murder mystery, but make it sci-fi

Wadsworth flicked the lights off, filling the house with complete and utter blackness, causing screams of surprise and shock to scatter throughout the drained dinner party.

“So who’s the killer?” asked everyone, all at once and all very loudly.

” Who is it? Tell us!” they continued, giving exactly no time for him to respond.

“FOR CHRISTS SAKE” Wadsworth shouted, which finally blessed the room with silence, “You’re all daft, aren’t you!”

The room, shockingly, remained quiet

He continued “Well. I’ll walk you through it one more time, slowly this time. The first victim, Mr. Boddy, was grazed by a bullet, after which he pretended to be dead. The room was pitch dark, which makes the likelihood of any contact with a specific target very slim. Who could possibly have had the training that would allow them to even make contact with Mr. Boddy?”

All eyes turned to Colonel Mustard, all feet shifted away from him suspiciously. He started t speak, indignantly, but was interrupted by Wadsworth once more.

“The next victim, Mrs. Ho, found stabbed and shoved in a cupboard. The murder had to take place while we were making sure Yvette was okay, and the only person not accounted for at that point was the, supposedly dead, Mr. Boddy. He stumbled into the kitchen, hell-bent on revenge on all of us, forgetting about Mrs. Ho, who has a strict moral code and a very loud scream. He grabbed a knife, then saw her, with her back turned, and had to act quickly. He stabbed her in the back, then shoved her into the cupboard where she remained.”

“But then how did Mr. Boddy die?” asked Professor Plum

“Elementary, my dear Watson!” cried Wadsworth “We discovered Mrs. Ho in the cupboard, completely panicked, and spent a solid, oh, minute and a half standing the kitchen panicking. The most logical answer is that Yvette, who knew from her powerful eavesdropping capabilities that Boddy was sick and tired of Mrs. Ho and her cooking, and had expressed interest in ‘getting rid of her’. Well, immediately after seeing that, Yvette sprinted back to the parlor and grabbed the first weapon she laid eyes on, the lead pipe. She saw Mr. Boddy slip into the bathroom to wash up and hide himself, and followed him in and bludgeoned him to death, then rejoined us before we even NOTICED that she was gone!” Wadsworth paused to take a breath.

“Well what’s next, what happens next??” cried Mrs. Scarlet!

“Hell lady, gimme a minute to breath, I’m not the only one who can deduce things.” After taking an exaggerated minute to breathe, Wadsworth continued. “I’m surprised you were the one to beg me to continue, considering what you and I both know comes next.”

Everyone shuffled away from Mrs. Scarlet, who stood, shocked and appalled.

“And what exactly is that meant to mean, butler?” she asked, emphasizing and venomizing final word.

“Don’t play sly, murderer” Wadsworth said “You killed Yvette because you were madly in love with Mr. Boddy! God knows what you saw in him, likely some twisted form of Stockholm Syndrome.”

“I did no such thing and I am shocked, appalled, and frankly, DISGUSTED that you would accuse me of being in love with that disgusting excuse of a man.” Cried Mrs. Scarlet

“Well its the only thing that fits, and additionally-” He started to speak, but was cut off by the the parlor door being straight up kicked down. Everybody turned and faced it, only to see…

MR. BODDY

Standing behind him were all the rest of the murder victims, although there was something just a little bit off about them.

“MR. BODDY?!” shouted everyone, in eerily perfect unison.

“In the flesh.” Boddy stated, amused.

“But, you were dead, we saw you dead, I know who killed you! I know who killed all of you!” said Wadsworth, stumbling over his words in his confusion.

“Didn’t you ever wonder what I did with all that money I was extorting from you? This house didn’t cost THAT much money.” He paused dramatically before continuing. “Although I love blackmail, my first love is SCIENCE. Ever since I was a boy, I’ve loved science, especially the more back alley experiments, the kind that aren’t necessarily ‘ethical’” he said, exaggerating air quotes around the word ethical. I’ve wanted to conquer death since I was a boy, and I’ve finally done it! The person you killed was actually my twin brother, who I was willing to put in danger because I had finally figured it out. How to bring people back. I brought you all here together because I knew that given the opportunity, you would all lose your you-know-what and kill somebody, giving me the perfect opportunity to test my new technology.”

“You created ZOMBIES” cried everyone, except not in unison, in a clamber of volumes and voices and tones.

“No, I’ve conquered death! And they obey my every beck and call! Watch! GO GET ‘EM BOYS!”

The small army of the undead lurch forward, with surprising speed and agility for what were essentially zombies.

