily.

How do students, teachers, administrators, schools, and governments decide who owns what, for what purpose.

Starting with the terms of service, which we admittedly all quickly click through without thoroughly inspecting who is giving and who is taking value. (TLDR= too long, didn’t read ~ TOSDR = terms of service, didn’t read!)

Issues of control, protection, privacy (anonymity, pseudonymity) are all factors. Now that so much of our learning is digital, it’s not only the data from our transcripts of our final grades that schools hold. Such good questions about the data that exists from our assignments, time on the LMS, time watching videos, number of attempts at quizzes, frequency of comments on blogs or discussion boards, chats, location and many more that boggled my mind thinking about.


cc licensed ( BY NC SA ) flickr photo shared by giulia.forsythe

Keeping something for future generations is the definition of posterity, which is deeply ironic given the announcement this week that the online blogging platform Posterous will be shut down next month. Again this highlights the importance of hosting one own’s data or at the very least maintaining your data in a format that is portable, mobile, in an open standard. This is intrinsically linked to the importance of keeping the web open so that our data can be machine and human readable on multiple platforms. We should be able to inspect and reflect on our own data, to be subjects not objects of our own research for our own purposes. In the matter of utility, we should be able to decide when to share our data and for what purpose.

Props were given to UMW’s Domain of One’s Own project, of which of course, I’m a big fan. Listening to Audrey discuss the issues, I’m ever more certain that even if you don’t want your data to be permanent, that agency is critical.

Audrey’s ideal solution is akin to a concept of the Personal Data Locker, where we have an open, standard login identity like OAuth. While Facebook and Google would love to hold the keys to our login identities, this control should belong to us so we are the masters of the many remnants of ourselves online. Managing your own data is a key literacy. Controlling your data is controlling your memories.

Shouldn’t we have the right to forget, delete, keep, own and share as we navigate the boundaries between private, public, and personal?

For more info, read Audrey’s post, watch the ETMOOC archive, and check out the Google Doc chock full of resources.

More Learning from MOOCs that Matter #ds106 #etmooc

I’m excited to be a guest in #ds106 this evening for Week 6: It’s All Designed. Of course, DS106 is not like any other MOOC and is not big on the M part of the MASSIVE, but its specialness is important to reiterate in this time of MOOC madness.

I’m hoping some of the students take up @cogdog‘s suggestion to do one of the assignments I submitted, Learning by Design.

I’ve done many visual notes of talks over the past couple years, but I’m always happy to do a new one. Luckily, this week I was able to catch the inimitable Howard Rheingold‘s interactive and informative talk to Alec Couros‘ successful experiment in community-course-MOOC, ETMOOC.

After the session I reflected a lot on the intersection of my note taking, attention, participation, and critical consumption. This spurred pages of reflections which then stalled me from hitting the publish button. (THIS ALWAYS HAPPENS!)

I get so caught up in all the connections of ideas that run through my mind that I have a hard time creating a coherent post. Of particular note, this is extremely relevant to the ETMOOC topic this week about digital literacies. If I am not a part of the participatory culture and all I do is send out a doodle of some key words with cute stick figures, how am I contributing?


cc licensed ( BY NC SA ) flickr photo shared by giulia.forsythe

Some presenters really like the drawings, others not so much. I showed my daughter the drawing from Howard’s talk and she said, “that’s just a confusing jumble of words”. Hmmm, much like my brain, jumping from one idea to the next. Great ideas come this way, but also great procrastination.

A post of coherent thoughts often gets mired down by my attention, or inattention as the case may be. I loved Howard’s suggestions about dealing with all the things that cross your desk in a day and prioritizing so that your ATTENTION matches your INTENTION. Today, I made a list, as he suggested, of all the things I want to accomplish. This post is one of them. Harnessing the power of my attention is definitely a goal for me today.

Keeping my attention is not a new problem. In the days long before cell phones and laptops, I often had difficulty paying attention in university lectures. I simply would fall asleep. My notes started very tidy and organized but after about 20 minutes they would devolve into almost electrocardiogram style notes just barely registering my pulse.

