This is 3 star design assignment 367, “DS106 Propaganda Posters.” The instructions were “Create a propaganda poster for ds106. Use your photo editing software of choice and write a message to inspire your fellow ds106ers.” I edited a Rosie the Riveter poster!
I’ve always been a fan of Rosie the Riveter. She is a cultural icon in the United States even to this day! She represents feminism and all of the women who took over men’s jobs and worked in factories to produce supplies for the war during World War II. Who wouldn’t look up to Rosie?
I used PicMonkey to edit the poster! It was pretty simple! So fellow DS106ers, WE CAN DS106! Make art.
This week I found another block of time through which to sprint after a number of ds106 design assignments. I had some trouble narrowing down which assignments to tackle until I began them; clearly, I do not yet have the patience or chops for some of the work, so it’s great that the ds106 community has shared so many different ideas for assignments. I hope to contribute some ideas this summer and fall as I try to implement a more ds106/MOOC feel in my middle school classroom.
Here are my basic hardware and software specs for the week: MacBook, OSX 10.6.8, 2.26 GHz Intel Core Duo 2, 2 GB of memory, Chrome, Wacom Bamboo tablet, SketchBook Pro (for drawing), Acorn (for fills and copy).
This week the work is not in any particular order. I made an animated comic book cover that looks pretty crummy next to all the awesome examples out there. I don’t yet have the animator’s patience to pull off a decent attempt, so I’ll pass on sharing for now. It was a simple snikt effect.
I’m becoming interested in how the community categorizes tasks. At times today, I definitely felt like a designer; at other times, I felt more like I was tweaking a pre-existing design for my own education (which seems more like a visual task to me), or mashing-up a number of designs. Some of the visual assignments feel like design tasks, too – like the album cover. I’d love to hear more about how contributors and organizers think of course- and task-design.
I take a ton of screenshots in Minecraft. I love discovering new sights in Minecraft, as well as new perspectives on familiar places. I ask students to take a ton of screenshots, too, so I can share their work easily through blogging. (Teaching in a multi-age classroom in a middle school, I haven’t yet solved the riddle of whole-class social media use, so I try to collect and share as many digital photos and artifacts as possible.)
For this assignment, I looked through my ds106-server screenshots, found a picture I liked, cropped it some, and then appended a snappy postcard/bumper-sticker-ready punchline in Acorn. Lastly, I mocked up a simple back for the card and let it be.
Since I wrote about how much The Road terrified me when I posted my Liminal States story-shape, and since The Road showed up as the exemplar for this assignment, I went back to Liminal States and riffed on my fake album cover assignment; with Liminal States you really can’t go wrong with a boy and his dog.
However, I wanted to use a different image this time around, so I found
“>a picture of a boy dressed as a cowboy riding a dog in The Commons on Flickr.
I brought the photo into Acorn and composed the rest of the cover there, darkening the bottom band to offer better contrast for the tagline.
The boy dressed up as a cowboy reminds me of my [privileged, white male] love for archetypes, even though many of those archetypes make horrible, horrifying decisions, like the genre-riffing characters of Liminal States. Moreover, in the book, youth – the eternal kind – is not all its cracked up to be. Considering the source material, it’s also significant that the boy and the dog clearly have different ideas about what’s going on and are, in fact, headed – or at least looking – in separate directions. The presence of grass is germane to the novel, as well.
I picked Trajan Pro for the font because it has that somber, elegiac, official feel like the title of a Tom Brokaw book.
The tag line is neither entirely true nor entirely false in its description of the book.
I’ve cartooned myself many times – some examples can be found here, here, and here. There’s even a short comic I drew about the first year of our school out there in a filing cabinet somewhere.
I find using a cartoon alter ego to be very helpful in breaking up the monopoly that text holds over my blogging, and I like to use drawings in class materials, as well. Cartooning is a good way to and bring some humor to the engrimmening proceedings of American public education.
For this assignment I wanted to draw myself differently than I normally do, so I went online and searched after
“>an image of Savoy from the comic Chew as drawn by series-artist Rob Guillory. (I have no idea why I’ve never cosplayed Phillip Seymour Hoffman playing Chris Farley playing Savoy, but I know I could rock it.) I like Guillory’s style – it’s cartoony, dynamic, busy; as with Jeffery Brown’s completely different work, it makes me think I could draw a comic. It gives me hope.