Cue a Scooby Doo-style montage of all the guests being chased in and out of the rooms by the zombies, slowly getting picked off one by one is various comedic cartoony, cartoon violence manners, until they are all gone and the only one left is Mr. Boddy.

“Good job my pets! Together we will rule the world! Rule it! Mwahahahahahahah!”

Mr. Boddy gets so caught up in his evil plan and laughter that he doesn’t notice all his creations surrounding him maliciously. He doesn’t notice until its too late and he too gets got by the zombies. Final scene: freeze frame with all of the victims in a jumping group high five, the screen receding inwards on the scene until its all black. “fin” scrolls across the screen in a pretty cursive font.

This (three and a half star, written) assignment was to write and alternate ending to a film. The film I went with was Clue the Movie, released in 1985, set in the 50s. This was definitely a really interesting take, and the format of the movie made it very conducive to this assignment.

As far as process goes, I watched the movie last night, which has three alternate endings (all three of which are showcased in the watch at home version, but when it was first released in theatres, only 1 of the three was showcased at any given theatre). Thus, I just added another ending onto this movie. I tried to keep with the relatively light-hearted and comedic vibe of the film, but I wanted the ending to be a little bit less serendipitous and happy as each of the three actual endings were. I was writing out who murdered who, and in the midst of doing so, I realized I could really spice it up by completely changing the vibe of the movie. So I did that! Although the zombie thing is kind of out of the blue, so is the entire rest of that movie so it fits!

The other reason I chose to go with zombies was because it kind of made the movie fit into the mild angst vibe of the 80s that a lot of the other films have (while still being funny- at least to me). The attack of the zombies that kill everybody fits with the Night of the Comet angst, and the Many People Die is reminiscent of Heathers. What I liked about this movie was that it was more outright humorous than the other ones. Not to say I didn’t also enjoy the other ones, but this was a nice change of pace. One thing I struggled with on this assignment was actually trying to create something original and creative while still working within the constraints that the first hour and ten minutes of the film set up. The zombie line might be a little bit outside of those constraints, but the film never really revealed what Boddy did with all his blackmail money, and he obviously had a lot of it, so I did fill a plot hole! The other thing I struggled with was trying not to create any new plot holes with my ending, but I think I accomplished that (anybody who has seen the movie, how’d i do?) This was a really fun assignment, especially with this movie, 10/10 recommend!

watch out for zombies, – liz

Alternate Ending of Step Brothers: Spy Edition

If you’ve ever seen the movie Step Brothers, you know that at the end of the movie Dale and Brennan come together (after parting ways for a while) at the Catalina Wine Mixer and play one last song together and save the whole mixer (their jobs depended on it). For my alternate ending I would keep this ending the same, but during the last song these enemy spies would shoot a dart gun into Brennan’s arm (from the crowd) and he’d get super mad and all of a sudden both Dale and Brennan change into spy suits and start shooting around the place, doing back flips off the stage and chasing the enemies down into the sunset. Everyone at the wine mixer would be left in shock and the producers would end the movie there. Step Brothers 2 would then come out and it’d now end up being a secret agent series starring Dale and Brennan.

Supernatural: A Road Well-Travelled

The man that steps into the bar on a Friday night seems an ordinary one as any, as he takes his place at the barstool, ordering a quick drink from the bartender as he catches him walk by. Though, he’s anything but ordinary, in fact, he’s an angel; or perhaps, that’s all wrong, and the former is closer to the truth now. His shoulders slouch in a tired posture as he scans a few of the patrons talking animatedly nearby, his clothing disheveled, a plaid button-down wrinkled from the long drive, worn boots on his feet. He rubs his shoulder idly where he feels the dull ache of a pain from an encounter with a vamp a few states back, when he’d dislocated it in a nasty tussle. It won’t be fully healed anytime soon, he knows, the pain will linger for a few weeks. He’d even caught a grey hair in the corner of his eye through the rearview mirror on his way in.

Castiel feels human, evidenced by the fact that he feels so thoroughly in the first place. It’s always been his problem, caring too much, as he’s been told once or twice by his brethren and yet, nothing compared to this. His grace, having long since been damaged and broken, feels almost absent entirely now.

There’s only a small spark left in the way that his bright eyes scan the room as if they saw something others couldn’t, had seen more than anyone else here could ever imagine, that might suggest anything remarkably un-ordinary about him.