In biology class, I noticed that if I started doodling I was able to stay awake and I tended to remember what the prof was saying. Sadly, I didn’t do this often because I was embarrassed about my doodling. Doodling was decidedly NOT academic.

I’ve since learned that taking notes visually has helped me maintain my focus and learn more.

If I could travel back in time, I’d give my teenage self the permission to draw as much as she wanted during lecture. In the absence of time travel, the best thing I can do to contribute to a better learning environment is to encourage doodling in more university classes.

Now that I work in educational development and am a part of a great network of learners and teachers, I have had the pleasure to listen to some of the greatest teachers and they incorporate numerous ways for learners to keep their attention on learning. In ETMOOC, I’ve attended a couple sessions and the use of the whiteboard and chat as a way for learners to share their perspectives is really great. Unfortunately, JAVA is still forbidden at my university so I only connected via the iDevice Application. This NO Java situation is fairly good, you can listen, watch the slides read & type in the chat, but unfortunately no whiteboard ability. As such, I decided to continue on with my drawing of notes vs interacting directly.

I learned from Howard’s talk that 5% of the population can multi-task. That is definitely not me. Taking notes is not multi-tasking for me. It is an integral part of my listening. It allows me to make immediate connections to the things I hear and prevents my mind from drifting onto other topics. This comes at a cost, I cannot do much else than draw and listen. No chatting, no tweeting.

In addition to what was happening in the chat, whiteboard and probably twitter, Howard had the folks in the group also volunteer to retrieve links and provide context to the links inside an etherpad.

We’ve been using etherpads and wikis here at Brock and it’s always great to see such rich uses of collaborative editing documents.

In situations where there is really great pedagogy at play, taking visual notes is extremely difficult and perhaps unnecessary. Par of me wishes I had participated fully in Howard’s talk and then did visual notes afterwards on my reflections on the enduring learning.

This type of metacognition or mindfulness about my strengths and weaknesses, learning preference and learning goals are all part of what Howard called infotention. Awareness of these factors should allow me to make better, faster decisions next time; knowing when to listen and when to participate and when to do both.

This is what literacy means to me. It’s personal but it’s evolving, so sometimes it should be public and shared.


cc licensed ( BY NC SA ) flickr photo shared by giulia.forsythe

EDCMOOC: Utopia, as x approaches c

There’s a lot to like about the EDCMOOC currently running in Coursera. It’s probably the closest thing I’ve seen to a cMOOC on an xMOOC platform. That said, the platform hinders its greatness. This course would be just about perfect if it existed entirely on the open web. Indeed, much of it does.

I like that the organizers decided to focus their attention on curation so they have more time to provide thoughtful prompts and meaningful engagement. While scanning the work of tens of thousands of people is impossible, I feel like I have all the information I want from the facilitators.

In truth, I had no intention of even participating in the course. Like many of the other xMOOCs I’ve signed up for, I had just planned on skimming. So far the majority of xMOOCs follow the pattern of Video, Quiz. Yawn. Video, Quiz. Stimulus. Response. Stimulus. Response.

Yawn.

When Gardner Campbell incited T.S. Eliot, “That is not what I meant. Not at all” he was pointing at this structure, labelled as Bateson’s first level of learning (at best!).

Ecology of Yearning [visual notes] @gardnercampbell keynote #opened12

We have a wealth of genius on the open web, we don’t need to reduce it to a pavlovian response test.

But the EDCMOOC hints to me of the opening that Gardner yearns for. The mere fact that his lecture was included on the resources page speaks to it for me.

I love that EDCMOOC is entirely comprised of creative commons material and publicly available resources. I don’t love that the content locked behind a password. Though, I realize that Coursera can offer analytics, accountability, marketing and recruitment more than the open web currently can.

Of course it’s highly practical to want these things, I mean we’re talking about education in the 21st century and apparently, that’s broken. But other than a lot of PR (and consequently thousands of students) Coursera has not brought a lot to this already really great course.

It’s actually a bit fascinating to see that the use of publicly available course materials is out of devious necessity rather than ideological design. That’s the kind of opening of education I like to see.