I tried to capture Guillory’s sense of Savoy’s form, but left much of the interior clean, as I tend to do in larger work; paradoxically (maybe)I detail little doodles like crazy. I also colored myself for a change since I usually work in black and white.
I drew myself in SketchBook Pro using a 2.5-sized brush rather than a 4.0-sized one so that I my line would look more like Guillory’s and less like mine. I began with a blue-line drawing and then added a layer for a black-line drawing to bring into Acorn. Then I deleted the blue-line layer, switched to Acorn, and colored myself.
To make my own, I went for a popular, yet nerdy, property – The Lord of the Rings. In looking at spacesick’s use of patterns, I decided to use a ring motif to build Mount Doom and to perch Suaron’s eye atop it. I used a different color/material for each level of rings: silver for the Elves, bronze for the Dwarves, and iron for the humans. While that progression isn’t canonical, I used it to bring more color to the page and to communicate of how Middle Earth rank-orders its species. I could have made the other rings all white and left the one ring golden, but I am not at all unhappy with this design. I wonder also about linking the rings to show their interconnectedness in a chain-mail kind of way.
I used Acorn to compose the cover. I read up on spacesick’s fonts
“>here. The projector is the only element I lifted directly from any of spacesick’s covers.
Finally, I opened the image in SketchBook Pro for some final touches with textured brushes to worry the cover.
I’m really eager to see more of these designs from the ds106 community.
I’m not sure why this assignment is worth zero stars; I think it should get two.
For this task, I decided to make a children’s book cover for a hard science fiction novel – House of Suns by Alastair Reynolds. I love that book. It gives me hope.
My cover, however, gives me the giggles. It’s so profanely incongruous – and yet so weirdly apt – that it delights me.
House Of Suns for kids
I drew the cover in SketchBook Pro and then colored and lettered it in Acorn.
As I hunted down stray pixels in Acorn, I discovered that it’s much easier to draw and paint in that program while zoomed in a level or two (this is both an a-ha and a duh moment). I still prefer SketchBook Pro for drawing, but it was satisfying to find a way to draw and color productively in Acorn, as well. At the default zoom, even a medium-sized brush can disappear on-screen in Acorn because its reticle isn’t persistent. That means if you’re trying to paint stray pixels in Acorn without zooming in, you lose the tip of your brush if your brush color is the same color as your background. That frustrated me greatly, but now I know that it’s easier to keep track of your brush tip while zoomed.
I hope others will jam on the idea of making children’s book covers for novels meant for adults.
Aude aliquid dignum: dare something worthy. I try to approach teaching and learning as if they were the most worthy things I could do and help others do. I think it’s important to ask kids to do worthy work. I think it’s important that teachers dare to resist the standardization of education. I think it’s important and worthy that we talk about how to subvert the status quo in our primary and secondary schools so that learning matters to kids, their families, and their communities. So here it is:
Aude aliquid dignum
I made the image in Acorn. I tried to minimalize the sans-serif text’s presence on the page without making it illegible (I probably cut too much of the “g”). Then, while trying to stay away from the Dr. Manhattan symbol, I made a little hydrogen atom to frame the words, with the “e” inside the electron. Hydrogen is a pretty minimalist element, but the proton and electron are also the building blocks of everything else. Hydrogen can exist by itself, but atoms do great and terrible things together. We humans can do the same, inside and outside Minecraft, a game about building – and/or destroying – alone and/or in a community!
I put another atomic particle in the upper right-hand corner so that the eye would be drawn there in an attempt to connect the two white spaces with one another over distance, which made me think that maybe the electron (which wants to create a bond) is also little person or organism looking to the stars and wondering how to connect with another being over a vast distance. I think connecting is worth daring.
I found a CC-licensed picture of a glorious, insanely detailed, embroidered Moss, brought it into SketchBook Pro, and traced over Moss’s hair and glasses. I used green in homage to the show’s pixelated, primitive CGI credit sequence. Then I went into Acorn to fill it in and clean-up white speckles left over in Moss’s hair and glasses.