After a few moments sitting there with his own thoughts, he abandons his seat to sit a few stools over, where a truck driver’s spinning a tale of suspicious disappearances a few miles south of here. Castiel’s money is on a Wendigo, or with his luck, another nest of vamps. In any case, he knows his destination, now, and after bidding the strangers a good night, he steps back out into the parking lot. He spots angry looking clouds overhead and he counts himself lucky that he’s only going a few miles further, at least until he can find a cheap motel nearby.

In the cover of the night, Castiel goes relatively unnoticed as he slips into the seat of a black 1967 Chevy Impala, starting the car in a smooth motion.

“That’s it, girl,” he soothes, smiling to himself as the car engine roars to life, gently patting the center console. Considering life on the road, and the fact that he’s no natural born mechanic, Castiel’s managed to keep the car in excellent shape, smoothing over any scuff he’d find in the paint with loving attention. He’s the only one left to care for it, and so he does. Dean loved this car, his ‘Baby’, and now Castiel realizes it’s become the most important thing to him.

It seems quite ridiculous, for Castiel, who’s lived for so many millennia, who’s walked on Earth when the fish first grew legs and journeyed on land for the first time, to place such an importance on an old car. His brothers would laugh at him for it, no doubt, but those times, too, were long past. Castiel was an angel. The amount of time he’s spent in this car, the company he’s shared here, is negligible in terms of the big picture; only, it was the most important time of Castiel’s life, no less than everything, when counting what mattered.

He wonders, if now that he is human, he’ll have a soul, and when he reaches the end of this road, if he’ll join Sam and Dean Winchester in heaven. At the thought, his smile softens; somehow, for some reason, Castiel doesn’t doubt he’ll find his way there in the end.

For now, there is the road ahead: saving people, hunting things, a legacy that was his to continue. It’s what Sam and Dean would’ve wanted, and it’s what Castiel wants, what he needs. It matters, and so, with his foot on the gas petal, he drives out onto the open road.


The second writing assignment I chose, for 3 and a half stars, is this one, which asks you to write an alternate ending to a book, movie, show, etc. I took this opportunity to write for my favorite TV show, Supernatural, which ironically fits the theme of our class, as it follows two hunters who travel across the country hunting monsters, if you’re not familiar with it. I took a creative liberty with the assignment prompt as Supernatural doesn’t currently have an ending since it’s an ongoing show. That is also why I was compelled to write an ending for it, since I don’t see one coming out in the show in the near future, so I thought I’d try my hand at it myself.

For this short coda, I chose to write from the perspective of Castiel, my favorite character from the show, an angel who rebelled from heaven to help the Winchester brother’s save humanity. In writing this story, I tried to make it accessible to those who weren’t entirely familiar with the show. As it’s an ending of sorts, it did take on a somber tone, with the setting sometime long after the two man characters, Sam and Dean Winchester have long since passed away, with Castiel taking over as a hunter. The story was admittedly a chance for me to write a lot of introspection on Castiel’s character. Whether you’re familiar with the show or not, I hope you were able to enjoy the story!

Personally, my strategy for writing a story like this is to write down the story I’m picturing in my mind; if I have inspiration to write it and an idea in mind, I’m able to get into it and just see where those thoughts take me. When I saw the image of Castiel sitting at the wheel of the Impala in the end, I knew what I wanted to write for this prompt and just went for it. I know many people have a more structured approach to writing (which I should probably take up at some point), but that’s how I manage to write something, if I’m passionate about it!

The “Real” Ending of “California”

I decided to complete the alternative ending assignment for my novel, California, because I finished the book with a need for more. I am going to tell the original ending since most of the class did not choose this book, so there will obviously be spoilers!

The Original:

They didn’t discuss his long hours. Or the talking-with-the-shower-running. Or how tightly he held her at night, arms straining to reach across her belly. On some days, there was a furtiveness to his movements, the way he looked left, then right, as he approached the house, the way, when one of Toni’s messengers came with new Correspondence, he let out an unnatural guffaw. “Well, here you are!” he’d say, like someone’s pathetic uncle. On other days, he acted so smooth and comfortable here that the world settled around them like water, filling the empty space. On smooth days, it was as if they’d always lived this life.

If at other times, things felt a little off, so be it. If something seemed wrong, if it seemed like he had something up his sleeve, she could ignore it. Whatever her husband had agreed to, he had the best interests of their family in mind.

Her job was not to ask any questions. She and the child, they would stay here.

“Good morning, beautiful,” he said now, coming toward her.

Julie stood up to kiss her husband. “Good morning, Gray,” she said.”