A lot of the course lends itself to meta contextual critique and this layering of theory onto itself is helpful for me, in that there are no assumptions made that THIS is the BEST way or that there even is a best way.

The resources are visually rich, which is important to me. Even the text resources about metaphor are dense with visual language. I probably need about 4 more posts just for the Johnson & Lakoff article alone.

The videos were great to watch; they ranged from clever vignettes to deeply metaphorical animations to being just downright creepy. I chuckled at a few of the character names pulled from famous-for-surveillance philosophers, Benthem & Foucault to the bureaucratic victim in the film, Brazil- Harry Tuttle.

I’m not sure if I’m naturally drawn towards pessimism or I just like making fun of Microsoft but I had a hard time watching their utopian future advertisement videoand the Corning one without scowling. I know that if any of those things worked like that for me, I’d definitely consider it utopian. But honestly, if my wireless connection can keep three of us in the house connected for an evening, I’d consider THAT utopian.Technology just fails and we deal with it.

I thought it would be interesting to snip parts of the video out and play around with what would happen during the inevitable crash or unintended consequence occurs.

At the beginning of the film, we see a woman, late at night in a foreign land, donning some babelfish translating shades getting ready during her cab ride to check into her hotel. Murphy’s Law would definitely indicate this exactly when you’d get an exception error.

HOTEL-KEY

The next day, this woman will have a meeting with some locals, who for some reason are really far away. In the future everything will be whitish blue and very sterile so any odd odours will be very noticeable. Be careful if you wave your hand about trying to clear the air, as you might swat all your data out onto the table in front of you. Sploosh. Oops!

swipe

This could lead to the AI in your data analysis app to come to some alarming conclusions for you and your colleague.

efficiency

At the end of a long day, finally when tele-baking with your family your uber intelligent fridge does an analysis of the ingredients and finds you in breach of the homeland food security act.

animated gif of futuristic dad and his futuristic fridge

That combination of foods may be deadly

I realize that’s all very silly, especially when the other videos are really actually quite good and already full of their own dystopian views but I like to add a bit of dystopia to the utopia every once in a while.

As for my utopian view, it’s been great watching Sheila engage in the course content. I’m drawn to her wonderful musings and love how she tries new things like the data analysis and her clever reference to The Ghost in the Shell, which I used as my animated GIF for my first #Change11 post.

Ghost Typing in the Shell

Ghost Typing in the Shell

It’s these grand harmonies of the spheres where the you find resonances across the globe of people who fascinate and teach you, mostly without them even knowing it (except maybe on a WordPress ping?) and there’s a little bit of excitement because they like things you do too.

That’s what connectivism is to me and though I’m surprised to find it sprout from unlikely xMOOC sources, I must remember that when these things happen rhizomatically that’s when they are best.

Permanence Lost

Reading Chris Lott’s poetic comment about loss in response to Jim’s assertion that Nothing is Lost

…there’s not only nothing wrong with writing one’s poem and sending it down the river on fire, it might be a significantly better way to transcend the technical issues and consider what it means to *be*

the idea struck me so much, I decided to do this very thing in a literal sense.

We wrote.

cc licensed ( BY NC SA ) flickr photo shared by giulia.forsythe

Set alight.

cc licensed ( BY NC SA ) flickr photo shared by giulia.forsythe

And sent the burning boats afloat.

animated gif of borges boat

*Borges Boat

It was quite a lovely little experience in impermanence, shifting the metaphor into a literal act.

As the boat burned and floated, I  ruminated on the analogy, wondering if this is what it is like to release the essence of my creative contributions into the web, into the unknown, allowing it to be freed, destroyed, reshaped or potentially disappear.

I decided that with both the boat and my online presence, it’s not the permanence of the act that is powerful but the agency. Of course, nothing ever stays the same. Everything is shifting and changing. I accept this fully. It’s the agency of the act that I have a difficult time relinquishing.

I made the boat with my paper. It was my decision to burn the boat. Even if natural disaster had caused my boat to capsize and sink, it was my choice to let it float away. The agency of loss is my own.

