My First Bite of DS106

After several failed attempts at joining previous iterations of the DS106 online course, I’m making a more focused, disciplined effort this time around. Don’t know about DS106?

“Digital Storytelling (also affectionately known as ds106) is an open, online course that happens at various times throughout the year at the University of Mary Washington… but you can join in whenever you like and leave whenever you need. This course is free to anyone who wants to take it, and the only requirements are a real computer, a hardy internet connection, preferrably a domain of your own and some commodity web hosting, and all the creativity you can muster.”

For my first magic trick–er–assignment, I give you a meticulously hand-animated1 gif from one of my favorite films…

jaws

I like to imagine some silly, cartoon-y music playing in the background while I watch this.

  1. Well, Photoshop animated. “Hand screen-captured” doesn’t have the same ring to it.

Automated holster action from Robocop

Automated holster action from Robocop for a Gun Crazy GIF celebrating DS106 GIFfest. Robo’s gun spinning and holstering sequence is reminiscent of a Sheriff in a Western. A lone (rebuilt) lawman responsible for cleaning up the town.

Deleted Scene from ā€œReƧette Pas NĆ©cessaireā€ Later Shows Up in ā€œThe Shiningā€

“Deleted Scene from “ReƧette Pas NĆ©cessaire” (print damaged during processing) by aforgrave, on Flickr

A poorly developed film negative (see above) resulted in this scene being edited out of the final cut of the third film in Julia Child’s “Le Chef de la mort”Ā action trilogy, “ReƧette Pas NĆ©cessaire.”

You can get some sense of the original drama in this animated GIF assembled from two frames salvaged from the scene:

“Deleted Scene from “ReƧette Pas NĆ©cessaire” (restored as animated GIF) by aforgrave, on Flickr

As her fans know, Child was often heard exclaiming, “Why use just one knife, when a cleaver and a handful of knives can do such a better job?”

It is commonly agreed upon in Hollywood by people in the know that due to the unfortunate mishandling of the original negatives for this scene in “ReƧette Pas NĆ©cessaire,” when the effect was again attempted many later by the same cinematographer while working on The Shining, it was the latter film that benefited from the first exposure of the effect to theatre-going audiences.

A GIF from The Shining, commonly agreed to be derivative of the original (but damaged) scene from the much earlier Julia Child film “ReƧette Pas NĆ©cessaire.”

Most agree that, despite the improved technology used in the later film (better lenses, larger film stock, and most notably, colour), the use of a single knife and the absence of a corpse within the shot diminishes the effect from that of the Child original. There is no doubt that the later entry is clearly derivative.

“Oh, we saw The Shining once on VHS,” Child said many years later. “It doesn’t bother us in the least. We had fun making our films, and after a career of sharing our expertise in both the cooking and film industries, we’re just happy to see that our work is being valued and re-served to sate the appetites of today’s young people.”

This is my first official (albeit contrived) entry for the Visual Assignment 2: Say It Like the Peanut Butter assignment. Yes, this GIF is from television, rather than from a favourite movie, but it stands on the originality of the flickering knife effect, the resultant homage that it pays to the assignment, and also helps to set the record straight about the true origin that Shining GIF. LOL.

(In actuality, a static image from this would have been my preferred photo source for The Daily Create TDC 381: Julia Child Action Poster, but the quality of the video was too poor and too dark.)

The Django Stare

django

This was a clip from the trailer of the movie “Django Unchained.” (LOVED this movie!) I created this GIF by downloading the trailer from Youtube and singling out this section by trimming it in Quicktime. I then went to Photoshop, imported the clip into layers, and adjusted the amount of time it took between layers (0.05 seconds). Finally I saved it as a .gif by going to File–>Save for Web and Devices–>Save.

The challenge that sometimes occurs is getting the file size down to a certain number of MB; if the number is too high, it wont upload anywhere! Mine was originally 3.4 MB, but I turned it down to 1.5MB by changing the size and reducing the amount of colors. (You can adjust all these settings after you go to “Save for Web and Devices”)

Moo Moo Says The Boid GIF

Moo Moo Says The Boid GIF

Moo Moo Says The Boid GIF, originally uploaded by Rowan Peter.

A dancing bird inspired Moo Moo Says The GIF for DS106 GIFfest. If only I read the assignment brief correctly. Animation is restricted to COWS ONLY. Other animals are not included in the assignment brief. Maybe, just maybe these boids could be considered an unofficial remix.