I had a few problems with this ending. For those who have not read this book, Frida and Cal were living together in the wilderness post-apocalypse for a long period of time. They eventually ran into another family, who died, and they discovered an entire colony of people that was being led by Frida’s brother, who they all thought had died. This colony had no children or babies, and Frida revealed her new pregnancy to everyone before her brother and husband had wanted her to, causing them to be violently removed. However, her brother found them a place to live in a new community that is much more technological advanced, but they had to change their names, she is now expected to conform to gender norms, and they are constantly being monitored.

This was not ending I had wanted, and I was frustrated that the novel ended with sudden name changes. Here is my new (and I think improved) ending:

Alternative Ending:

Frida and Cal lived in the Community for several weeks, having nightly discussions with the shower running so as not to be heard. Cal struggled to reach his arms around Frida’s stomach. Her due date is only two weeks away.

“I can’t do this anymore.” Frida said suddenly as they were lying in bed.

Cal sat up suddenly, and ushered her to the bathroom, where he turned on the shower. “What do you mean you can’t do this?” Cal said. “This is the only place we’re safe. You know they won’t let us back on the land.”

Frida looked down. “I know we aren’t safe there, but we were fine on our own for years. How can we be expected to suddenly become Julie and Gray? Will our child even know our real names?”

Cal sighed. “Probably not, but we don’t have the resources anymore. We won’t survive on our own, Frida. I know you miss your brother, but Micah and Toni risked everything so we could live here. We can’t go back to where we used to be. They killed Sandy’s entire family, and they’ll kill us too.”

“But August-” Frida began.

Cal glared. “When they killed Sandy’s family, he just waited outside. He won’t save us. I know you don’t like the idea of not being able to do as much, but you’re going to have to get used to it. I won’t put our child’s life in danger for convenience.”

Without a word, Frida turned off the shower and they both walked back to their room. They got into bed, and Frida whispered, “Good night, Gray” before turning off the light.


It’s obvious that Frida and Cal would be killed if they went back to their camp, and an infant likely would not survive with the limited food and resources the couple would have living on their own. Their only choice really is the Community, but my alternative ending highlighted Frida’s stubbornness. She often thinks impulsively, but still wants what is best for her family. The original ending made Frida seem submissive and ready for a life where her only roles are mother and wife. This is not the Frida I grew to love (and hate at times) throughout the novel. Frida and Cal are both strong people, and it would have been difficult to have these huge life changes within a matter of hours.

World War Z Alternate Ending

Chesapeake, Virginia

[Charlee Faraday walks with me through the city she is currently living in and trying to raise back up (from the dead, so to speak). Her role is small but important, a local radio newscaster, talk show host, and DJ.]

I don’t know why you’re deciding to interview me, since I’ve heard your history of speaking with countless important figures and world leaders. But I’ll talk, if that’s what you’d like.

Before, I was a college student up in Fredericksburg. A couple friends and I had a little radio show that talked about shit that’s happened in our lives and on campus. We used the show to gain experience working with the equipment and maybe even fuel a latent desire in all of us to have our names known.

When the Great Panic started, we continued to provide coverage, and that got us into some trouble. Authorities don’t really like it if a handful of college students are inciting even more unrest than is already going on. But our listeners loved it, needed it. We were the main source of unadulterated apocalypse chatter. Where on campus was safe? Where was dangerous? Where had already been looted ten times over? We’d even get some names of people who checked in with us and broadcast them over the radio in case any of their loved ones were listening for some home.

Here, I carry around this little promo picture of our radio show group.

The foreground has the title “ALT-F4” with stacked binary 1s and 0s next to it. In the background is a blurred, green radioactive symbol.
What happened to the others?

We… went different ways, both literally and figuratively. Our sponsor, Professor James, didn’t really support us once the Panic hit. He was more worried about himself than our show, which I get. He bolted the first chance he got. Haven’t heard from him since.

Cypherpunk and Alex both stuck around and helped me with tech stuff, and boy did they get crafty once we had to go underground.

Underground?

Yeah, we were, for some reason, being targeted for spreading awareness. All we wanted was for others to be safe and to have a way of hearing the latest while also getting help about how to stay alive! But anyways, Alex and Cypherpunk connected calls and did all the techy things I was incompetent to do at the time. Naturally, I began to learn just by watching them. By the time Alex disappeared, I was able to do most of what he could before, maybe even better. Before you ask, yes I said he disappeared. I do not think he ran away, he’s too much of a chicken to have left us.