For this piece, I searched The Commons on Flickr for propaganda. I went into my search looking for an ad or poster about building a shelter. I wanted to make a visual pun on our Minecraft work. However, when I found this picture, I switched gears. I hate Creepers. I’m playing the ds106 server on survival mode right now, and the Creepers have not been kind. If you look at my stretch of the beach on the server (behind camp), you can see how much Creeper damage I’ve had to patch. Finding a way to rally against the Creepers was just what I needed to lift my spirits.
I grabbed a CC-licensed picture of some Creeper cosplay. I took a screen shot of the head and cut out the background in Acorn. Then I brought in the propaganda poster. I used the scale and perspective transformations to size, angle, and position the Creeper heads. Then I made the heads monochromatic and color-matched them to their bodies.
Beat the Creeper
Now I’m ready to go back on the sever. I hope someone will put this poster into a ds106 texture pack for Minecraft!
#DontBlogNow starring Martha Burtis and Alan Levine. Somehow featuring the Bava, Timmmyboy, and Slaughterhouse 4. I did a lot of cutting, filling, and smudging in Acorn. I grabbed the movie poster here. I found Martha here and I found Alan here. I sepia-toned their faces, shrunk their heads, and then altered their saturation and brightness to help their faces better fit the gestalt of the photo in the poster.
#DontBlogNow
I love how different their expressions are, as if Martha has caught on to something that Alan is asking about again. “A serial killer in a red raincoat? Really? Was that a deliberate design decision? Where?” “Over-ay ere-thay, Alan-ay! Et’s-lay o-gay!”. Why someone snapped a photo of them at this moment I will never know.
I picked Don’t Look Now to avoid making a quick and easy visual pun about a movie I loved. I despise Don’t Look Now. I loathe that movie. I will never go to Venice. I refuse to look at myself passing on a boat. Forget it.
I will, however, spend hours remixing the film’s poster.
I just wish I was better at digital production – I really like the way the poster turned out, but I wanted it to be perfect, like my utter, unutterable, intangible, illogical contempt for this Don’t Look Now.
That’s it for today’s products. As I go further into the ds106 experience, I’m trying to stick with at least a few assignments per week that push me out of my comfort zone. I also want to balance the camp nature of camp with the profundity of the learning experience available to me here. I need to socialize more with my fellow campers, too.
I try to teach to what kids are doing in my classroom; in the same way, I’m learning to design what I discover instead of trying to design what I plan. It feels good.
I found my new best friend for this project, eyedropper tool. This tool on photoshop allows the user to mimic the color scheme on a certain point of a picture. Once a user has the his/her desired color you can brush over parts of the poster with the exact same color as the background. For this picture I downloaded WWII poster and then I used a spot healing tool as per the advice of my peer, Feng Chen, to erase the original text of bottom portion of the picture. I then selected the top portion of the text using the eyedropper tool I got the exact color used for that text. I then simply used that text color for the text I inserted at the bottom of the picture.
Motivation
Props to Daniel Zimmerman for this great idea. I must say I agree with Groom’s fascination with simplicity in art. Just like remixing the video game covers the more subtle the change can be done the more provocative it can be. I feel if we were to take time to dramatically alter several important aspects of a picture it would remove some of the charm of a simple text replacement. Hopefully Groom can comment on this so he can fully articulate why he loves simplicity in art. In terms of what I tried doing with this assignment I once again emphasized the difficulty of this course. This is a 100 level course but the work load is more similar to a 300 level course. Although the difficulty of this course causes a time suck on my daily life it is worth it once I sit down and actually thoughtfully complete these assignments. So the altered message of my WWII poster is meant to be a metaphor of this course. War is difficult so is this class. But the work and effort in War is worth it, just like Digital Storytelling.
And this is my final product. Just to point out the changes I made, obviously I changed the text at the top to say “DS NEEDS US STRONG”and the text at the bottom to say “MAKE ART DAMNIT! Office of DS106 Fredericksburg, VA” As I typing that, I wish I had not put Fredericksburg, but something more universal like “Internet, World” or something like that. The other changes I made were taking the child out of the center and moving the adults further apart. Then I gave the person on the left a hook for a hand. My motivation for this was half because I wanted him to have a hook and half because I don’t have talent enough to redraw his hand properly. I gave the person on the left a tentacle arm for basically the same reason. I wanted to make a subtle change to both people to imply the creativity part of the poster, but my ability limited me so I chose to only change their arms. I also removed the fork and closed the mouth of the background silhouette.