Parts of me are fragmented in ways that I’ll never know about. @DrGarcia likens this to a social media horcrux, where portions of your soul are splintered across multiple objects (or in this case, websites).

We can still maintain stoicism about impermanence. Disappearing online artifacts can stand tribute to this. But this is happening less and less. It’s not the disappearing that is the problem but the fragmenting. When my artifacts get locked up and these pieces of my soul get shifted behind walls, I am robbed of my agency.

It is the loss of agency that is worthy of concern.

And more importantly, this is the loss of agency that we can actively prevent by keeping our spaces and helping others set up their own spaces. This is a role I see as ever more important for librarians and educators in higher education.

To dramatically mix my metaphors, I’ll pull in D’Arcy’s thoughts. We may be the funky downtown losing business to the giant box stores. I’m okay with that. I like to think every time I blog, release a picture into the creative commons, pingback, comment on my friends’ blogs, help others create open spaces I consider that my contribution to the Funky Downtown Economic Development Office.


*Again another opportunity just #ds106 #GIFest it up.

Open as in “for business”

Featured Image “open for business” cc licensed ( BY ) flickr photo by @cogdog

Whether you are outraged,  amused, or overwhelmed with ennui by the flurry of Instagram ToS sentiments, I agree with Gina Tripani:

I saw a few of these appear in my instagram feed:

Dear Users:
You are not our customers, you are the cattle we drive to market and auction off to the highest bidder. Enjoy your feed and keep producing the milk!

I thought it would be better to see a bit of e-motion with all those words; in honour of #GIFest, here is what I think Angry ToS panda would post to instagram:

screenshot of instgram with animated gif cows

Cows nodding, “Isn’t this great? We get all the food we want! For FREE!”

Okay, I know the metaphor is getting over used and there are already many analyses at what Instagram’s terms of service really means, from I’m Not The Product, But I Play One On The Internet to Instagram isn’t a Public Utility.

Already, the outrage has prompted Instagram to pipe their new ToS through a newspeak social media filter so it is basically the same but doesn’t sound so gross. Just like Facebook’s, of course.

Truth be told, I really just wanted to make a cool animated #GIFest based on this hilarious video @cogdog shared.

moo

I contemplated using it to deride MOOCs, as is (apparently) my #DS106radio duty. Alas, I had originally started a post in response to the supreme abject harbinger’s inquiry: “why does anyone use instagram?”

So, why do I use Instagram? Initially, the short answer (for me) is that the app was fast and easy to use. There are elements of community that were unexpected and pleasant, but mostly it was the fastest way to go from seeing a cool thing, to getting a shot, cropping and posting to multiple locations.

The main decision boiled down to whether I wanted any kind of reuse (for myself or anyone else). If yes, I post to Flickr. If I don’t care then I use instagram. Usually, if starting in instagram, I would post to both. I would never, ever post my DSLR pics to instagram because if I have to go to all that trouble, I sure as hell am going to putting my photos somewhere useful, like Flickr.

On a rare occasion, I’ve wanted to use someone else’s instagram photo in a blog post. Even if they wanted to give me permission, sharing and reusing is  really difficult. It may even be ToS violating, though IANAL so I’m not sure. When in doubt, I do what I think I should be able to do.

Using the app “share” button, it only links to a page, not the image itself. Using the web interface, right clicks on the image are disabled. There are workarounds. What you have to do, from your instagram profile page, is find the individual picture page, then Inspect Element (chrome), find the crazy url that ends with .jpg.

screenshot of View Source on instagram web page
How to embed a picture from Instagram

 

Compare that to how simple it is to just use Alan Levine‘s simply awesome cc attribution helper

Screenshot of Chrome  cc attribution extension by Alan Levine

How to embed an image from Flickr

I already used Flickr’s old mobile app every day before they updated it so I’m not going to go on about how killer  the new one is, except to say, it’s efficient and does what I want.

If you need more thoughtful analyses, I suggest you read Ma’ayan Plaut’s rationale for quitting instagram from yesterday and now today, why she stands by her decision.  Now if you’re really feeling riled up,  go sign the petition to make the Flickr API a National Historic Landmark.