[Charlee laughs]

I say that playfully, our group would always make fun of each other like that. So when we had no clue what became of Alex, it was just Cypherpunk and I left and by then things in the world were getting a little too tense for us to keep up our funny shenanigans on the radio. We resorted to taking callers until service was dried up, then we would host people, give them a safe space to stay in exchange for being on the radio. A good amount of people wanted to stay, and our bunker was big enough that we let them, as long as they didn’t negatively interfere with our show.

At the first sign of someone being disruptive to other bunker-mates, we’d give them a warning. Second sign they were kicked out. That was tough, actually pushing people out of our bunker. With the first couple people, we felt so bad we let them back in. But there were some bad apples that were rotten enough that we knew it was for the best to kick them out. As you no doubt already know, the ability to broadcast on the radio got harder and harder. Eventually we didn’t even know if anyone was listening. We’d resorted to just talking about the end of days and how life in that dirty bunker was going. Some days we were loony enough to just start telling stories of Before. Finally, we had to disband because…

[Charlee trails off and then abruptly changes topic]

I like to think we saved some people’s lives. And you’d think that post-apocalypse my technology skills would have come up to nothing like all those Hollywood stars ripped down from their high horses, but I’ve made a life for myself. I work the radio communications for Chesapeake and the surrounding area, giving a healthy mix of news reports, music, and random commentary. I try to keep things light, optimistic, but still truthful. We have all been through the horrors of war. Even if those horrors are different for everyone, we are all impacted. Why should I continue making the worst out of that whole mess? I keep things light on my show, because as everyone now knows, too many heavy things will drag you down farther than where any zombie’s nails could dig.


This assignment that I am redoing is to write an alternative ending to a story. My previous attempt at this assignment was good, but I wanted to make something better.

I chose World War Z since it is the book I read for this class. I decided to use my character for the semester as the final speaker of the book only when I was thinking of a name to use and Charlee Faraday was the only one coming to mind. I have always thought that small examples explain bigger ideas better than ambiguous, abstract, or just plain large examples. So, because the ending of the actual book was sort of big and militaristic, I wanted it to be small and human by focusing on a single, mostly insignificant person.

Alternate Ending to The Screwfly solution

Its cold. I am wet sitting in a swamp. I am the last woman in existence. Where most woman would give up and accept their fate, i refuse. I pick myself out of the swamp once again and scavenge the nearby lands for anything of use that I may have missed. I also look for new ways to use common items. That is when I see it, the school bus. How could I have been so blind this entire time.

I decide to turn this school bus into my new protective living quarters. Using old boards and metal scraps, i barricade the windows and wheels so that no one can get in or out without using the lever. I also use wooden rods, barbed wire, and trash cans that I find to build defenses that can be used to attack as well when I drive the bus. I then move all of my rations into the bus. I calculated that these rations would last me about half a year before I have to scavenge again. Hopefully by then, the femicide will have subsided.

Now i wait…

Alternative Ending to “Finis” By Frank L. Pollack

Alice crept closer to the man as the grey light rose upon the watery air.

“Kiss me!” she whispered suddenly, throwing her arms around his neck. He could feel her trembling. “Say you love me; hold me in your arms. There is only an hour.”

“Don’t be afraid. Try to face it bravely,” stammered Eastwood.

“I don’t fear it—not death. But I have never lived. I have always been timid and wretched and afraid—afraid to speak—and I’ve almost wished for suffering and misery or anything rather than to be stupid and dumb and dead, the way I’ve always been.

“I’ve never dared to tell anyone what I was, what I wanted. I’ve been afraid all my life, but I’m not afraid now. I have never lived; I have never been happy; and now we must die together!”

It seemed to Eastwood the cry of the perishing world. He held her in his arms and kissed her wet, tremulous face that was strained to his.

The twilight was gone before they knew it. The sky was blue already, with crimson flakes mounting to the zenith, and the heat was growing once more intense.

“This is the end, Alice,” said Eastwood, and his voice trembled.

She looked at him, her eyes shining with an unearthly softness and brilliancy, and turned her face to the east.

There, in crimson and orange, flamed the last dawn that human eyes would ever see.

CONTINUED

A town had prepared for this very moment, moved the whole city down miles, far enough that the new star would not harm them.

A new society is created from the ruins dawning fear that anyone who tries to go to the surface will be destroyed in seconds.

300 years passes, their supplies drop and population rises.

The people from the ruins have never seen the day of light in 3 centuries, so they have no clue as to what is happening on the surface.

A group of activists protest and request they check on the Earth’s surface once more.

However, the majority believe it is still dangerous to go up.