How I Made It:
This is my first real try at using GIMP or any photo editing program. It was hard and frustrating and I would say overall a success.
The assignment was to Create a propaganda poster for ds106. Use your photo editing software of choice and write a message to inspire your fellow ds106ers.
Process:
I took one of my old photos that I had recreated on illustrator and placed it into photo shop. The photo I recreated is a painting of uncle Sam. I then created a layer to add a thick dark border. the last layer was used for the text.
Story:
The story behind this assignment is simple. I created this photo not to fill the requirements of ds106′s needed, but to remind me to do more assignments. The best propaganda posters are the posters used to inspire ourselves first, and others second. So I created this to use as a wallpaper to remind me to do more work.
ds106 Propaganda posters– they seem to be calling from many places; I came across a great collection at Shorpy (another mint archive for visuals from the past). Hence a warning poster about ds106:
The backgrounds of the text were pretty much solid, so it was a matter of picking some fonts from what I had installed in Photoshop. Bauhuas worked ok for the top headline. I did not find exact copies for the script font, so I used Savoye LET and the bottom text was using Marker Felt.
Heck I was tempted to leave the white cursive text as it was
I found the poster in a Google image search for “propaganda posters”. The hard part is finding a poster that lends itself to replacing the text by way of its layout. When text covers any part of the image, you’re pretty much stuck with that text unless you are a badass.
I used the clone tool and healer tools in Gimp to clean out the original text. Then I took the stencil font for the first words, and this Soviet font for “communists”. I used the dropper tool to select which base color red and then used the burn tool with super high jitter to give the red text a more marbled look. Then a little bit of super low opacity blur tool on the black text and it looked like that. The whole process took about an hour since I had no idea what I was doing initially.
Design Assignment 367: Time to let out your inner Big Brother! Create a propaganda poster for ds106. Use your photo editing software of choice and write a message to inspire your fellow ds106ers. For example, I took a WW2 poster about increasing ammunition production, and turned it into a poster promoting tweeting.
I witnessed Daniel come up with this design assignment idea, work on it, and reveal his work in real time on twitter (see below), and it was so much fun to share in his excitement! I cannot express enough how great it is to be part of a community that shares their enormous ongoing creative energy and also feed off of that energy from each other. Who would’ve thunk? AHHHHH! and right at this very moment, I came up with ANOTHER IDEA!! I’m not kidding!
Product 1:
Product 2:
This one didn’t turn out so well. Font problems…
The Process:
I found the propaganda posters HERE and HERE and went to work on Photoshop CS4. I had the most trouble with the fonts, but after cutting, pasting, matching colors with the dropper and paint tool, I got them to look fairly decent.
Here are the side by side views of before and after:
For the “Big Brother” poster, I found the below photo of Jim Groom HEREand edited it as follows:
Made it a little brighter by adjusting the levels in: Image–>Adjustments–>Levels.
Gave it a posterized effect by: Filter–>Artistic–>Poster Edges and played with the adjustments there.
Changed it to black and white and added the brownish tint by: Image–>Adjustments–>Black&White–>Tint.
Added the letters “DS” and “106″ on his sunglasses by using “cracked” font and then added the word again at the bottom but larger.
Picked up the light brownish color from his face with the dropper tool and changed the color of the word “DS106,” then lowered the opacity a little by using the opacity lever in the layers window.
Me and the gals learned to stop worrying and love the propaganda.
Because we’re in DS106 now.
This is an ANIMATED propaganda poster. I used Photoshop and very crudely selected out the bits I wanted to erase, used the eyedropper to select the background colour and filled in parts. This was not satisfactory in some sections so I had to use the rubber stamp tool to clone and get the right variety of colours. Thanks to @cogdog I was able to use the opacity animation feature to make a layer 100% to 0% visible across the animation timeline. I never knew that was there! There are also animation ability for position which would have made my bread head assignment way easier to do, instead of using nudge, you can just set key frame position and Adobe figures out the tweening for you.
Learning, learning, always learning! (hmm…sounds like another propaganda poster)