Lt. Vincent Hanna demonstrates how to feel the music

Kaneda gets Gun Crazy

Kaneda gets Gun Crazy, originally uploaded by Rowan Peter.

An Akira themed Gun Crazy GIF for DS106 GIFfest (Extended).

Shotaro Kaneda gets Gun Crazy while battling Tetsuo Shima.

Two guys and their Miniguns

Two guys and their Miniguns

Two guys and their Miniguns, originally uploaded by Rowan Peter.

A Minigun themed Gun Crazy GIF for DS106 GIFfest (Extended).

With its rotating barrel, cascading cartridges and dramatic muzzle flash the Minigun seems to be the weapon of choice for movie characters who need to battle against great odds. Terminator 2: Judgement Day and The Matrix are two of the many films that feature a Minigun.

Animate 2600: Missile Command

In the midst of the ds106 GIFfest came a flurry of posts from Jim Groom in which he animated some classic Atari 2600 games. His 8-bit Noir was brilliant, comparing Night Driver to the classic black and white film, The Killers. What really got me jonesing pretty bad to create one of my own was his Haunted House GIF. I’m not going to try and pretend that I have the same sort of nostalgia for Atari 2600 games the same way Jim and those a few years older than me do; I was born in 1979, and while my house was filled with bleeps and bloops in the 80s, I played most of the classic Atari games a few years after many of the era experienced these classics during their “first runs”. Still, I’d like to think my memories of these 8-bit wonders aren’t any less significant.

missile-command

Missile Command is probably one of the fondest memories of gaming from my formative years. I’ve played it in most of its incarnations, from the Atari 2600 and Macintosh, to the re-imagined versions on the Nintendo Gameboy and even the iOS platform. What makes this game such a memorable piece of my gaming history is the opportunity it gave me to garner a class period free from work and lab write ups in Chemistry. Mr. L had an aging Mac in the corner of his room that had a few graphing applications and some video games, one of which was Missile Command. Having endeared myself to him earlier in the year by memorizing the theme song to the Road Runner Show, he gave me a turn at Missile Command while I waited for a paper to be graded. Not realizing how practiced I was at the game, he turned back towards his desk, leaving me to spend the next 15 minutes blasting nuclear missiles from the digital sky.

When he finally realized how much time I had wasted (his fault entirely of course), he tried to kick me off the computer. IĀ invokedĀ his unofficial “but I haven’t died yet” rule, which gave him pause. Would he risk losing his status of the coolest science teacher in school by kicking a kid off the computer despite having all my work mostly done, or let me continue to monopolize the machine? His solution was rather brilliant; he taped a piece of paper over the top half of the screen, and grinned at me. “Go ahead and see how well you do now, Rimes”, he challenged me. Thinking he had gotten the better of me, and that I would soon be dead, he called over a few other students to see how long it would take me before I choked. 5 minutes later I was still blasting away, and in a fit of annoyance, Mr. L lowered the paper so only the bottom third of the screen was visible, making it impossibly difficult to catch all of the missiles before they hit. I shifted strategies from the typical “high orbit intercept strikes” to defending just a few cities. I watched a couple go up in nuclear flames, the millions of virtual inhabitants turned intoĀ casualtiesĀ of war, and feverishly watched for missiles coming towards the two cities closest to the central launch pad.

By this time a small gathering of the class was behind me, cheering me on, and eagerly watching both the computer screen and the clock; I had managed to derail any meaning productive work for at least 25 minutes now, and with another 10 minutes of “must defend” mode, I had successfully helped many in the class avoid their work for the better half of the class period. I wish I could say how the class period ended; whether I gave up or the pressure of having all of those eyeballs behind me getting the better of my missile-launching trigger finger. I don’t actually recall how the class period ended, butĀ neitherĀ I nor anyone else in the classroom got to play any of the games on Mr. L’s old Mac again. I had destroyed his goodwill, and despite enjoying a day without worrying about whether my lab write up fit the proper grading template, I still had to do the work at home that evening.

I’d like to think that everyone has a story like this to tell about a teacher they’ve had; a time when you had a chance to “escape” the usual routine of the classroom and steal a moment or two to connect. I had a blast in Mr. L’s class, and despite spending a good half an hour goofing off that day, I did really well in in the Honors Chemistry course. That, and for a nerd like myself, it helped give me a little boost to my ego, something a heck of a lot of teenagers can appreciate.