War erupts below the surface and casualties go up every day.

Finally, the ruler of the surface dwellers gave in and allowed a team to go up to the surface to see the current conditions.

Weeks pass by as they prepare a recon team to go up the the surface.

The day comes and the recon group come to the large rusty door, the size of a two story home, that has not been open for 300 years.

It budges open after some hard and determine turns.

A soft white light emerges from the crack and the recon team could not believe what their eyes see…

Green and blue…

Finis (Alternate Ending) by Frank L. Pollack and David A. Slupek

*As the two main characters in Finis are in their shelter hiding from the intensity of the new sun (star) that just reached the Earth*

The two were stranded in the bunker with an odd sense of comfort and insecurity at the same time. They were conversing and turning over possibilities on how to survive once the new sun goes down.  They suggested so many ideas, but when it came down to it, Eastwood said that they should try to leave the shelter as the temperature outside went down. He figured if they were able to contact other people, then they would have an opportunity to set up a force field to shield the planet from the light waves.

After weeks of traveling around the town, Alice was getting tired of the lifestyle and running low on energy, while Eastwood was oddly enjoying the apocalyptic days and his new survivalist nature.

One morning Alice had had enough, she went outside to watch a final sunrise and found herself in awe of the heat and light produced from the new star as she burned to a crisp. That very night, Eastwood had come in contact with a scientist named Johansen who had developed a method to shield the planet, but was unable to create his shield because he did not have the raw materials. Johansen gave up hope, leaving Eastwood to create the shield and repopulate the Earth.

The End (Its supposed to be a cliffhanger…get it?)

 

Alternate Ending to “There will come soft rains” by Ray Bradbury

In the nursery the jungle burned. Blue lions roared, purple giraffes bounded off. The panthers ran in circles, changing color, and ten million animals, running before the fire, vanished off toward a distant steaming river…
Ten more voices died. In the last instant under the fire avalanche, other choruses, oblivious, could be heard announcing the time, playing music, cutting the lawn by remote-control mower, or setting an umbrella frantically out and in the slamming and opening front door, a thousand things happening, like a clock shop when each clock strikes the hour insanely before or after the other, a scene of maniac confusion, yet unity; singing, screaming, a few last cleaning mice darting bravely out to carry the horrid ashes away! And one voice, with sublime disregard for the situation, read poetry aloud all in the fiery study, until all the film spools burned, until all the wires withered and the circuits cracked.

The fire burst the house and let it slam flat down, puffing out skirts of spark and smoke.
In the kitchen, an instant before the rain of fire and timber, the stove could be seen making breakfasts at a psychopathic rate, ten dozen eggs, six loaves of toast, twenty dozen bacon strips, which, eaten by fire, started the stove working again,hysterically hissing!
The crash. The attic smashing into the kitchen and parlor. The parlor into cellar, cellar into sub-cellar. Deep freeze, armchair, film tapes, circuits, beds, and all like skeletons thrown in a cluttered mound deep under.
Smoke and silence. A great quantity of smoke.
Dawn showed faintly in the east. Among the ruins, one wall stood alone. Within the wall, a last voice said, over and over again and again, even as the sun rose to shine upon the heaper rubble and steam:
“Today is August 5, 2026, today is August 5, 2026, today is…”

CONTINUED…

A man with a fedora, satchel, whip, and looks similar to Harrison Ford enters the home.

He scurries around the house looking for a place to hide with seconds til doom.

At last he finds the best suitable shelter to hide in to survive.

He opens the refrigerator door and empties the contents.

The earth is rumbling, sky is blinding bright, and can feel his demise.

He successfully closes the door!

The man, woman, and children are incinerated in seconds.

The refrigerator flies through the sky, tumbles several times til it lands miles from the blast.

The man pops open the refrigerator and crawls out, first thing he sees is a prairie dog.

Then taken by the government and is washed down by a radiation team.

 

 

A Different Ending

The alternative ending to Tupac Shakur and The End of the World:

“Jack just please shot me” I beg as my body slowly starts to hardened.

“No, I wont kill you, just wait little there have got to be someone here that can help you” Jack says

but I did not care if or if not there was a cure, all I knew was that I was dying and that I refuse to suffer at the mercy of the Creep, so said once again “Please, Jack shot me, end this, do it for…….”

“Susan… SUSAN!” screams Jumping Jack

With all my strength I say “Light”

Jack looked up and as we drove closer we could see a large building lit up with lights

“Maybe there is some hope” I thought as my body become completely taken over by the Creep.