The Assignment: āAdapt a famous artistās work to change or reinforce its possible message.ā
Hereās how this is going to work for the most dramatic of reveal effects. First, I am going to show you the original. Then, I am going to tell you what I changed and why. Finally, the result.
I chose to modify Gustav Klimtās masterpiece entitled āHope, IIā. Here is the original:
“Hope, II” by Gustav Klimt
I undertook the manipulation with two goals: To emphasize the golden luminosity that is one of Klimtās hallmarks, and to darken the main subjectās skin.
Now, I absolutely adore Klimtās work for his use ofI would have been pleased if I could have made the background literally move, glowing darker and brighter, but modifying the rest of the picture to my standards was long and difficult enough without attempting to make a gif as well.
The choice to darken the womanās skin was based on my interpretation of the picture. Klimt titled this piece āHope, IIā for a reason. When I saw this picture, I interpreted it as a pregnant (or simply fertile) woman being carried (literally or metaphorically) by her peers/other women. The position of her hand is nearly religious, making me wonder if this is a representation of Mary, pregnant with Jesus. In that case, the women carrying her are carrying the hope of humanity on their backs. They might represent the unique sisterhood women share by simply being women, or perhaps they express the lineage of women that eventually lead to Mary. It makes me think of the famous sentence Isaac Newton penned, āIf I have seen further it is only by standing on the shoulders of giants.ā Essentially, Mary is standing on the shoulders of her female ancestors.
Now, I recently watched āChildren of Menā, an amazing, heavily thematic and thought-provoking film, the premise of which is that women have become infertile, leading to a world of humans without hope for a future. They are, essentially, all just waiting to die. When a young woman named Kee becomes unwittingly pregnant, it throws the world for a loop. There are many religious and spiritual motifs, the most obvious being the Nativity story.
In a bold move, the director Alfonso Cuaron chose to cast Kee as an African, in response to the recent African origin of modern humans hypothesis that suggests that humanity began in Africa and moved across the world from there. I loved this choice, and wanted to āupdateā Klimtās āHopeā to reflect this scientific possibility. Mary may not have been African, but as a symbol of humanityās origins (in a sense), I think this works.
Here is the result:
“Hope, II” Re-Invisioned
This didnāt take me nearly as long as some other projects Iāve done so far for this class, but I thought I would be cool to make a time-lapse video. It starts out about half-way through the job, and covers about 45 minutes of work in 4 minutes (couldnāt really get it down to anything shorter).
[TO BE ADDED]