Nothing Can Stop It!


cc licensed ( BY NC SD ) flickr photo shared by giulia.forsythe

Starring Sebastian Thrun and all those xMOOCS: Udacity, Coursera, EDx (because they are the ones that get all the attention) but produced, directed and thought about by George Siemens, Alec Couros, Dave Cormier, Stephen Downes.

Poster based on The Blob illustrated movie poster, aptly named Design Assignment 666 (number of the BEAST!!!)

I read some comments in the Openness in Education newsletter today about whether MOOCs should be feared by institutions because they threaten their financial viability.

Will MOOCs disrupt the regular university experience?

Hopefully!

At first I was offended, like BrainySmurf about the talk of monetization since that completely bastardizes the O part of Open. Monetizing MOOCs is NOT OPEN.

 

If MOOCs start making money they should call themselves University of Phoenix or any other university at this point for that matter.

The more I think about it, I universities do have something to fear. But the monster is not the MOOC, however, the MOOC just one of the solutions to a problem that already exists.

The best thing to come out of the MOOC phenomenon is that people are talking about teaching, instructional strategies, and assessment. Lots of people.
Some of my favourite.
#jiscwebinar <a href=What Is A MOOC? @dkernohan @mweller @jonathan_worth @loumcgill @daveowhite [visual Notes]“>

Wäscälly Wäbbits Weception

Big virtual party as we (sorta) gather all the pictures of the Wäbbits for our big group photo.

Listening to the wisdom of my RSS feeds, Ben reminds us that camp counselors should lead by example. Fellow Wäbbit, John saysKeep Calm and Make a GIF. Not sure how to take Bava’s below the belt advice, but since he was inspired by our other Wäbbit Chanda it must be good.

In honor of herding Wäbbits, I have made a special group photo and included a couple of the animated gifs I made this week. Do not adjust your set. This is the technical difficulties assignment!

Special appearance of @dlnorman‘s bathroom shark (from the storybox)

Too much Coke for Bava

Too much Coke for Bava

and the Gladiator

Please Stand By. Wäscälly Wäbbits are just warming up.

Casserole Ensemble

Casseroles – Montréal

Sunday’s Daily Create was to take a picture that shows motion. I decided to make it rather show a movement. I love the celebratory, non-violent movement of this ensemble featured in The Huffington post. I’ve included the embed of the video below. It’s quite moving. I love the track titled Intuition by Astronomie. It’s en français; my fave line is “D’un même élan” (roughly translated: the same momentum).

Quebec students have been on strike for over 100 days and most mainstream media has mostly ignored them or chalked them up to “self-absorbed brats

Last week the National Post ran an op-ed from John Moore where he challenges the prominent notion from the R.O.C (Rest of Canada)

He points out, “Today’s youth face a grim future not of their own making. Is it any wonder that they’re angry about it?”

Born in Toronto, Ontario but living in Montreal, QC, my brother, Matt Forsythe has done some beautiful art work as his contribution to the Casserole.

In addition, his recent FB status update has generated a lot of discussion.

Students should be realistic and think about the economy. Let’s be realistic.
Raising tuition fees reduces social mobility, increases personal debt, reduces spending and home ownership, increases student loans (which, by the way, is great for banks), creates a less-educated and less-skilled workforce.
So how is raising tuition fees good for the economy?

I agree. I think this argument is brief but clear and his friends are commenting in droves, not all agreeing but all being quite respectful.

Now this is really looking like a fan site for my brother, but I really have to also give credit for this stunning picture he took from a rooftop in Montreal:

=======
NOTE on making the Animated GIF: I took a screen grab of the video for about 5 seconds. The more observant of you will notice my sloppy mouse icon in the bottom left corner]

Then I Imported mov as layers into Photoshop CS5. I masked out the movement I wanted to freeze and what I wanted to move.

I applied the filter: Brush strokes-Ink Outline to the layers and exported as B&W animated GIF.

Photoshop screen shot of layers for casserole gi

Photoshop screen shot of layers for casserole gi